Whereas the genius of the Greeks — so his story goes — was to gaze without illusion into the chaos and terror of the world, and respond not with fear or resignation but with affirmation and supreme artistry, they were able to do this only on account of their nobility, which means their ruthless willingness to discriminate
between the «good» — that is, the strength, exuberance, bravery, generosity, and harshness of the aristocratic spirit — and the «bad» — the weakness, debility, timorousness, and vindictive resentfulness of the
slavish mind.
I have to go from one movie to the next and be true to what's happened, but not be
slavish to it... The model I'm always trying to build from, my guiding star, is The Godfather Part II where a ton has happened in -
between... but you don't need any information: it's there in the film.