The juxtaposition
between the organic forms of the animals and the raw, utilitarian texture of their media becomes a commentary on modern encroachment on natural habitats.
It focuses on the experimental transformation of shapes and surfaces that make up the urban landscape, from which the three artists draw their inspiration from; Fabio Petani with his refined balance
between organic forms and geometry, Nelio through a dense texture of colour fields that he uses to compose his name, and Heiko Zahlmann, with a long and vaunted past as a graffiti writer, evolves his style in three - dimensional works, in which painting, drawing and architecture interact with one another.
the human from hangs from the sharp coil, creating a juxtaposition
between the organic forms and the materiality of barbed wires.
Your Version, My Version includes paintings from the Health of the Planet series that examine relationships
between organic forms and technical ones, the macro and the micro, photography and painting, representation and abstraction.
His colorful geometric patterns play with the unique curves, undulations, and knots of the wood's surface, resulting in an unexpected conversation
between organic form and painterly gesture.
Not exact matches
This
organic whole that began from an initial high bang and eventuated into the present universe is distinguished by a
form of unity and diversity radical beyond all imagining: infinite differences, and diversity that is marked not by isolation but by shared atoms over millennia as well as minute - by - minute exchanges of oxygen and carbon dioxide
between plants and animal.
This felt contrast
between solitariness and community is the empirical datum which underlies the multitude of religious symbols, such as creation, incarnation, resurrection, nirvana, samsara, moksha, tao, wu - wei, t» ien, each of them, in their wide variety of
forms and connotations, pointing to some aspect of
organic life together.
The author states some of the analytical similarities
between Deutsch (Karl W. Deutsch: The Nerves of Government) and Whitehead in the hope that they will provide an
organic philosophy with a clearer sense of the terrain upon which can be discovered the
form and content of its own particular political speech.
This paper is an attempt to state some of the analytical similarities
between Deutsch and Whitehead in the hope that they will provide
organic philosophy with a clearer sense of the terrain upon which it can discover the
form and content of its own particular political speech.
Along the razor's edge
between inclusion of discordant elements as effective contrasts and their dismissal as incompatible ingredients, each
organic form of life seeks a particular equilibrium.
Future studies on
organic agriculture and other sustainable farming techniques should examine not just economics, but soil quality, biodiversity impacts and other aspects of food production in order to make better comparisons
between different
forms of agriculture, said Crowder.
The authors conclude that the factors that limit
organic yields need to be better understood to enable meaningful comparisons
between the rival
forms of agriculture.
Hayes and his colleagues looked at
organic compounds from sediments
formed between 1.8 billion and 550 million years ago, and found that simple hydrocarbons from the sediments contained more carbon - 13 than more complex
organic molecules.
According to him,
between 75 % and 80 % of the mass of nanoparticles measured in this study corresponds to
organic compounds (carbon in different
forms) emitted by motor vehicles.
Scientists from Tomsk Polytechnic University together with their colleagues from USA and Japan have proposed a novel way to address the most important and fundamental challenge of
organic chemistry, i.e. breaking a bond
between carbon and hydrogen atoms to
form new
organic substances.
Many
organic molecules needed for life could even have
formed below the ocean floor from interactions
between minerals and circulating hot water driven these hydrothermal ven systems.
Secondary
organic aerosols are
formed through complex physical and chemical interactions
between pre-existing aerosols in the atmosphere and trace
organic gases emitted from both human - caused and natural sources.
In the
form of a beautiful, manipulative female construct named Ava, Caleb soon finds the lines blurred
between what is
organic and man - made and ultimately at odds with Ava's creator Nathan (Oscar Isaac) on her existence and the future of the science.
Life has taught us that it has not evolved on Earth because of big wars but by symbiogenetic alliances
between independent agencies that have cooperated for more than 3,5 billion years, constantly
forming new
organic identities.
Often referencing
organic forms found in nature, Puntar's installation draws relationships
between modern and pseudo-
organic, decorative and utilitarian.
His most recent installations comprise rods, chunks, blocks and chips of treated wood, which he arranges into undulating curtain - like
forms and explosive wall - mounted sculptures that oscillate
between the seemingly
organic and manmade.
Poised
between the
organic and the manmade, the practical and the poetic, Pardo's art playfully insists that
form needn't necessarily follow function (or vice versa) instead suggesting multiple and mutating definitions and applications that toy with our expectations.
These wonderful plays
between the
organic and the geometric,
between form and formlessness eventually led her away from art altogether, and towards what she came to regard as a kind of therapy, in which objects took the place of speech and gesture.
A new presentation of Keith Sonnier's late 1960s sculptures reveals the artist's ability to blur the boundaries
between organic and inorganic
forms.
The Fondation presents a selection of his gouaches from the 1970s, whose primary colours and stylised
forms reveal an
organic and graphic continuity
between Calder's sculpture and his works on paper.
During those years, Youngerman greatly expanded the scale of his paintings, developing softer, more
organic forms, an interest in color optics, and a sense of space in which shapes fluctuate
between positive and negative.
Norman Dilworth (b. 1931) explores the many possibilities of
forms that are at once
organic and mathematical, with a degree of freedom that again demonstrates the connection
between structures and plasticity.
Rational Beings explore the relationship
between two apparently different aesthetic descriptions of the world; the rational, mathematically based formal constructions that go to build up the most complicated of
organic forms that we respond to emotionally.
Hovering
between representation and abstraction, Rivera's landscapes and still lives are characterized by vibrant color, subtle brushwork, and attention to the inherent beauty of
organic forms and materials.
Rather than adhering to a single formal vocabulary, she uses cubes, grids, curlicues, and
organic forms to forge affective relationships
between her present moment and sculpture - making idioms of her historical precursors.
In the studio, her
organic forms become anthropomorphic, resulting in sculptures and paintings that are both humorous and grotesque, existing in a space
between the artifice of lo - fi movie props and the reality of our fragile bodies.
Monica Banks» sculptures of miniature porcelain figures depict
organic forms on the threshold
between life and death or replicas of the deceased.
Benjamin's eclectic approach to creating
organic structural
forms often addresses the point of balance
between order and chaos.
Opposite to the «Armi series» in appearance, Pascali presented
organic forms in a dream - like universe that, like the «fake sculptures,» play on the relationship
between illusion and reality.
Her work has been described as containing a nice tension
between symmetry and fluidity with
organic forms undulating and teeming with life.
FORM is presented as a meeting of painting, sculpture, digital art, photography and mixed media works, examined through a dialogue
between formal geometric structures and
organic compositions.
By deconstructing and removing the ambiguousness of today's society, the artists highlight the configuration of
organic forms while establishing a dialogue
between nature and the urban landscape.
The juxtaposition
between the lush
organic shape and its shiny, steel materiality here creates a psychedelic impression, but ultimately the bulbous
forms emerge as celebratory and animated, absorbing viewers and their surroundings in their own image.
His work in recent years investigates the relationship
between the aesthetic world of geometric and biomorphic
form, and the aesthetic world of the
organic, where natural materials take on synthetic
forms and synthetic materials at times look like natural objects.
Singh uses clay, copper wire, and paint, as well as living matter such as soil, plants, and mushrooms to create miniature
forms that seem to grow from crevices and nail holes in the gallery walls, blurring the distinction
between organic and synthetic.
His more recent works investigate the relationship
between the aesthetic world of geometric and biomorphic
form and the aesthetic world of the
organic, where natural materials take on synthetic
forms and synthetic materials at times look like natural objects.
Working in dialogue with Melinda Hackett, Michael Drury's creates embryonic sculptures that are suggestive of
organic forms and ride the line
between familiar and Other.
Nevelson emphasized the contrast
between nature and technology by using industrial techniques to illustrate an
organic form.
Like many in the group, Penone uses simple materials from daily life to unsettle the boundaries
between art and nature, and to point out the interdependence among all
organic life
forms.
To achieve the necessary union
between exposed art and architecture, Wright decided to adopt a continuous,
organic shape with a large central void encircled by a long uninterrupted exhibition path in the
form of a descending ramp.
Using printmaking, photography and sculpture, San Francisco — based artist Gay Outlaw (born 1959) explores the balance
between the
organic and the geometric, as well as the relationship of photographic imagery to three - dimensional
form.
Dekyndt gives shape to complex
forms and surfaces that are in a permanent state of transformation and change, through interactions
between substances, a location and a support, and through biochemical,
organic or inorganic processes.
The works are composed of layers of sterile and simplified abstract
forms, removed from any natural or
organic references, they become reliant on the chain relationship
between one basic modular unit linked to another, questioning notions of singularity.
The
organic forms that typically populate her compositions blur the boundaries
between painting and sculpture, and are a synthesis of elemental
forms exhibited in the works of Jessica Stockholder, Louise Bourgeois, Eva Hesse, and Barbara Hepworth.
Caldicott continues: «Luuk de Haan's work explores the boundaries
between «
form and formlessness,
organic and inorganic, to be or not to be.»