With clients including ESPN, The New Republic, Flatiron Books, Wired magazine, Nike and Iron Mountain, he's carved out a niche for himself using a very distinctive style that lies somewhere
between pixel art and
pointillism.
In her large, multi-media works, vivid spray - painted, translucent atmospheres are contrasted with opaque, hand - painted geometric areas reminiscent of
pointillism or pixelation, a juxtaposition that creates significant spatial depth Recent works such as «Gray Matter» (2017) inhabit an intersection
between the theatrical baroque and the graphic specificity of stained glass, which is accentuated a dynamic sense of movement, swirling spirals, upward diagonals, and heavy impasto.