Sentences with phrase «between modern expression»

Toeing the line between modern expression and interior design, Zittel riffs on the dimensional possibility of Minimalist sculpture and the infinite customizability of contemporary consumer culture.

Not exact matches

For this reason we probably ought to distinguish between anti-Semitism and anti-Jewish thought — the former being that modern phenomenon all democratic persons are eager to combat; the latter the expressions of hostility or dislike found in earlier periods as a result of the specific religious and historical role the Jews and their antagonists have played.

Or, to put it in other terms, the boundary between the ancient world and the modern is to be traced, not in the Aegean or the middle Mediterranean, but in the pages of the Old Testament, where we find revealed attainments in the realms of thought, facility in literary expression, profound religious insights, and standards of individual and social ethics, all of which are intimately of the modern world because, indeed, they have been of the vital motivating forces which made our world of the human spirit.

There is no belief in the inner superiority of spirit over nature, no conception of struggle between spirit and nature, nor of the inner growth which man can win in the battle with nature; there is lacking also the specifically modern pessimistic estimate of the world such as has received poetic expression from Strindberg or Spitteler.

The romantic or idealistic love between a teenage boy and girl (frequently still to be found even in our modern sensualised world) may also be accompanied by a desire to show bodily affection - a desire filled with a tenderness and respect that operate as a curb, not only on lust if it seeks to assert itself, but also on bodily expressions of love which would not be true to the real existential relationship between the couple.

He explores how Methodism grew from a barely perceptible impulse in the Church of England in the 18th century to a foremost expression of Christianity in the modern world; how the mixing of Enlightenment rationality and evangelical enthusiasm resulted in Methodism's perennial doubleness of vision; how the Methodist message was heard, internalized and enacted in a bewildering variety of social and geographic locations; how opposition from Outsiders fostered strength while conflict between insiders fostered weakness; how money was raised, spent and symbolized; how women and racial and ethnic minorities found nourishment in the Methodist message; how the movement managed to circle the globe completely; and finally, how a gaggle of theories about secularization might help us understand Methodism's decline in the latter half of the 20th century.

Thus, for Hegel bourgeois civil society is not the space for freedom of expression and association, instead, he reminds us that civil society is not only the distinct product of a modern social formation (middle class and capitalism) but also an alienated reality, torn between the demand of private individual and the state.

Tony Delap, Modern Times III, 1966 Wood, fiberglas and lacquer, 32 x 84 x 38 inches March 7 — April 4, 2009 Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the -LSB-...]

Between the early 1900s and the First World War, the exhibitions culminated with the presentation of some of the greatest names of art of that period: Egon Schiele, Oskar Kokoschka, Pablo Picasso, André Derain, Gustave Courbet, Édouard Manet, Marc Chagall, Henri Matisse, Georges Braque, Paul Klee and many others, which has laid the historical foundation for the international focus on the best expressions of fine arts of the modern time.

Between them, the works study the major abstract Modern movements on the 20th century, geometric abstraction, painterly gesture and the elements of human imperfection which can find expression in artwork.

[G] iven the absolute rift that had opened between the sacred and the secular, the modern artist was obviously faced with the necessity to chose between one mode of expression and the other.