Sentences with phrase «between pure art»

Not exact matches

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While both groups valued abstract painting as a «purer» form of art, there were also significant differences between them.

This clear duality, transcending both formal abstraction and function, embodies a distinct and evolving symbiosis between two parallel paths, and nurtures a staggering dialogue around how a physical manifestation can embody pure experience and also exist in completely separate realms and trajectories of contemporary art and life.

Using pure abstraction, she created art that always addressed the relationship between objects and architectural space.

The inherent contradictions that Pablo Bronstein establishes between the drawings and furniture / buildings, the shapes they refer to, their irreducibility to pure theory or mere physicality, functionality or artifice, are also ironic comments about the role of art historians, highlighting the pleasure but also the danger of historical discourse.

Showing at the Suzanne Tarasieve Gallery Paris until 25 May, the work of Juergen Teller is, frankly speaking, one of the purest examples of how the stereotypical everlasting conflict between art and fashion could be resolved.

His playful creations exist in their own world somewhere between surrealism and abstract art and communicate pure freedom.

1997 Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, Wichita State University, Wichita, Kansas, USA (curated by Paul Nesbitt and David Moos) Primarily Paint, Museum of Contemporary Art, San Diego, La Jolla, California, USA Pintura, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York, USA (curated by Lilly Wei) Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York, USA (curated by Michael Walls) Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker, Gallerie Tanya Rumpff, Haarlem, the Netherlands Wetterleuchten, Galerie Evelyne Canus, La Colle - sur - Loup, France (curated by Günter Umberg) Critiques Of Pure Abstraction, Independent Curators, Inc., New York, USA (curated by Mark Rosenthal)(traveled) Stepping Up, Andrew Mummery, London, England Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser / Nanako Umemoto, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria Some Lust, Patricia Faure Gallery, Santa Monica, California, USA Installations / Projects, Institute for Art and Urban Resources / P.

By doggedly ploughing his own furrow, Hartung in a sense refused to choose between two simplistic visions of abstract art: on one side, eruptive and chaotic painting, based on pure intuition, combined with the expressionist, gestural, lyrical, informal and Tachiste tendencies of post-war painting; and, on the other, control, precision and systems, whose notions belong more to the realm of Geometric Abstraction.

Knobby Knees, Travis Collinson's second solo exhibition of paintings and drawings at Maloney Fine Art, is a new body of work; a series of portraits using family, friends and colleagues painted with a signature style of simplified form and pure color, providing insight into the intimacy shared between the artist and his subject.

This shift in Piacentino's work, away from pure minimalism while still maintaining a commitment to blemish-less surfaces, is in line with these words from Germano Celant: «It is in this historical climate of oscillation between art and design, handcrafts and industry, the useful and the useless, the one - off piece and the mass - produced object, and between the autonomy and heteronomy of pure creation, that we can place the contribution of Piacentino, whose otherness and uniqueness lie precisely in the dialectic between the two poles, Pop and Minimal.

However, her view that «pure» abstract art enhanced the environment, and her involvement with Groupe Espace in the 1950s which promoted the concept of a synthesis (or close collaboration) between architects and abstract painters and sculptors, place her at least in part within the Constructivist tradition.Her post-war textile designs for Heals also place her firmly within the 20th century Modern Movement.