Sentences with phrase «between modern cities»

Miguel Covarrubias: Drawing a Cosmopolitan Line presents artwork that links Covarrubias» commercial art, scholarly publications, and studio practice, to demonstrate the cosmopolitan modernism of his life and work, which were deeply influenced by his life - long practice of moving between modern cities and sites remote from New York or Mexico City.

Born in Drumchapel on the western edge of Glasgow in 1967, Alasdair Wallace grew up on that unfixed and unsettling margin between the modern city and the countryside that surrounds...

Not exact matches

Peter L. Berger, The Sacred Canopy; Peter L. Berger, A Rumor of Angels: Modern Society and the Rediscovering of the Supernatural (Garden City, N.Y.: Doubleday & Co., 1969); Mircea Eliade, Myths, Dreams and Mysteries: The Encounter Between Contemporary Faiths and Archaic Reality (London: Harvill Press, 1960), 19; Clifford Geertz, The Interpretation of Cultures, 107; Wade Clark Roof, Community and Commitment, 156; Philip E. Slater, Microcosm: Structural, Pschological and Religious Evolution in Groups (New York: John Wiley & Sons, 1966).

In his book The Secular City, theologian Harvey Cox in 1965 presented a significant challenge to Western theological thought by highlighting the difference which existed between the natural agricultural environment in which biblical thought had developed and the urban social environment of modern life.

If, as Walsh himself writes, «the great challenge is to find a means of bridging the gap between... personal growth of the soul and the common ethos,» (313) then the Christian and modern evocation of the mystery of personal existence must not lose touch with the insuperable bond between the good of the soul and the good of the city.

There is much to ponder in her refreshing and warmly appreciative readings of the City of God and the Confessions, and in the surprising affinities she traces between Augustine and modern writers like Albert Camus and Hannah Arendt.

The beginning of the movie illustrates a sharp contrast between the bustling modern city and the simpler village life of an African bush tribe.

Jeanne Aufmuth's empty nest list, recounted in the anthology «Writin» on Empty: Parents Reveal the Upside, Downside, and Everything In Between When Children Leave the Nest,» includes learning hip hop, polishing her Spanish, taking an American sign language course, trying an art class, visiting New York City's Museum of Modern Art and learning to pole dance.

City Hall, a modern - day version that focuses on the race to be New York's mayor, revels in the tension between doing down your opponents and trying to bolster your own approval ratings.

@Chad except that a major difference between modern China and the USSR is that migrants living without registration illegally was not common in the USSR (except unregistered couples of lovers, usually from the same city).

«I don't have enough sense of modern political history to fully analyze — I don't know enough honestly about the relationships between the particular governors and mayors,» Mr. de Blasio said at City Hall.

Questions during the off - topic portion of the press conference included his opinion of the expected Democratic candidate in the 11th Congressional District special election and whether he'll campaign for Gentile, the prospect of Department of Homeland Security losing funding, religious organizations renting City school facilities for prayer / worship services and the related lawsuit, a NY Post report criticizing a newly - created NYPD training program, reported terror threats against shopping malls, the absence of a Lunar New Year message from the mayor and his non-attendance at the Lunar New Year parade, his reaction to Governor Cuomo's comment that their relationship will be «the best relationship between a mayor and governor in modern political history,» his scheduled trip to Albany on Wednesday and delays in federal funding of Sandy rebuilding.

«I do not have enough sense of modern political history to fully analyze because I don't know enough honestly about the relationships between the particular governors and mayors,» said de Blasio during an afternoon press conference at City Hall.

A November report issued by the governor's New York City regional economic development council had called for a «modern convention center in Queens,» but the Bloomberg administration only found out about the proposed location, Aqueduct racetrack in Ozone Park, from the newspapers, according to an administration source, further underscoring the distance between the two chief executives.

The theme for the first three - city cycle — including New York, Berlin and an unannounced site in Asia — is «Confronting Comfort,» billed as «an exploration of how urban environments can be made more responsive to people's needs, how a balance can be found between modern notions of individual versus collective comfort, and the urgent need for environmental and social responsibility.»

Also hailing from the Scandinavian city of Copenhagen, Soulland strives to bring a balance between traditional Denmark artisanship and modern style innovation.

The modern and lively city of Belfast is situated on the east coast of Ireland, straddling the border between counties Antrim and Down and the rivers Find More Meaningful Matches with eHarmony UK Online Dating.

Set in the title Indiana city that's essentially an outdoor modern architecture museum, this intellect - tickling meeting of minds between Haley Lu Richardson's yearning townie Casey and John Cho's resentfully dutiful son Jin is undoubtedly the best, 99 percent platonic relationship we've seen onscreen in many a moon.

According to a study by the Council of Great City Schools, students that attend school in deteriorating buildings score between 5 to 11 percentile points lower on standardized achievement tests than students in modern, maintained buildings.

There are more, including #toccon 3: A Tale of Two (Capital) Cities and #toccon 4: Bridging Gulfs of Understanding and even a very apt meditation on a correlation Bounford drew between the role of a publisher and that of the Yoshio Taniguchi building that houses the Museum of Modern Art, #ToCcon: A (useful?)

Lima, the City of Kings, Peru's capital city, situated in the center of the Peruvian coast, is a city of contrasts, between colonial, republican and modern styCity of Kings, Peru's capital city, situated in the center of the Peruvian coast, is a city of contrasts, between colonial, republican and modern stycity, situated in the center of the Peruvian coast, is a city of contrasts, between colonial, republican and modern stycity of contrasts, between colonial, republican and modern styles.

It's one of the fastest changing and growing cities of Southeast Asia with modern shopping complexes springing up everywhere, a skyline filled with construction cranes, and a joint venture between Japan and...

Your views will vary between luminous Waikiki and THE MODERN HONOLULU's luxurious resort grounds — they'll look even better from your private, furnished terrace (request a king City View Room for the pleasure of a private terrace).

Hotel set in stately traditional 1910 Edwardian; multilingual staff; modern amenities; situated between the city & West End.

Providing an aesthetically pleasing link between the historic and modern neighbourhoods of Nice, this brand - new promenade follows the route of the city's underground river - the Paillon - and is a beautiful and relaxing green space featuring lawns, trees, sculptures and spectacular fountains.

It has such a connection between its past and the modern day it's no wonder it's known as the «pearl of the Adriatic» — we think it's one of the prettiest and most romantic cities in Europe.

The Cypriot city of Larnaca might be one of the oldest in the country, and the split between the charming historic town and the new, modern tourist area gives you the option to explore both the past and the present during a holiday here.

The entire site stretches 0.35 square miles within the modern city of Jerusalem, and is contained within walls reaching between 16 and 46 feet in height.

Their modern EuroCity (EC) high - speed trains can make the journey between the two capital cities in just 4 hours and 23 minutes, non-stop!

The tasteful, modern construction, offers much comfort and is surrounded by beautiful gardens full of flowers where You will rest between his tours with great views of the surrounding roofs with red tiles and ciudad.Lejos center of the noisy streets center, but only a few blocks from the main square, overlooking the Enchanted City is located in a privileged area, in which in walking distance of many city churches and museums and close to Archaeological Park of SacsayhuaCity is located in a privileged area, in which in walking distance of many city churches and museums and close to Archaeological Park of Sacsayhuacity churches and museums and close to Archaeological Park of Sacsayhuaman.

The Best Western Atlántico Hotel, designed in 1921 by the famous D. Joaquín Saldaña y López, is located in one of the main city's arteries, between the old Madrid and the modern North district.

Iruña Palace Hotel Tres Reyes is an exclusive 4 star hotel located by the Taconera Gardens, right in the centre of Pamplona, between the old town and the modern city.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

His recent solo exhibitions and projects include Home within Home within Home within Home within Home, National Museum of Modern and Contemporary Art, Seoul, Korea (2013); Do Ho Suh: Perfect Home, 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013); In Between, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2012); Fallen Star, Stuart Collection, University of San Diego, California (2012); Home within Home, Leeum, Samsung Museum of Art, Seoul, Korea (2012); and Wielandstr.18, 12159, DAAD Galerie, Germany (2011).

In 1965, between 23/2-25 / 4/65 she participated in the exhibition «The Responsive Eye», curated by William C. Seitz, at the Museum of Modern Art in New York City, which is the first exhibition of op art.

Arguably the most up - to - the - minute venue in a city jam - packed with contemporary culture, The Modern Institute stages a group show focused on art created in virtually no time at all, curated with a view to revealing associations between disparate images and techniques.

/ Between Declarations and Dreams, inaugural exhibitions at National Gallery Singapore, by Mark Rappolt Liu Chuang at Magician Space, Beijing, by Edward Sanderson Yan Xing at Galerie Urs Meile, Beijing, by Kristian Mondrup Nielsen Zheng Bo at Leo Xu Projects, Shanghai, by Wu Yan Tsuyoshi Ozawa at Shiseido Gallery, Tokyo, by Taro Nettleton David Diao at Ullens Center for Contemporary Art, Beijing, by Fiona He Nina Canell at Arko Art Center, Seoul, by Aimee Lin Kyuchul Ahn at MMCA, Seoul, by Tiffany Chae Richard Streitmatter - Tran at Dia Projects Dong Khoi, Ho Chi Minh City, by C.A. Xuan Mai Ardia 6th Moscow Biennale at VDNKh, Pavilion No. 1, by Sergey Guskov 14th Istanbul Biennial, by Aimee Lin Nguyen Trinh Thi at Jeu de Paume, Paris, by Heidi Ballet Jitish Kallat at Galerie Daniel Templon, Paris, by Christopher Mooney Survival Is Not Enough at Rodeo, London, by Ming Lin Ian Cheng at Pilar Corrias, London, by Ming Lin 8th Asia Pacific Triennial of Contemporary Art at Queensland Art Gallery and Gallery of Modern Art, Brisbane, by Vera Mey

Between the modern art capitals of Paris and Berlin, the modest city of Strasbourg made a just brief cameo in the interwar chapter of European Modernism.

Easily one of the greatest American Modern masters to have ever lived, Edward Hopper is known for his realistic oil paintings of rural and city life in the United States between the two Great Wars.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

Moreover, the buildings that make up the city are uniform, modern, and devoid of people, further calling into question the relationship between the real and the imagined.

He exhibited in a number of galleries in the city but with little success; at his first solo exhibition at The Modern Art Gallery in December 1944, forty works were displayed, priced between 15 and 40 guineas, but only one was bought.

A Spirit of Hard - Won Optimism Prevails in Contemporary Art in the Exhibition Damaged Romanticism: A Mirror of Modern Emotion January 13 — April 4, 2009 [Download Full Release] New York City, November 25, 2008 — Damaged Romanticism: A Mirror of Modern Emotion brings together the work of 15 internationally recognized contemporary artists, whose work explores the confrontation between classic, -LSB-...]

Many of those artists were also based in New York City, so this joining of the forces proved to be the impetus needed for Modern Art to gain the necessary platform, and cement the association between the movement and New York City.

In the modern day, the training has become an important part of school life with annual spring competitions taking place between school teams in the city, to be named «The Young Patriot of Transnistria».

Recent and current exhibitions include The Time Domain, a site specific live work, presented during Liverpool Biennal 2016, co-commissioned between Bluecoat School and Liverpool Biennial; 2015: I reached inside myself through time, commissioned for LIAF, Lofoten International Art Festival, Norway, 2014: PROTOTYPES, Limerick City Gallery of Art, Limerick; A Leisure Complex, Collective, Edinburgh; 2013: INTERZONE, The Box, The Wexner Center, Columbus, Ohio; The Face of Something New, Scriptings, Berlin; A Stew of Universals, ZKU, Berlin; 2012: PRECAST, off - site project, London; INTERZONE, Seamus Ennis Center, Fingal, Co Dublin, 2011: The Eyes of Ayn Rand, Performa 11, New York; Another Construction, Irish Museum of Modern Art, Dublin; Space replaced by volume, Granoff Centre for the Arts, Brown University, Providence, Rhode Island.

Continuous City: Mapping Arab London is a collaboration between Mathaf: Arab Museum of Modern Art in Doha and the Serpentine Gallery's Edgware Road Project.

In reconstructing the chariot with modern industrial materials, the artist questions the link between (religious) traditions and the situation of the city today.

In 1965, between February 23 and April 25, an exhibition called The Responsive Eye, created by William C. Seitz, was held at the Museum of Modern Art in New York City and toured to St Louis, Seattle, Pasadena and Baltimore.