Sentences with phrase «between photographs of a woman»

Lorna Simpson (American, born 1960) created linguistic and metaphorical connections between photographs of a woman's neckline and words that refer to the horrors of slavery and lynching, while Tomoko Sawada's self - portraits made in a photo booth humorously suggest the malleability of identity based on media stereotypes and outward appearances.

Not exact matches

Yet, Susan Oliver became one of the most photographed women of her era, virtually a household name, the female television guest star of choice between 1957 and 1973.

Her Tereza is the film's stabilizing force, whereas Lena Olin's Sabina is an icon of bowler - hatted libertinage; in one epochal scene, Tereza gets Sabina to pose for some nude photographs, and something subterranean stirs between these two very different women.

In the 1930s, she lived in France with the legendary English writer Ford Madox Ford; her brother Jack Tworkov was far better - known as a painter; in New York in the 1940s, she was in the heart of the Abstract Expressionist scene (she's the woman in the white blouse between Bradley Walker Tomlin and Robert Goodnough in a much - reproduced photograph of the «Studio 35 Artists» Session» of 1950), but never gained much recognition for her own paintings.

Photographs of European men in the jungle, two monumental paintings by the Dutch - trained Indonesian Romantic painter Raden Saleh, and a portrait of a Tonkin woman by French Impressionist Victor Tardieu hint at the complicated flows of images and ideas between Europe and its colonies.

In Cindy Sherman's famed Untitled Film Stills series, most of the 69 photographs depict the artist as a archetypal character known from the movies: a housewife, a femme fatale, a working girl, and everything in between — all evoking the ways the cinema has the tendency to objectify women.

In the first room of the Schneemann retrospective, among paintings half way between abstract expressionism and «combine» experiments (reminders of Rauschenberg's 1960s works), there are a series of 18 photographs of a woman in black and white.

Teller removes the artifice between photographer and subject, leaving only the purity of each image, and unlike the sculptures in the museum's collection, his photographs do not present a standard of beauty but are more akin to a tribute to women and the human form.

Both sites host Mathilde ter Heijne's ever - growing collection of photographs of anonymous women (shot between 1839 and the 1920s), made into giveaway postcards, with biographies on their versos of contemporaneous women whose progressive stories have been largely elided.

Boers works with several artists who are beginning to experience an upsurge in their market, including Qiu Xiaofei, who makes mural - size expressionistic oil paintings based on photographs and memories of his childhood (prices are between $ 50,000 and $ 100,000); Chen Yujun, whose collages reflect the culture of his hometown in Fujian Province (prices range from $ 30,000 to $ 60,000); and Lu Yang, a young woman who conveys science - fiction fantasies in videos and digital prints (selling for $ 4,000 to $ 20,000).

Simpson's work — consisting of two circular framed photographs focusing on a woman's mouth, clavicle, and the neckline of a plain white garment with a list of words on plastic plates displayed between them — is representative of her unique approach to image making.

The exhibition which debuted at Stadthaus Ulm in 2012, now travels to Museum Goch with close to one hundred photographs from some of Bieber's most significant series: Between Dogs and Wolves, 1994 — 2004; Going Home: Illegality and Repatriation, South Africa to Mozambique, 2001; Real Beauty, Survivors, Las Canas, Women who Murder their Husbands, 2005.

DAVID ZWIRNER Ulrike Ottinger's 1978 photograph Portrait of Two Women Drinkers describes a silent encounter between strangers on opposite sides of a cafe window.

The Weather is You, a series put together between 1994 and 1996, is also set in Iceland, consisting of photographs of a young woman emerging from various hot springs under different climactic conditions, which in turn subtly affect her facial expression and the composition of the photograph.

As an installation of one hundred close - up photographs of a woman, taken in hot pools in Iceland during changing climactic conditions, You are the Weather (1994 - 95) intimately follows the interplay between a female and the elements, as well as the unspoken exchange between viewer and subject.