Sentences with phrase «between plaster cast»

Then came the well - known work of the early 1960s, but after that he again broke the balance between plaster cast and object.

Not exact matches

Lewin's dual passions of medicine and fossils make for dizzying conversation as he switches, rapid fire, between how to fill a dinosaur footprint with plaster and how to use that same plaster to fashion an emergency cast.

Here and there, you can still see the traces of the chisel he uses to scrape away the excess bits of plaster or some shreds of jute slipping between the clotty casts of plaster.

Thanks to support from the Art Fund, three of the works are now making their UK debut at Sir John Soane's Museum, as part of the exhibition Power in Woman, which draws parallels between Sir John Soane's classical plaster casts and Lucas's sculptures.

Assembling all manner of materials and objects — plaster casts, videos, newspaper clippings, photographs, flowers, even water — into large - scale, site - specific installations, the artist blurs the distinction between institutional and intimate space.

Whiteread works with plaster casts, visualizing the empty spaces between and beneath familiar objects, while Hatoum's objects often deviate from the norm in a disquieting way.

Eva Masterman's profile >> > Jackson Sprague Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

Situated at this intersection between of minimalism and conceptualism, the artist Rachel Whiteread is best known for her use of industrial materials such as plaster, rubber, and resin in the casting process.

Like a lot of Cross» work, it is a fusion between the surreal and the functional, in this case a cow's udder stitched together with silk from her grandmother's wedding dress and draped over a plaster cast, teats perched atop to form a headdress, a halo or a set of horns.