Not exact matches
This
picture of growing distance
between scholarly «haves» and «have nots» emerges from a study by Ajay K. Agrawal of the University of Toronto (U of T), John McHale of Queen's University, and Alexander Oettl of the Georgia Institute of Technology, which examined decades of research output by everyone publishing in a particular scientific
field.
Sally Entrekin and colleagues wanted to flesh out this
picture for the Fayetteville Shale play, an active gas
field in Arkansas where more than 5,000 gas wells were drilled using fracking techniques
between 2004 and 2014.
The
fields used to illustrate the theme are those of health care and civil nuclear power, the former to paint a general
picture of the hierarchy of uncertainty, and the latter to show the full range of relationships
between governments and their advisers in a series of specific examples.
The image was assembled from many separate exposures (342 frames total were taken, 276 have been fully processed to date and used for this
picture) with the Wide
Field and Planetary Camera 2 (WFPC2), for ten consecutive days
between December 18 to 28, 1995.
You'll also find storyboard - to - scene splitscreen comparisons for the «Bank Heist» and «Potter's
Field» sequences (note how unlike the storyboard panels the finished shots are), as well as a «producing workshop» with Arnold and Anne Kopelson that's genuinely informative in that they distinguish
between the various types of producers credited at the beginning of every motion
picture.
But all of these
pictures have in common the allover surface plane held in tension,
between figure and ground, as an interwoven
field.
Working alongside Color
Field painters such as Kenneth Noland and Thomas Downing, Gilliam elaborated upon Color
Field processes and aesthetics while subverting Greenbergian notions of the «integrity of the
picture plane,» and disrupting the boundaries
between the visual world of painting and the tangible world outside it.
Stanley Whitney's paintings are easy to describe, but in
between the descriptive terms that one can assign these
pictures, lays a very expansive
field.
If anyone has ever been to Byrd, or has seen the
pictures on Google Earth, it would be very hard to validate ANY offset
between two stations being 2.5 km apart on that deserted ice
field without a proper explanation.
Now, as I pointed out before, if anyone has ever been to Byrd, or has seen the
pictures on Google Earth, it would be very hard to validate ANY offset
between two stations being 2.5 km apart on that deserted ice
field without a proper physical explanation.
The phone also has an 8 MP front - facing camera, which can switch
between a 22 mm focal length and a 90 - degree
field of view for tight selfie
pictures, and a 12.5 mm focal length and 120 - degree
field of view for group selfie
pictures.
Despite the differences in
picture - taking capabilities, it's an even playing
field between the Mate 10 Pro and Note 8 when it comes to selfies and videos.
Post-Production Coordinator — Leftfield
Pictures 2006 Coordinated work flow
between loggers, producers, and editors in the
field and in the office, and maintained dailies shot during production.