Sentences with phrase «between reader and writer»

Becoming the sole required intermediary between the Reader and the Writer?

When I write about the reading experience, I'm talking about a deep engagement with text, an active, intelligent, two - way conversation between reader and writer.

The distance and intermediaries between reader and writer are greatly reduced.

Self - publishing has been empowered by the internet at all levels, from cheap distribution, to low prices, to disintermediation between the reader and writer.

The principle is that the Internet is an interactive medium, and an exchange between readers and writers is a much more meaningful form of interaction than a Like or a Share.

«When I launched Red Room in 2008 I wanted to break down the walls between readers and writers.

We don't need programmers, but we do need people for whom technology comes naturally and who can see ways that technology can help build a different kind of engagement between readers and writers.

In formal essays writer has a conversation with the readers with the help of different essay techniques; informal essay writing presupposes the direct conversation between the readers and the writer.

Kristen McLean (Bookigee) will cover inbound «customer anthropology» and Allen Lau (Wattpad) will share his vision for facilitating true, organic connections between readers and writers.

Not exact matches

Yet there ought to be a clear distinction in our thinking between a critique of the effects of this genre, with its deceptive promises of liberation, and a more empathic inquiry into the writers and especially the readers of this literature, those searching for some kind of encouragement and relief that they have failed to find elsewhere.

It is a beautiful, simple relationship between writer and reader.

Could it be that the writers (and some of us readers) want to avoid a choice between the amateur and the professional, between the representative of human justice (the streetsmart cop) and the person devoted to divine justice (the priest)?

There is a school of thought that advises us to «think biblically,» and yet neglects «the social consciousness of the meaning of words,» and «the exact contribution made by a word in its context and communicated between the speaker and the hearer, or the writer and the reader.»

According to Whitehead, the interrelated nature of meaning allows for the differences in meaning that can occur between the speaker and the hearer, and more importantly, between the writer and the reader.

For instance, traditional Christian readers will take exception to the wedge he attempts to drive between Paul's account of the resurrection and that of the gospel writers.

A brave new world in the dynamic between unpublished writers and readers everywhere.

Your readers may find helpful information (and distinctions) between «vanity publishing» and «self» or «independent publishing» at this site: Self - Publishing and Print - on - Demand Technologies http://bit.ly/PODselfpublish And if you haven't already overdosed on reading about e-books you might check this out: http://bit.ly/ieqWXC Both are on the Writers and Editors websiand distinctions) between «vanity publishing» and «self» or «independent publishing» at this site: Self - Publishing and Print - on - Demand Technologies http://bit.ly/PODselfpublish And if you haven't already overdosed on reading about e-books you might check this out: http://bit.ly/ieqWXC Both are on the Writers and Editors websiand «self» or «independent publishing» at this site: Self - Publishing and Print - on - Demand Technologies http://bit.ly/PODselfpublish And if you haven't already overdosed on reading about e-books you might check this out: http://bit.ly/ieqWXC Both are on the Writers and Editors websiand Print - on - Demand Technologies http://bit.ly/PODselfpublish And if you haven't already overdosed on reading about e-books you might check this out: http://bit.ly/ieqWXC Both are on the Writers and Editors websiAnd if you haven't already overdosed on reading about e-books you might check this out: http://bit.ly/ieqWXC Both are on the Writers and Editors websiand Editors website.

I see Singles as creating a space — a prominent bookstore window, really — that allows writers a way to explore and readers the chance to enjoy the rich storytelling opportunities that fall between the lengths of a magazine piece and a book, between about 5,000 and 30,000 words.

Cutting a fine line between «writer» and «author» will have absolutely no meaning to readers and, therefore, should be discarded as the valueless attempt at snobbery that it is.

I believe it is this back and forth between being a beta reader and working with one as a writer that is making such a huge difference.

And to me, that breaks the trust between a writer and a readAnd to me, that breaks the trust between a writer and a readand a reader.

The problem with the disconnect between what readers want to read and what writers want to write

The trick for us was to try to make it part of our single most important recurring theme here, which is to help to build connections between writers of distinction and our readers, who we believe have distinguished themselves month after month as the greatest readers in the world.

Reviews are one area of potential «influence» that may be pernicious for authors, especially if writers don't maintain a firm distinction between what readers say they want and what is actually good for a book — or for the project the author set out to accomplish.

Melissa explains the difference between betareaders and ARC readers, and why it's important writers know the difference.

In the latter, the writer has everything, and, best of all, there are no walls between writer and reader.

That's because blog traffic is only one signifier of the relationship between writer and reader.

In our opinion, this partnership presents a rare opportunity for direct intersection between writers, readers, a publisher and an ebook distributor, all of whom are deeply invested in the same particular area of publishing.

It got me thinking about the differences between beta readers and editors and why a lot of writers think that they don't need an editor when they have beta readers.

I especially wanted to thank you for including resources about beta readers as although I've been part of online and in - person critiquing groups and continue to be in one, I find there's a lot of demand for something to facilitate easier connections between beta readers and writers.

An intelligent, deeply moving, and remarkably written portrait of a relationship that reads as a cross between a romance novel and a literary page turner, A Small Hotel is a masterful story that will remind readers once again why Robert Olen Butler has been called the «best living American writer» (Jeff Guinn, Fort Worth Star - Telegram).

Hilarity and nonsense characterize this illustrated poetry collection, which engages the reader in a lively conversation between the writer and illustrator.

Edward Garnett, a reader with exquisite taste, a perceptive critic and a writer, played a crucial role in the literary history of Britain between 1887 and 1937.

The author will see their efforts as organic, fostering meaningful dialog and creating strong bonds between writer and reader, whereas Amazon sees it as collusion.

Currently Looking For: Fiction that hits the sweet spot between commercial and literary with interesting settings and a strong narrative voice; mystery (particularly cozies and crossover literary — think Ordinary Grace by William Kent Krueger), literary thriller, and psychological suspense; and memoir by writers who connect the events of their lives to readers through incredible storytelling, as well as a wide variety of prescriptive and narrative nonfiction and gift books.

Writers around the world are getting their books to readers — and getting paid for it — without a publisher standing in between.

There are various ways of interacting on e-readers or computers, where people blog and use Twitter, and where the sharp line between the writer and the reader is going away.»

Reading, on the other hand, is a solitary activity — a conversation between the writer and the reader.

It's funny that there can be such a disconnect between what authors think they should be doing to engage with their audience, and what their fans really want — especially since I haven't met one writer who isn't an avid reader!

Our dream is to help create win - win partnerships between writers and readers, authors and reviewers, book clubs, bookstores and most important, between each other.

«Book soundtracks like these have become increasingly popular among authors and readers, especially as the connection between writers and their audience has become more interactive, and as the fast popularity of music - streaming services like Spotify have made it easy to share songs online.

The world of Eden is not always fully developed — readers will likely walk away with a few questions — but Charbonneau's skill as a thriller writer will hook readers as the tension between the siblings grows and the Trial of Succession rushes towards an explosive end.

In my humble view: self - publishing is when you pay for services and get books for said services, that you sell to readers, you are the author and the writer, and the chief marketing executive and inventory personnel and anything and everything in between.

By combining my extensive experience in both publishing and art & design, I can provide new and established writers with visual strategies for promoting their work, as well as help develop web and social media strategies for building richer relationships between authors and readers.

«I began to think about a publishing company that focused on that space between traditional books and magazine articles,» says Tayman, «As a reader and a writer, I knew that there were stories that wanted to be told at their proper length.»

The whole point of social media is to shorten the distance between the passionate reader and the passionate writer.

Publishers may be helpful in scaling up a writer's readership, or in providing editing and publishing services, but they are no longer necessary intermediaries between writer and reader.

Some voiced the opinion that traditionally published writers should be given training in social media and networking, as direct communication between authors and readers continues to become an increasingly important part of the publicity campaign for a book.

I know THIS particular reader is jammed right now between work and getting everything ready to attend the Central Coast Writers Conference that starts tomorrow.

I had mixed feelings about the ending of MY SISTER»S KEEPER, but at the end of the day, I'm with Donald Maass: there's a line between breaching the contract and providing the unexpected, and the writer needs to stay on the right side of that line, or else you may not have broken the reader's trust, but you may have disappointed them nonetheless.