Sentences with phrase «between personal identity»

Perry appears in every image, though she never reveals her face, emphasizing the dichotomy between personal identity and the anonymity of daily existence.

And the significant grouping of mid-century American employee badges speaks to the nation's rise to industrial prominence while also addressing each subject's individual experience and the close link between personal identity and professional life.

ARTIST STATEMENT Kathryn Trumbull Fimreite is a Chicago based visual and teaching artist whose work explores the relationship between personal identity and legacy.

Kathryn Trumbull Fimreite is a Chicago based visual and teaching artist whose work explores the relationship between personal identity and legacy.

Belonging in a group always involves a tension between our personal identity, our own sense of self, and our social identity which reflects the claims of our family or community through prescribed roles and behaviors.

Paying close attention to the political environment of the 21st century and its impact on identity, Kristin Lucas and Thuan Vu draw connections between their personal identities and the larger construct of the hyper - mediated world, bringing an understanding of the new and existing shared platforms.

Not exact matches

The co-founder of Untitled Partners stated, «I underestimated the importance of a relationship between our corporate and personal identities.

The real difference between Hartshorne and Shalom boils down to whether (a) it is memory that accounts for personal identity or (b) vice versa.

Wolfe has chapters set in the neuroscience classroom interspersed among chapters tracing the social and personal lives of Charlotte and her friends, and by this device Wolfe probes deeply into the nature of personal identity, free will, and the relation between the mind and the brain.

As in all power struggles, its antagonists need a public differentiation between «them» and «us,» and in this struggle that makes inevitable the primacy of sexuality in personal identity.

If love is reconciliation overcoming estrangement between personal beings, it is also the reunion of that which was separated, the recovery of a fundamental identity.26

But anathemas and condemnations are more than personal insults; they are assertions of a doctrinal identity that marks one group off from another in a division between right belief and heresy.

For example, over a decade and a half ago Process Studies contained a well - known exchange between Charles Hartshorne and Peter Bertocci over the issue of personal identity (see P1, HPI).

The connection between freedom and time (and between them and selfhood or personal identity) appears clearly in Sartre's insistence that the good novel present a self shaping an open future, not a puppet ruled by the past whose end is contained in his beginning: «But in order for the duration of my impatience and ignorance to be caught and then moulded and finally presented to me as the flesh of these creatures of invention, the novelist must know how to draw it into the trap, how to hollow out in his book, by means of signs at his disposal, a time resembling my own, one in which the future does not exist.

How vast the contrast between this and the genetic identity, e.g., of Peter Bertocci at age of two days with Peter Bertocci at age of sixty - one years, or even of Peter Bertocci in dreamless sleep with the same man thinking vigorously about personal identity!

7 Interpretation of the unconscious in terms of Whitehead's doctrine of physical feeling affords a means whereby one might reconcile the apparent conflict between the Freudian individual unconscious and the Jungian collective unconscious: the inheritance ingredient in the human event comprises both idiosyncratic elements immediately relevant to the thread of personal identity and universal elements which have lower grades of relevance.

At some point virtually everyone involved in the enterprise feels the pinch of a misfit between yearnings and expectations that are important (and vulnerable) parts of one's personal identity, on one side, and on the other a set of unexpected, often unintelligible, frequently frustrating «givens» that appear to be important (and invulnerable?)

According to Catherine Salmon of the University of Redlands, up to 95 percent of siblings say that personal property — a highly important part of children's budding sense of identity — is a point of conflict between siblings.

Scientists have demonstrated that the very personal gender identity of every human being is reflected and verifiable in the cross-links between brain regions.

Clinicians and researchers have raised ethical questions about the transplant, as well as concerns about whether Dinoire was stable enough to give informed consent for the procedure — which dips into uncharted issues involving the relationship between the face and personal identity — and for the regimen of immunosuppressive drugs she must now take for the rest of her life.

Of course, our lives aren't packaged into neat little compartments, and it's only natural that there's bound to be some blending between work and personal identities.

Through the exploration of her fractured sense of identity and loss of self - control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.

And now Coco explores a similarly resonant theme: the tension between our family traditions and our burgeoning sense of personal identity.

Set among the Xhosa ethnic group of South Africa during an initiation ritual that's not supposed to be discussed, let alone depicted on the big screen, John Trengove's first feature takes real chances, delivering a troubling portrait of the collision between communal and personal identity.

The history of cinema is littered with films plumbing the depths of personal identity and the moving line between reality and fiction.

While the banter between the angels and demons, and with Sowil, is pretty amusing, hopefully they'll show more personal identities later.

In Yashar Azar Emdadian's video performance Des - Integration (2012), the artist shaves his torso in a public space, his body becoming the boundary between a migrant's molting of personal identity and his integration into another culture.

They act as a form of memory storage for the here and now, tracking the allotted time and focused attention, her identity contained in the struggle between meaning, aesthetics and the personal.

«RASHID JOHNSON: Anxious Men» @ The Drawing Center New York, N.Y. Over the past 15 years or so, Rashid Johnson «s practice has explored a range of themes, including «the black experience in America, the dialogue between abstraction and figuration, and the relationship between art and personal identity.»

2010 Schwager, Michael, Personal Identities / Contemporary Portraits, University Art Gallery Sonoma State University, November / December Schuster, Dana, A-List Artist, New York Post, 29 December Siverio, Ida, Kehinde's R - evolution, October, pp. 24 - 27 Watson, Simon, Kehinde Wiley, Whitewall Fall 2010, pp. 119 - 123 Halperin, Julia, Kehinde Wiley Now Represented in New York by Sean Kelly Gallery, New York Observer, 17 September Jackson, Brian Keith, A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China, Leap No. 03, pp. 86 - 93 PAFA's Summer Surprises and More, SanArt, 1 August Feldman, Melissa, World Cup Chic Kehinde Wiley's Fancy Footwork, New York Times Magazine, 2 June Loszach, Fabien, Bling - Bling, Everytime I Come Around, Esse Arts + Opinions, No. 69, Spring / Summer Badinella, Chiara and Fabrizio Affronti, Grandi Maestri, Fonte Perenne, La Casana No. 1, January - March, pp. 26 - 29 100 Artisti da Scommetterci / 100 Artists to Bet On, Arte Magazine, Milan, Italy, August, pp. 120 - 140 Hunt, Kena and Watson, Simon, Kehinde Wiley, Vogue Italia, October Dreyfuss, Joel, Meet the Root 100, 2010 Edition, The Root unveils its latest list of young African - American pace setters and game changers, The Root, 10 October Garfield, Joey, Kehinde Wiley, Juxtapoz January, pp. 46 - 61 Karcher, Eva, The Colours of Africa: Art Beyond the Primitive, The Mini International Vol.34, Issue 2, pp. 36 - 41 Krentcil, Faran, First Look: Puma Africa, Nylon Magazine, 16 March

Video artist Dara Birnbaum was one of the first artists to toe the line between both brand and personal identity, as seen in her 1980 work that actually functioned as an ad for the French cognac label Remy Martin.

Black is the Day, Black is the Night is a conceptual exploration into the many facets of human identity using notions of time, accumulation, memory and distance through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of which had served between 13 - 26 years at point of contact.

On the one hand, Darboven's oeuvre is defined by the contrast between a programmatic mechanization of aesthetic production procedures, and, on the other hand, by radical cross-references to the artist's own biography and personal identity.

Composed of works from the museum's collection made since 2000, including several recent acquisitions and works on view for the first time, the exhibition explores the prevailing correlations between the personal, the intimate, and the individual; constructions of identity, history, and culture; the instability of materials; and strategies to rediscover or recover the past.

1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA

By creating works that explore the connections between animal behaviorisms and human nature, she seeks to unveil inner truths of personal identity.

Beginning with her early photographic series Women of Allah (1993 - 1997), and continuing through her current practice, Neshat has consistently and fluently probed issues of gender, power, displacement, protest, identity, and the space between the personal and the political with a singular and powerful aesthetic.

The show reflects on a number of interesting notions: the ways in which postwar black artists have constructed their identity through their reliance on abstraction; the formal affinities between artists of different generations; and the role of non-figurative art as both personal expression and political impetus.

Gonzalez - Torres used aspects of his own identity to address issues of homosexuality, immigration, AIDS, and the personal relationships in his life, to make rigorously democratic, conceptually layered, and formally innovative work that confounds separations between the public and private.

As the body is simultaneously personal and political, this screening is collecting work that forges connections between queer, migrant, spiritual and intercultural identity in a digital world.

Whether addressing the dynamic of personal space versus public space, or exploring the fine line between strength in numbers and homogeneity, Suh's sculptures continually question the identity of the individual in today's increasingly transnational, global society.

Creating a feedback loop between the formal and social qualities of the collages, A Cosmetic Decision takes an ontological approach to self - reflection, construction of personal identity, and arbitrary aesthetic and political interests.

One project, Double Bind (2010/2012) addresses the socio - psychological connections formed between personal and artistic identities.

Reconfigured on panels and heavily accented with rhinestones, these images of empowered women successfully negotiate the tension between personal investigations of eroticism and self - identity.

If both characters self - consciously construct elaborate rituals by taking turns to portray master and servant while their mistress Madame is away, then Mirren, who similarly flits between two different social classes to self - consciously construct her own personal identity, is seen taking turns in Mellor's paintings to act each side of the power divide.

Using his signature materials of white ceramic tile, red oak flooring, shea butter, black soap, and wax, Johnson examines themes of race, history, yearning, anxiety, and escape and investigates the relationship between art, society, and personal identity.

Jessamyn Lovell works with photography, video, and surveillance as tools to document her own life experiences, making connections between class and personal identity.

Especially as the competition between national schools of abstract painting escalated, breaking out in arguments and even punches in the case of Kline and the French painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of abstract expressionism, Meryon could thus be seen as a reassertion of Kline's original, breakthrough style as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.

Moscow performance artist Elena Kovylina exhibits a video work that examines post-Cold War Russia and its similarities to a post-colonial state; UK photographer Ellen Nolan asks what we mean by personal «identity» within a social system; and conceptual artist Flavia Muller Medeiros looks at the contemporary phenomenon of cross-cultural migration between Eastern and Western Europe.

Since 1998 Hargrave has produced a compelling, deeply personal body of work incorporating painting, drawing, sculpture and video that explore the dynamics between race, sexuality and religion in relation to his upbringing in the south and early adulthood as an African American gay male coming to terms with racial and sexual identity.