Sentences with phrase «between opacity»

Both Hoyland and Noland shared an interest in the possibilities offered by the new medium of acrylic paint: acrylic was crucial to Noland's exploration of paint's materiality and the possibilities of colour; and, for Hoyland, too, it was becoming an indispensable means to his exploration of colours and forms and their dispositions on the plane, and in enabling him to exploit distinctions between opacity and translucency.

Constantly moving between opacity and transparency to an undulating, hypnotic effect, the painting offers the illusion of movement.

The fluctuations between opacity and translucency, and flatness and luminosity, are important to the personality of the work.

The movie seems to be saying that this range, between opacity and naivete, represents the available spectrum of art that we're currently allowed to look at.

Not exact matches

We must always be aware of the important truth that our means are the thing which creates opacity between God and men, far more so than our person.

Both Catholic Scholasticism and Protestant Orthodoxy sought to steer a middle course between such false notions of divine transparency and divine opacity by insisting on the distinction between first and second causes.

The window's opacity to visible light and solar energy varies when an electrical current flows between the oxide layers.

Tap again to toggle the opacity between.5 and 1.

Two narrative threads will unfold throughout the exhibition, circling around the notions of transparency and opacity, and giving vision to Jonas» engagement with the environment and her capacity to not only desynchronize the gaze upon the Self, but to deconstruct the power structures at the heart of the relationship between individual identity and collective memory.

Through the intersection of horizontal and vertical planes or screens (both real and pictorial), of varying material, scale and opacity, Charman delineates the grid into a series of recesses and subdivisions that draws the senses and the body towards intimate encounters between planes.

The surfaces reveal a tension between figuration and abstraction, transparency and opacity, density and sparseness.

The surface of the canvas has been worked with many thin layers of paint to produce a strange balance between luminosity and opacity.

The photograms that are created reveal a silhouetted image that varies in darkness due to the opacity of the objects ultimately creating a delicate amalgamation between the natural and man made world.

A discussion between the artists and French art historian Élisabeth Lebovici followed each film, with some of the primary concerns being non-hierarchical production (in film, and in Pauline Oliveros» music), the camera as active participant in a performance that couldn't exist without it, and opacity as resistance against the aggressive act of understanding.

Embracing a gestural quality and sense of spontaneity, Löhr's works on paper manifest as an ongoing investigation of the interplay between translucency and opacity, biomorphic form and geometric rhythm.

Nadim Samman — general curator of the biennial — suggests the theme reflects, like the work submitted to the open call, such cultural developments as «ecological collapse, the dissolution of distinctions between «nature» and technology, the inescapable topography of the network, and the interplay between transparency and opacity in the information age.»

Art works by Buckley, Holme and Hudson act as interchange stations between painting and sculpture, with multiple references to real and abstract space and ruminations on formal properties such as transparency, opacity, colour, shape and line.

Exploring optical changes between subtly different hues, opacity and transparency, matte and glossy surfaces, and warm and cool tones, Jeffrey creates an intimate world, a cave fill of reserve and refrain.

The complex yet subtle interaction between transparency and opacity, as determined by the density of paint, works to activate a dynamic and constantly fluctuating visual field.

His smooth surfaces, however, are not completely uniform; the complex and subtle interaction between transparency and opacity, as determined by the density of his paint, works to activate a dynamic and constantly fluctuating visual field.

This is done through a tug of war between temperature and opacity.

So in some sense, those claiming that the difference between the ground and the TOA is mainly due to gas thermodynamics are also right — this is a very complicated mixture of convective transport and radiative opacity.

The increased overturning can explain a slowdown in the global warming, and the association between these aspects can be interpreted as an entanglement between the greenhouse effect and the hydrological cycle, where reduced energy transfer associated with increased opacity is compensated by tropospheric overturning activity.

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