Sentences with phrase «between photography and painting»

Much has been made of the relationship between photography and painting; less so the one between photography and sculpture.

He initially trained under the painter Gerhard Richter (b. 1932), whose work frequently interrogates the interconnections between photography and painting.

Klein's work explores the relationship between photography and painting and the layers of mediation involved in the creation and interpretation of images.

Frustrated and bored with that what he saw as the tedious constraints of that idiom, Baldessari scrapped it early on in his career, turning his efforts instead to «phototext» works that muddy the distinction between photography and painting, questioning the relationship between visual and verbal language.

Jennifer Schwartz Gallery presents Still.Life., an exhibition exploring the connection between photography and painting in the digital age.

Rail: But as far as the relationship between photography and painting is concerned, particularly in the subject of portraiture, I wonder how you feel about the German photographers who've dominated contemporary photography in the last two decades?

Rush, of course, was also making paintings at the time, so it was a natural transition for him to want to blur distinctions between photography and painting.

Over the last year, Serena Maisto has been focusing on the interaction between photography and painting, whether she employs others» photographs or takes her own.

Thus began her engagement with another fruitful avenue of late - 20th - century painting: the relationship between photography and painting.

As an image archive, work tool and artist's book, Atlas sits at the very heart of Richter's practice, offering a massive summation of his masterful explorations of the tensions between photography and painting, history and memory, perception and representation.

The gallery brings to Fog Fair newcomers including conceptual artist Ian Wallace, who plays with the boundaries between photography and painting; and Turner - Prize nominee Nicole Wermers, whose mixed - media works and installations explore themes of lifestyle, consumption, and class.

Her work represents a kind of dialogue between photography and the painting itself.

Hung side by side, a lively conversation develops between photography and painting, realism and abstraction, and together they make us more aware of architectonic forms that surround us but that we rarely give our full attention.

In the «70s Polke explored the relationship between photography and painting, and developed his interest in challenging the objectivity of the photographic image.

In this way, the work hints at questions of vision and reality that, for Richter, lay at the core of the relationship between photography and painting — a dialogue that was to drive his work over the following decades.

Panelists will be joined by surprise guests to discuss the relationship between photography and painting and the rise of Modernism.

I don't see my work as being particularly about the relationship between photography and painting.

That dialogue between photography and painting turns out to be important in my work right now, mainly because I love realism.

My goal now is to shoot still lifes with the aim of blurring the lines between photography and painting.

He is currently working on a series shot in Sweden, The Forest, which explores the dichotomous relationship between photography and painting, the «sweet - spot» where perceived reality and fiction meet.

In a series of new works, Cuenca confused and complicated the difference between photography and painting to produce seemingly archival yet synthetic images that evoked issues of surrender, exile and finality.

The artistic practice of James Welling unfolds in the liminal zones between photography and painting, film, architecture, sculpture and dance.

The resulting images oscillate between representation and abstraction and blur the boundary between photography and painting.

Printed on large, square panels that have been primed with gesso, they stretch the notion of the photographic and blur the boundaries between photography and painting.

Pioneering an approach to painting through exploring the relationship between photography and painting, Richter was responsible for the process that was fundamental for the entire discourse of the post-WWII painting.

The works hover ambiguously between photography and painting, with some veering more in one direction than the other.

The work operates in the space between the subject and the object, between photography and painting, in a tradition now well - established by forerunners such as the frequently - referenced Gerhard Richter.

I've liked this explanation Gerhard Richter gave in 1972 to Rolf Schön about the relationship in his work between photography and painting for a long time, but it's been particularly awesome lately:

Not exact matches

For the cost of $ 4 for adults, $ 3 for senior citizens and children between the ages of 6 and 12, visitors will see men in top hats and women in flowing, floor - length dresses displaying and demonstrating their crafts, which include wood carvings, photography, quilts, white oak baskets, suede cloth, handwoven rugs, Chinese brush paintings, stained glass, pottery, jewlery, metal sculputure and watercolor, acrylic and oil paintings.

Printmaking and painting combine to improve drawing skills, and photography enables students to explore topics, ideas and observations extensively, and provides are a rich source of discussion between students and teachers as ideas progress.

Phantasmagoria is a mixed media painting and photography series by CecilBoyd, created in a true collaboration between painter Will Boyd and photographer Hubert Cecil.

Masterfully recreating a photograph whilst allowing the process of its painterly making to remain visible, Richter heightens the tension between painting and photography, abstraction and figuration, truth and fiction — presenting to us an image that is conceptually subversive as it is utterly magnificent.

Beyond its visual interest, this revelatory, thoroughly researched exhibition stands as a pioneering examination of what it calls the «fundamental distinction» between painting and photography.

Spanning painting, photography, graphic work, drawing, sculpture, video, documents, and the critical responses generated, the joint exhibition explores the idea that there are no clean boundaries between art, culture, and geography, and deconstructs how such notions are formed and disputed.»

The artist's practice, which encompasses painting, collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.

Moving seamlessly between painting, drawing and collage, DeFeo introduced photography into her oeuvre in 1970.

Spanning painting, sculpture, photography, performance, and installation, Dan Colen's oeuvre explores the tensions between figuration and abstraction, the abject and the sublime, the timely and the timeless.

Much of this relates to Richter's exploration of the relationships between painting and photography, and only a very small proportion of the work features brush on canvas.

Moving between painting, sculpture, photography, print - making, technology, stage design and performance, he refused to accept conventional boundaries in art and in life.

How, if at all, would you define the relationship between painting and photography in your work?

Patiently I have been merging those travel images with my conventional photography, creating a medium which is somewhere between a photograph and a painting.

Works from the 90s include color prints of submerged and deconstructed flowers and food that explore the paradigms of attraction and repulsion and the dialog between painting and photography.

But it is her craftsmanship, her powerful control of the work's materiality, that truly holds the viewer's attention — revealing the sagacity of Kasten's on - going exploration of the interplay between mediums, specifically sculpture, installation, painting, and photography.

Between the Devil and the Deep Sea represents the culmination of five years of study in Fine Arts and displays a wide range of practices and ideas, including performance art, sculpture, photography, drawing, painting, audio and video.

Through a multi-disciplinary approach to painting, photography and sculpture, Barr and Rice explore the relationship between analogue and digital processes.

In Eisler's hands, for instance, the femme fatale Sadie Thompson as protagonist of the painting wavers silently between vampiric and vulnerable, the blackness of her satiny hair with the digitized rainbow highlights of photography re-generates a timeless goddess as equated with today as she was with the roaring twenties.

Dunnett has been experimenting with converting the digital photographs of her walks into contact negatives, creating and then toning cyanotypes, opening up a dialogue between photography, painting and etching.

This selection of works examines the in - between gesture, mediated through cinema, then photography, and then painting, as an instant both capacious and precise.

Minter, who uses photography in her work, is known for her large - scale paintings that span the gap between feminism, sex and fashion.

His current work in photography investigates the relationship between the camera, photography, and the painting traditions that precede it.