Sentences with phrase «between painting on the wall»

They break down the formal boundary between painting on the wall and sculpture, and they dare to look formal, iconic, and even pretty.

Not exact matches

Meanwhile, the non-profit EnergyIdeas Clearinghouse, a partnership between Washington State University and the nonprofit Northwest Energy Efficiency Alliance, found that under ideal circumstances insulating paints can achieve a «reduction in heat gain» of around 20 percent on freshly - painted sun - exposed walls, but notes that such walls will only face direct sunlight for a limited part of even the clearest summer day.

To use in the classroom: - They can be part of a Spanish art unit - Used for substitute lesson plans - Extra credit activities - Expansion activities for the special ed student (of any spectrum)- Decorations to post on the wall for the parents» night - Well coloured pictures can be used to discuss what is seen, happening / happened, why something happened, why artist wanted to paint this, compare and contrast between artist's other works, classmates choice of colors...

There are columns between the bookshelves along one wall that feature murals painted by Old Bridge teens, and bulletin boards in the back with useful information on upcoming programs and volunteering.

I find myself thinking about the relationship between that back wall, the arrangements on the tables and my painting practice.

To insist that much more on the material presence of the work, he suspends some paintings apart from the walls, between wires from floor to ceiling, sometimes with the back exposed and sometimes back to back.

Utilizing fragments of imagery borrowed from popular culture, Arturo Herrera creates collages, sculptures, and wall paintings that lie on the shifting border between legibility and abstraction.

AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery artists.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

There is also a sense of tame psychedelia that pervades in all three artists» works, from Bergstrom's small formalist paintings that use text as a compositional device — a blue and white canvas that spells Bad Trip, abstractly scrawled across the canvas — to Norton's An Altered State, where peyote and poppies are pressed between sheets of glass and fired, installed on the wall.

Between and Including, Set H, 1998 framed black and white photographs and texts on painted wall dimensions variable acquired in 2008

Done on unbleached canvas, while leaving the bottom half of the painting untouched, «Abstraction» (2002 - 2015) hovers between being a brown cloth surface on which paint has been applied and a deep space terminating at a far wall.

A member of the so - called Mission School in San Francisco together with such artists as Barry McGee and Chris Johanson, Alicia McCarthy makes paintings that blur the line between street art and gallery work, using found wood as canvases and often imprinting them with the same intricate rainbow motif that she graffitis on her city's walls.

Taking its title from the name of a fictional, post-iPhone device at the centre of Gary Shteyngart's 2010 near - future novel Super Sad True Love Story, Äppärät is concerned with labor, play and the uncertain zone between the two; with the extension of the body, and the self, through technologies ancient and contemporary; with things (to borrow Martin Heidegger's formulation) «present - at» and «ready - to» hand; with compulsion and with death Äppärät begins with Jessie Flood - Paddock's Just Loom (2015), a wall painting - cum - sculpture based on an illustration of a worker operating a loom from Denis Diderot's Encyclopédie (1751 - 72), one of the first attempts to record and systematize all human knowledge in published form.

AB: Looking at your previous exhibitions, in relation to your current show at Marianne Boesky, the structure of each show is often a balance between sculptural works that are situated directly on the ground, and drawings or paintings that are positioned on the wall.

Between the cock and cunt, an impertinent, flatly painted Taylor stands against a brick wall with her hands on her hips, her famous violet eyes gazing disaffectedly beyond the picture's surface.

What's the difference between painting on an unadorned brick wall and making a position statement over a commissioned artwork?

The hanging runs the gamut, from conventionally discrete distances between paintings, to a salon - style arrangement around a bench, to a frieze of panels based on clock faces, to a grid of works that another wall partially obscures.

Or between an Italian head of John the Baptist on a platter, Thomas Demand's elastic band on a plate, and Philip Guston's painting of a hat apparently sitting on a wall.

Because she paints on industrial supports, aluminum panels or layers of plexiglas often bolted to the wall, Enteles» works contain an inherent tension between the organic subject matter depicted and the materials with which they are constructed.

Between Barb Choit's splashy Nagel poster and the economically electric neon paintings of Mira Dancy on the opposite wall, you can fully immerse in the fantasy with none of the illusion - breaking art questions.

On view are painted wall - mounted works by Justin Adian that blur the lines between the mediums of painting and sculpture.

Set aside in their own room, hung on white walls and carefully lit, the paintings walk the lines between painting and drawing, and representation and abstraction.

There are, of course, fundamental differences between the immaterial, insulated nature of VR experiences and the way we encounter physical objects, whether paintings, sculptures, or moving - image works viewed on a monitor or projected onto a wall.

On the wall, an antique delivery bed covered in delicately rendered paintings and calligraphy is titled Scar — as direct a connection between life and art as can be imagined.

Felipe Pantone Virtual reconciliation between two perspectives, 2016 Spray paint on wood panel and acrylic on museum wall.

Carla Zaccagnini, Bravo - Radio - Atlas - Virus - Opera, 2009 - 10, video record of the navigating hours of a transoceanic crossing of the Panama Canal, in AtlanticPacific sense, realized between 5PM on June 27 2009 and 1PM the following day, and painting on wall, duration 10h 45», Captain Matias Eli, Edition Tomaz Klotzel, Video still, Courtesy the artist and Galeria Vermelho, São Paulo

In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.

Thirty - eight of Adnan's delicate, diminutive, untitled paintings from 1959 — 2010, oscillating as you approach them between landscapes and abstractions, line the walls of another gallery on the ground floor of the documenta - Halle, the glass - fronted exhibition venue down the street.

Her wall paintings aim to dissolve the boundaries between figure, ground and support — creating a new picture plane that differs from her works on canvas.

At some time in the»80s I gave a lecture about American painting between the world wars at a space the Whitney Museum had on Wall Street, where they put on shows and had people come and give talks at lunchtime.

For the fleshy pink brick painting on the north wall, Thorne and her team outlined each brick in color pencil, with enough negative space between each brick to indicate cement.

The large - scale works included in Against the Wall are primarily based on media imagery documenting Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed space of painting.

American furniture on platforms along some walls, with painting hard to see above, makes an uneasy cross between galleries and period rooms.

On another wall hang large waxy paintings made with latex depicting phalluses and sexual acts between men.

Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his wall, Kelly produced a stunning variety of works, from extensive studies and drawings to mixed media paintings and small - scale relief sculptures.

«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled, presents a provocative case study in the generative possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»

As Linda Norden writes in Parkett # 62: «The «Bumstead» paintings — whether detailing scenes of domestic misunderstanding, zooming in on off - camera moments of bafflement or simply scanning empty halls and walls for private memories — are excruciatingly specific representations of the gulfs between feeling and comprehension... smart, funny, startling, irreverently empathetic, and often heartbreaking, they are a welcome antidote to more laborious discourse.»

As one meditates upon the play of shadows on the wall behind, the works levitate between both their weightlessness and the density of highly worked areas of the mesh, at times pushing paint from the back, and at others painting on the front.

Eva Masterman's profile >> > Jackson Sprague Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

In Views of Main Street, the artist's use of tattered furniture — Couch (2012), Chair (2003), and Untitled (2011), an oddly shaped maroon carpet, presented on a wall as a cross between painting and sculpture — illustrates most forcibly the artist's fifteen - year fascination with the effects of inequality.

These principles brought forward in time, focus on the relationship between wall, paint, and support to create a Post-Modern fusion of sculpture and painting.

The exhibition features over fifty works made between 2014 and 2018 including intricately beaded wall hangings and punching bags, paintings on canvas and rawhide, ceramics, garments, and a new video debuting in this exhibition.

Fully demonstrating this shift between two and three dimensional modes, the exhibition combines free - standing and wall - based sculptural assemblage with diagrammatic drawings and a series of screen - print on leather paintings.

The exhibition, presented in the first floor gallery, will feature oil on canvas paintings, a large site - specific wall work, a sculptural work, and a silkscreen piece from his INDEPENDANCE series, all of which explore the relationship between politics, language, and race, and consider how history bears on the present.

Using dethreaded burlap canvases, painted with pigmented ashes and soil, Emblema created works that suspend color between the viewer and the wall on a translucent scrim.

I have always liked his barbershop paintings, and the way he uses the paraphernalia of bottles and products, the mirrors and posters and illustrations of haircuts on the walls as a kind of abstraction — they make you think of abstract expressionist Hans Hofman's push - and - pull rectangles of dancing colour, and also at times of Dutch painter René Daniëls» plays between figuration and abstraction.

Including film, wall paintings, ceramics, silkscreens (on mylar, plexiglass, steel, and canvas), Adam Pendleton: Becoming Imperceptible frames the artist's oeuvre as a complex dialogue between culture and system, a body of work invested in the perpetual cross-referencing of aesthetic and social histories,» states the Contemporary Arts Center.

Including film, wall paintings, ceramics, silkscreens (on mylar, plexiglass, steel, and canvas), Adam Pendleton: Becoming Imperceptible frames the artist's oeuvre as a complex dialogue between culture and system, a body of work invested in the perpetual cross-referencing of aesthetic and social histories.