Sentences with phrase «between single artist»

Exhibitions at Newport Street will vary between single artist and group shows and entry to the gallery will be free.

Continuing a pattern established early in its history, the gallery consciously develops a program of surprising juxtapositions within and between exhibitions alternating between single artist shows, curated group exhibitions, and historical exhibitions.

Not exact matches

At the end of our review process, we have observed that some sites work tremendously well in providing a connection between two singles living in the same area, and others offer nothing but scam artists and pesky bots.

On the demon side, the unfortunate reality of just how much effort would be needed to produce portrait art for every single demon means that there's a wild mixture of art from older games, newer games, games in between those games, and brand - new monstrosities created not only by Doi himself, but also various guest artists from the world of tokusatsu media (Japanese live - action fare like Godzilla, Kamen Rider, and Ultraman).

In larger institutions where different departments may work with an artist to produce different content for the same program, it is the responsibility of the institution to coordinate between departments and produce a single cohesive contract agreement.

Because the wall captions, though fully descriptive of each new phase, don't explain the evolution of Stella's ideas, you move among his abruptly demarcated styles as between different artists, rather than following a single artist's succession of thoughts.

Bringing together for the first time all of Johns» light bulb sculptures and related drawings and prints — including several drawings and modified prints from the artist's own collection — this volume offers an unparalleled opportunity to examine Johns» practice through a single image and reveals significant relationships between his two - and three - dimensional work.

No World, a screening of the 2014 single - channel video by Fang Lu followed by a conversation between the artist and curator Herb Tam.

This group of five single - channel works produced between 1968 and 2003 by an intergenerational group of artists, focuses on works that engage explicitly with the body — typically the artist's body — being subjected to performative actions or gestures.

The artist's single - channel video works of the past ten years are more allusive and poetic, addressing political and theoretical concerns obliquely via densely constructed image - sound montages whose explicit subjects range from the relationship between Maria Callas and Pier Paolo Pasolini (Come Lontano, 2010) to the life of Charlotte Brontë (CB, 2011).

The Interview is a discussion between author and artist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist's work in historical and contemporary context, Focus is an analysis of a single piece of the artist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist's work, Studio Visit brings you into the artist's creative space and Artist's Writing gives further insight into the artist themsartist's creative space and Artist's Writing gives further insight into the artist themsArtist's Writing gives further insight into the artist themsartist themselves.

SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]

The exhibition also includes city maps upon which the artist traced his route in a single day, and more than 100 telegrams delivered between 1969 — 2000, each bearing the simple message «I AM STILL ALIVE.»

Although the 2014 Whitney Biennial is effectively organized as three individual exhibitions — curators Stuart Comer, Anthony Elms, and Michelle Grabner each installed and programmed a single floor of the Museum — tracing the connections between artworks on all floors of the Museum can point towards the important questions and concerns that engage today's artists.

Opening on November 5th the gallery will show a selection of 35 single channel video tapes, all of which were produced by artists living and working in Southern California between the 1970 and 1993.

However, in the course of a single piece these narratives will shift between different archives and collections for what the artist is seeking are the contingent links between materials that have very different histories.

Between works displayed on cellphones or vintage game consoles, books, flat screens, projections, gifs, slide projects, a custom carpet job, wallpaper, a sculpture here and there, a few items from each artists» clothing line, and a single repeated verse from a generic pop song fading in and out of the exhibition space, I do not feel particularly set - up to pay close attention to anything.

This show may not offer any big new revelations about the nature of the circle, but it brings together a magnificent, occasionally mad cornucopia of rounded works, from the London Underground sign from Oval station to magical pieces of Zen Buddhist calligraphy, created during a single exhalation of breath; from Marcel Duchamp's Anaemic Cinema, a whirling «psychedelic» animated film from 1925, to Chicago artist Theaster Gates's A Complicated Relationship between Heaven and Earth, in which a stuffed goat on a tricycle, originally used in Masonic ceremonies, runs noisily round a circular railway track.

Naomi Leshem's photography explores what the artist identifies as «in - between» states, such as dreams, the maturation of children into adulthood, and the various interpretations of a single image by different people.

The installation — which the artist has interpreted as a metaphor for time, where the trail of all memories is condensed on a single point in space — synthetizes the core points of the artist's research, that is, the presentation of suggestive situations whose narrative must be completed by the viewer; the simultaneity of different temporalities; and the game between reality and representation.

They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.

For Singles» Mixer, which is on view until late January at Luring Augustine's Bushwick outpost, Kelly presented a multi-channel video and sculptural installation that portrays a conversation of sorts between an eclectic group of on - screen characters, drawing on our collective histories — both personal and cultural — to craft a narrative at once specific to the artist and deeply universal.

Stella is just one of the artists that has embraced joint representation, an agreement between two dealers that allows them to share in the spoils of a single body of work, and gives an artist two distinct gallery programs and two distinct collector bases.

No single work or artist is given priority over another, and the impact of each piece is felt in the dialogue created between works, within the greater collectivity of the show.

A single, large - scale painting (red dust between, 2017) by the Los Angeles - based artist Rodney McMillian will be on view for the first time with the presentation, serving as focal point in the gallery and anchor for discussion.

The relationship between the artist's single large - scale works and his use of drawing and painting in serial presentations is also explored.

(Madrid, Spain) A collective exhibition showcasing the work of over thirty Spanish and international artists with the single objective of reviewing the relationship between art and public within a context.

Sin motivo aparente (For no apparent reason) is a collective exhibition showcasing the work of over thirty Spanish and International artists with the single objective of reviewing the relationship between art and public within a context, the CA2M venue, Center where the viewer has been CA2M main objective since its opening five years ago.

But between anecdotes in the profile about Clark's self - induced seclusion (she's traded her East Village apartment for the Marlton Hotel to write the album without distraction) and theories surrounding the personal inspiration behind her lyrics («It's a composite,» she told Paumgarten, referring to any assumptions that they're based a single person), the article also includes a show - stopping portrait of the singer by artist Marilyn Minter.

«Because the Fibonacci numbers were progressive, and each was incorporated in the next, Merz felt they aptly expressed the relationship between a single unit and a mass, between the individual and society at large,» notes an Albright - Knox catalogue of the artist's work.

«Paint Made Flesh»» benefitted from its single - medium approach that brought an overall unity to the show, reinforcing the connections between artists as varied as Pablo Picasso, Alice Neel, and Georg Baselitz.

Arkus eliminated prizes for the 1970 show, and switched to a single - artist, retrospective format for the 1977 (Pierre Alechinsky) and 1979 (split between Eduardo Chillida and Willem de Kooning) shows.

Many of the artists don't inhabit a single country — often going back and forth between multiple locations, cultures and ideas.

A particular surprise was the San Francisco Museum of Modern Art's «Edvard Munch: Between the Clock and the Bed,» which put flesh on the bones of the artist known around the world for a single painting, «The Scream.»

Filmed in her Syracuse studio, artist Carrie Mae Weems discusses the impetus for her work The Kitchen Table Series (1990), a photographic investigation of a single domestic space in which the artist staged scenes of «the battle around the family» between women and men, friends and lovers, parents and children.

Describing his influence, Polly Staple compared him to Paul Cézanne — an artist who spent a lifetime painting apples, card players, a single mountain range, all the time trying to explore the relationship between two and three dimensions to convey the «appleness» of apples, to express shape, weight, body and form in paint.

Resisting confinement to a single medium, critically acclaimed Mexican artist Gabriel Orozco (born 1962) explores the poetry of chance encounters while blurring the boundary between art and the everyday.

At Frieze Masters, Lisson presents a single - artist display of the work of Richard Long, who worked with the gallery in his seminal early years between 1973 - 1980.

The battle between illusion and reality becomes pitched even within single artworks in «Circumventing the City,» a show of 10 artists at D'Amelio Terras.