«Prayer for the Black Madonna» is the third installment of the Hirshhorn's acclaimed «Processions» series organized by Theaster Gates, featuring collaborative performances that introduce unexpected and unexplored connections
between sacred music, African and African American culture and history, theater, world dance, and chant.
The collaborative performances engage «unexpected and unexplored connections
between sacred music, African and African American culture and history, theater, world dance and chant.»
The Hirshhorn Museum announced Theaster Gates is curating a series of four performances at the Washington, D.C., museum that «will introduce unexpected and unexplored connections
between sacred music, African and African American culture and history, theater, world dance and chant.»
Not exact matches
What was needed in the debates over
music during the 1950s and 1960s was a broader theological vision that could help the Cooke's and Lewis's of the world understand the continuity
between the
sacred and the profane in terms of the shaping and orientation of human desire.