Not exact matches
Working with a mix
of technical collaborators old and new, Villeneuve has once again delivered an impeccably well - crafted film, not least in Deakins» arresting widescreen lensing, which alternates
between vast aerial canvases that capture the epic sprawl
of the border land, and closeups so carefully framed and
lit as to show particles
of dust dancing on a
shaft on sunlight.
Shafts of light press through the waterline like a spotlight and small fish weave in
between them and then descend into the shadows.
Low - intensity
light zones
between the blue arrow
shafts of a diamond may exist under the table, but are not always easily viewable by the naked eye in an ASET image.
The inside views confirm the exterior impression
of BCAM as a ho - hum performance for Piano: two stacks
of «white cube» galleries with a tiered
light shaft between them.