Sentences with phrase «between photographic representation»

Instead they mine the vexed questions of how images mean and matter to us, and how we negotiate the distance between an object and its photographic representation, or between a photographic representation and our memory of the things it represents.

This pairing examines the dialogue between photographic representation and visual experience that is at the core of Welling's work.

Instead Shirreff mines the vexed questions of how images mean and matter to us, and how we negotiate the distance between an object and its photographic representation, or between a photographic representation and our memory of what it shows.

Not exact matches

Over the semester students will learn to think critically about the relationship between history and cultural representations, particularly through the international circulation of photographic images.

Her projects have explored themes around looking and seeing; the relationship between camera and subject; the circulation and consumption of images and the complex nature of photographic representation.

As UCLA Professor Anthony Vidler writes «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

As Anthony Vidler Dean of The Cooper Union School of Architecture writes, «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

Engaging what Siskind famously described as «the drama of objects,» Rauschenberg would continue to examine the tension between the characteristics of an actual object and its photographic representation in later works.

Using a variety of media and a series of photographic processes, Ngyuen creates fantastical, large - scale installations, engulfing the viewer into an otherworldly vortex that fluctuates between representation and abstraction.

His works question any assumed differences between abstraction and representation, between modes of presentation... Welling's photographs are objects in themselves, beautiful compositions that also gloss and comprise a history of photographic practices.

The interplay between physical materiality, photographic representation and site specificity are explored.

Examining the connections between her skin and the clay she moulds, between various objects and their photographic representations, between the organic and the artificial, she argues that «all these «Things» and their «Betweens» have equal agency».

Rather than attempting a definitive history, the publication posits an alternative approach to the myriad questions and debates associated with representation, presenting its technological history as inextricable from the social history of media, and staging this through the complex and multivalent relationship between the photographic image and the body, whether it be the body of the viewer, or that of the depicted.

Ledare's complex and critically acclaimed project maps structures of social convention and photographic representation onto the triangular relation between himself, his ex-wife Meaghan Ledare - Feddery, and her current husband Adam Fedderly.

His film stages a confrontation between the photographic image and the forms of representation that it supplanted and raises questions as to what comes next.

Its form oscillates between object - based sculpture and its photographic representation.

This monograph presents a ten - year overview of Walead Beshty's approach to photographic and sculptural representation, and contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty.

During his career, Welling has experimented with different photographic mediums, including Polaroids, silver gelatin prints, photograms, and digital prints, exploring the tensions of and between representation and abstraction.

Wayne Gonzales» work navigates the shifting ground between representation and abstraction, the photographic and the painterly.

Maymon's work operates within the gaps between a real spatial presence, the flat photographic representation of that presence, and the potentially unlimited reproductions of that presence in the form of photographic prints.

Part of the unconventional beauty of Ketuta Alexi - Meskhishvili's photographs lies in their blurring of the boundary between medium and motif; her approach to representation is intimately bound up with the inherent characteristics of the photographic medium.