Without a visual anchor, viewers can only drift within the spaces in which grid and cross intermingle, uncomfortably caught between two - and three - dimensional spaces where boundaries
between pictorial depth and surface flatness begin to get fuzzy.
Like in Medieval tapestries, where there is tension
between the pictorial depth and the flatness of the woven surfaces, my paintings hover in a similar duality.
«Liquid Villa» shifts between lucid, crisp dream architecture and colorful, blurring abstraction, unsettling the viewer
between pictorial depth and flatness.
Not exact matches
Also, from the
pictorial level, we can establish a certain connection
between Chuck Close, Gerhard Richter and Zhang Xiaogang, which enriches the
depth of the world of imagery.
To enter the
pictorial and psychic space of one of Patterson's images is to tumble into a fantastical realm in which distinctions
between form and symbol, surface and
depth, and the sublime and the absurd are lovingly blurred.
To enter the
pictorial and psychic space of one of Patterson's paintings is to tumble into a fantastically overdetermined realm in which distinctions
between form and symbol, surface and
depth, and sublime and profound are lovingly blurred.