Sentences with phrase «between subjectivity»

Barbara Mayden contributed to the Law360 article, «BigLaw's Pay Traditions May Fuel Gender Bias Fire» where she discussed the link between subjectivity in compensation decisions and inherent biases.

Those who fail to recognize that, fail to appreciate the difference between subjectivity and objectivity.

Moving deftly among large - scale architectural interventions, experimental film, staged events, sculpture, photography, and book projects, her work interrogates the relationship between subjectivity, language, and power.

The results are multifarious, provocative, and often wry outpourings in architecture, writing, performance, photography, filmmaking, printmaking, sculpture, and painting that interrogate the relationship between subjectivity, language, and power.

The interplay of works, some of which use a scientific vernacular, underscores the phenomenological relationship between subjectivity, and perception, examining banality and the existential in equal parts.

Working under the sign of Benjamin, «Storyteller» curators Claire Gilman and Margaret Sundell grouped together fourteen artists who employ the story form as a documentary mode, setting aside Benjamin's distinction between the subjectivity of oral communication and the assumed veracity of mechanical broadcast in order to investigate the use of narrative across a swath of contemporary art.

Claire Cadorette, a Rhode Island School of Design graduate with a BFA in glass, uses her work to bridge the relationship between the subjectivity of the object and the objectivity of the body.

For example, film noir may be regarded as a device through which to think through the relationship between subjectivity, the law, and truth.

My performance and video projects interrogate the cultural conventions that structure the relationship between subjectivity and power.

The display's transparent barriers substantiate the glass ceiling between subjectivity and material culture.

For concrescence was seen to be inherently temporal, and the contrast between subjectivity and objectivity could be understood as the contrast between present immediacy and past determinateness.

There is little or no direct connection between the subjectivity of the molecular or subatomic events that make up the computer and the value it has for me.

Modern man is imprisoned in his subjectivity and can not discern «the essential difference between all subjectivity and that which transcends it.»

Not exact matches

Today theology is faced with the overwhelming task of establishing a dialectical synthesis between a radically profane «subjectivity» (Existenz) and an authentically biblical mode of faith.

Finally, Thomas Altizer expresses this tension between man's creative subjectivity and a transcendent reality: «Once the Christian has been liberated from all attachment to a celestial and transcendent Lord, and has died in Christ to the primordial reality of God, then he can say triumphantly: God is dead!

Thus for Whitehead solipsism is only a temptation because intellectually we turn our back on that deep connectedness which we always really feel between our present pulse of subjectivity and other actual occasions.

Subjectivity is then the capacity to be affected by differing alternative possibilities with the power to decide between them.

Whitehead's genius lay in seeing that this is a temporal distinction between present subjectivity and past objectivity.

Hermeneutics, with its emphasis upon tradition and narrative, is central to the philosophy of science now cognizant of the false dichotomies between objectivity and subjectivity, science and ideology, engendered by the modern Enlightenment.

Or is to create depth of subjectivity created in that kind of interchange between individuals of one another, a kind of interchange that can be called communion or fellowship or love.

The knowledge or truth claims that have been constituted are valid for that moment in time (42) but will eventually be superseded by the generation of a new subjectivity produced by another interaction between the text and the interpreter.

Formerly, however, hermeneutics in its revolutionary 19th century development under Schleiermacher and Dilthey was established with an orientation toward «being with» that implied a dialogical relationship between an interpreter and a subjectivity that had externalized itself in a text.

The truth that emerges in and through this new subjectivity, generated by the interaction between text and reader may be ephemeral, exerting its claim for but a moment.

Consequently as regards the fundamental contention we are examining, it is not appropriate, in view of the historical associations that burden the word «material» to subsume under the term «matter» the subjectivity which is also met with within the primordial unity we have described, because to do so would at least obscure the equally fundamental difference encountered in that unity between the knowing subject and the object which is merely met with.

We move still closer to the heart of the issue between the orthodox Whiteheadians and my own, when we note that actual entity A (to return to Diagram One) has its own subjectivity where this subjectivity is distinct from the subjectivities of B, G, D, etc., whether considered singly or as a group.

We humans have «life,» «decision» «subjectivity,» and «enjoyment» only in the process of concrescence.7 Thus, creativity's role in accounting for the concrescence of an actual entity has a certain priority over its role in accounting for the transition between actual entities, although a full understanding of either role requires reference to the other.

This really is an effort to explain the vast gulf between inorganic and organic actuality by proposing that «subjectivity» and «mentality» emerged partway through Earth's history.

The problems of how the public, plural form of objectified subjectivity is to be thought, of how reconciliation occurs between the uniform inner perspective and the outer perspective which is only intelligible in relativistic terms, and of how the connection between the privateness and publicness of the world is to be comprehended, are all to be regarded as such tasks.

It is as aware as any other discipline of the tension between objectivity and subjectivity, and it too is fighting the battle to achieve balance between unavoidable specialization and the necessity for generalization.

One of the chief sources of difficulty in our time is the common, uncritical acceptance of the dichotomy between judgments of fact and judgments of value, between so - called «objectivity» and «subjectivity.»

It is my deep conviction that one of the chief sources of difficulty in our time is the common, uncritical acceptance of the foundational dichotomy between judgments of fact and judgments of value, between so - called «objectivity» and «subjectivity.»

In this joint enterprise everything that is primarily objective is in the foreground, and where subjectivity plays a part, it is only accidentally interwoven in this relation between person and thing.

Denis» exploration of the colonial narrative presents us with three particular «bodies» or subjectivities (or rather «subjectivities - in - between» as defined by Alison Butler (3) affected by the colonial process: Maria (the coloniser), the Boxer (the colonised played by Isaach De Bankolé) and Manuel, Maria's son played by Nicolas Duvauchelle.

the only difference between genuine cyborg and insanity is the place of subjective identity, and the woman in this case aims to eliminate the sentimental subjectivity within her so she could rid of the empathetic pain she feels toward her neglected grandma who also fantasizes herself as a mouse.

Its point of departure is potential relations between art, politics and subjectivity in a time when the basis of democratic subjecthood is called into question.

Gaines» groundbreaking work over the period of 40 years serves as a critical bridge between the first generation conceptualists of the 1960s and 1970s and those artists of later generations exploring the limits of subjectivity and language.

Another is the contrast between precision and subjectivity.

She crosses the bridge of her own subjectivity, her own intellectual and aesthetic productive reality, and on the path of speculative documentarism between the bridgeheads she discovers the forces that act upon her, us, and art, and spotlights them.

Living between the United State and Dominican Republic has made me aware of my own difference and subjectivity depending on context.

His groundbreaking work of this period serves as a critical bridge between the first generation conceptualists of the 1960s and 1970s and those artists of later generations exploring the limits of subjectivity and language.

Initially made from personal photographs produced for the purpose of painting and then later using sourced imagery, Mark Roeder's ongoing collection of black and white Antipaintings mine the unique and complicated relationship between photography and subjectivity.

Pardo's use of ambiguously historical titles, as well as her transmogrification of site and nonlinear shifting of time, indicates her approach to site as a field of confluence between the forces of historical subjectivity.

The exhibition is rife with Freudian symbols — eggs, empty beds, horses — and a tension between Rubell's subjectivity and concerns as a woman and a mother, versus themes and ideas that have predominated art - historically.

«Series as progressions, patterns as variable systems, discrepancy between order and subjectivity are some of the means that I use to create and transform a two dimensional unit,» states the artist.

In and Out of Place considers subjectivity as it is formed through a mutual exchange between bodies and their environments.

Here, the artist struggles with the effable and ineffable experiences of subjectivity, the perpetual schism between the flatness of surfaces that enable linguistic communication (whether screen or page) and the more sensuous and palpable dimensions of desire and the body, which rarely find form in language.

In these works, bodily forms hover between familiarity and an unsettling otherness, between signs of presence and absence, agency and objectification, as artists find novel ways to question our commonplace codes of subjectivity and to challenge our impulse to identify with the anthropomorphic.

Her concept - generated and research based practice is concerned with the social and political dimensions of everyday spaces, the strategies to conceptualize resistance, the poetics of ideologies, and the relationship between temporalities and subjectivities.

Often working with digital animation, Aiello uses this medium to explore relationships between representations of the body, its environments, subjectivity and affective responses to capitalism.

With both a scientific approach to gathering data and a true poetic sensibility, Finch's installations lie between the objective investigations of science and the subjectivity of perception and lived experience, endowing his work with a melancholy that comes from what Finch describes as «the impossible desire to see oneself seeing.»