Not exact matches
Hope for our society lies in the
possibility of the rebirth of visionary thought, utopian dreaming, the resurrection of the split
between present and future that provides the dynamic of change in the direction of projected ideals.
Regarding knowledge of
possibility, we can, for
present purposes, avoid discussing the well - known difference
between Whitehead and Hartshorne as to whether God has a primordial vision of all eternal objects (
possibility), as Whitehead asserts, or whether God derives eternal objects from the world, as Hartshorne does.
Barth's doctrine of the threefold Word implied simultaneously the indissoluble unity of the Word with the texts, tradition and
present life of the church, along with the necessity of always distinguishing
between the Word and the text, the text and the community, and the
present creeds and future
possibilities.
In the third place, Hartshorne acknowledges a particularly thorny problem concerning the
possibility of relations
between entities in the
present.2 Can not two subjects both know each other in the
present and thus determine each other's reality to some extent?
And yet precisely when God is seen as Judge and man as sinner, there is a
possibility of a unified conception of God; a
possibility of closing the chasm
between God distant and God near at hand,
between future and
present,
between hope and belief in providence.
The dialectic
between his being and his being - not - yet is the pain and power of history.23» The future that is God's is «a power which already qualifies the
present — through promise and hope, through liberation and the creation of new
possibilities.
It is precisely a discussion of the route
between text and sermon, if «sermon» means a situation in which the truth of human existence (its
present state and essential
possibilities) is disclosed.
The
possibility of conflict
between these potentially conflicting claims is always
present, yet collisions are not necessarily constant.
The process of separation, transition, and reintegration occurs in terms of the disruption of a steady state at or near equilibrium, which brings matter increasingly far from equilibrium to a point at which a «decision» is made
between alternative
possibilities randomly
presented by its environment, resulting in its reorganization in novel emergent form.
Or, phrased differently, being was experienced as the passage of all things from future
possibility into the nothingness of the past through the narrow juncture of the always disappearing
present; and so the thought of being had not yet been separated into a stark opposition
between temporality and eternity.
Ideal
possibilities were latent in the decade
between 1958 and 1968 that had not been
present before.
After that, the
possibilities for mutual understanding created unintentionally by American Evangelical missionaries disappeared, and hostility
between the Islamic world and the rest of the globe returned, continuing to the
present.
This
presents a horrifying
possibility: that there is a link
between these megaquakes and that, as a result, more could strike.
Memory has a fundamental role in life, reflecting the past as the past, and offering the
possibility of reusing all past and
present experiences, as well as helping to ensure continuity
between what was and what was going to be.
3:45 — 4:45 pm Madness of the
Present: Abstraction's Radical
Possibilities: A conversation between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary possibilities in art
Possibilities: A conversation
between Adam Pendleton and Adrienne Edwards Focusing on Adam Pendleton's art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator Adrienne Edwards explore abstraction as a platform for revolutionary
possibilities in art
possibilities in art and politics.
The
Present was the last in a trilogy of photographic series made in the United States
between 1998 and 2001 that began with shimmer of
possibility and American Night.
In the summer of 2015, SITE Sana Fe will
present the exhibition Unsuspected
Possibilities, a collaboration
between artists Leonardo Drew (b. 1961), Sarah Oppenheimer (b. 1972) and Marie Watt (b. 1967), and organized by SITE's Curator Janet Dees.
Exploring unexpected juxtapositions
between history and the
present, and reframing our expectations for the quintessential «19th century French painting» through the lens of contemporary art, Richard Aldrich produces an exhibition reveal the magic of and new
possibilities for painting today.
Japan's Whitestone Gallery inaugurated its new outpost in Wong Chuk Hang with «Chiyu Uemae: A Solitary Path,»
presenting works by the founding member of the avant - garde art group, which sought innovative and original
possibilities of image - making and performances from interactions
between body and matter.
Back to the Things Themselves, on show at The Briggait,
presents artworks by Lesley Punton (LP) and Judy Spark (JS) who both explore
possibilities and limits of translating one's lived experience of the environment, and the potential for connections
between a subjective experience with universal ways of knowing the world.
Three Evidentiary Claims examines the relationship
between images and objects, and
presents a set of
possibilities for how we might talk, think, and read these distinct and hybrid mediums of photography and sculpture.
White space is clearly as important to Holyhead as the application of colour, the tension
between the two is an intrinsic aspect of his compositions, with crisp, stencil - like geometric shapes cutting into flat translucent areas of wash, heightening both gestural process and media and making artistic intentions — an investigation into the enduring
possibilities of painting — subtly
present.
British photographer Paul Graham returns to the Larry Sultan Visiting Artist Program to discuss three bodies of work made in the United States
between 1998 and 2011, American Night (1998 — 2002), a shimmer of
possibility (2004 — 06), and The
Present (2009 — 11).
Studio Anja Teske and Studio Turtlelab have both invited artists to evoke ideas of urban spaces caught
between past and
present, closed - off
possibilities and hidden worlds, missed connections and chance meetings.
«Exemplary of [The Chicago Effect: Redefining the Middle's] strengths is a brief interlude in the middle of the main gallery marked by a stripe of grey paint that hangs on the walls and floor
between two halves of the white cube... Isolated Fictions: A Reenactment, as the sub-show is titled,
presents a provocative case study in the generative
possibilities between art schools, small galleries, art centers, and other «middle men» of the art economy.»
For the first time, this exhibition brings together three bodies of work made in the United States
between 1998 and 2011, American Night (1998 — 2002), a shimmer of
possibility (2004 — 06), and The
Present (2009 — 11).
This exhibition brings together three of Graham's most groundbreaking bodies of work, made across the United States
between 1998 and 2011: American Night (1998 — 2002), a shimmer of
possibility (2004 — 2006), and The
Present (2009 — 2001).
Loosely inspired by the liminality — the interfacing of the threshold
between two planes — of such an imagined space, Indian artist Surendran Nair's new body of work in «Cuckoonebulopolis: (Flora and) Fauna,»
presented in the artist's first solo exhibition at Aicon Gallery, explores notions of indeterminacy and ambiguity, while intending to push the viewer to consider new hypothetical realms of
possibilities.»
The exhibition brings together three bodies of work by artist Paul Graham (British, b. 1956) made in the United States
between 1998 and 2011: American Night (1998 - 2002), a shimmer of
possibility (2004 - 2006), and The
Present (2009 - 2011).
Resurfacing could be said to be the process of transition, from the before surface to the after surface, with all of the complexities and
possibilities that the in -
between presents.
To complement Samsung's launch of The Frame at The Other Art Fair Sydney, Saatchi Art is
presenting 7 Australia - based artists, all of whom are inspired by Sydney in rich and varied ways, and are passionate about the stimulating
possibilities inherent in the relationship
between art, design, architecture and technology.
In effect, these bodies provide the essential link
between Indigenous people who have been affected by the policies and practices of separation and their
present needs - that is, access to information about their past and help and advice as to what to do with that information, including the
possibility of reunion with family or communities.
Hypothetical model: (1) MR mental representations, (2) subjective appraisal process
between brackets, (3) reciprocal effects
between variables are
present but not depicted (except for the link
between wellbeing and teacher — student interactions) as the theoretical model implies causality, and (4) the dotted lines represent a mediational model; an alternative
possibility is moderation represented by the dashed lines