During the Frieze Talks programme, Smithee delivers a keynote lecture elaborating the complex relationships
between his public persona and the long filmography for which he has become known.
At the same time, the artists themselves became brands, in many cases resulting in the interdependence
between public persona and artistic output.
As violence flares, the characters face a battle
between public persona and inner desires.
Not exact matches
NOW WE CLEARLY UNDERSTAND THE EXTENT OF DEMENTIA IN AMERICA Dale Benjamin Drakeford 8-31-12 When Clint Eastwood, a self - proclaimed «conservative» (who has lived more like a Joseph Smith liberal spurning nine children with four different women, sporting a clinch fisted
personae in his private exenterates over
public exhibitions) talks vulgar to an empty chair, Marco Rubio (a small government advocate who loss his roots somewhere
between caffeine - free tea and a caffeine rich Cuban cigar) slips Freudian to advocate «large government» in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia in America.
He writes of any famous artist's possible «distance
between his true self and his
public persona,» but distinguishes the pathos of the actor in terms of the extent of fame and relative lack of control over the artistic product itself.
But this film dares to take its time, observing the rhythms and
between - the - lines inflections of its characters, examining them as they negotiate
public personas and private anguish, remaining open to the different sides they might reveal to us at random moments.
As I leave the motorhome, I think about the disconnect
between Ganassi's
public and private
personae.
In a lively and engaging narrative, Ellis recounts the sometimes collaborative, sometimes archly antagonistic interactions
between these men, and shows us the private characters behind the
public personas: Adams, the ever - combative iconoclast, whose closest political collaborator was his wife, Abigail; Burr, crafty, smooth, and one of the most despised
public figures of his time; Hamilton, whose audacious manner and deep economic savvy masked his humble origins; Jefferson, renowned for his eloquence, but so reclusive and taciturn that he rarely spoke more than a few sentences in
public; Madison, small, sickly, and paralyzingly shy, yet one of the most effective debaters of his generation; and the stiffly formal Washington, the ultimate realist, larger - than - life, and America's only truly indispensable figure.
Opie's portraits operate in the space
between public and private
persona, while posing questions about the subtle forms of voyeurism that portraiture permits.
«#TOUCHMYSOUL» examines the culture and nature of fame and the gap
between a celebrity's
public persona and real life.
The seven video works in Act Out play with the overlap
between the artist's body, intention and
public persona.
It's like some of Yvonne Rainer's movies — MURDER and Murder and Privilege — that show us the contradictions
between her private and
public persona that will never be resolved.
Buckman's images, often paired with funny captions, celebrate a spectrum of emotions and show the contrast
between the private self and the
public persona one assumes within the often cramped and mirrored walls of the loo.