Not exact matches
The Light
Between Oceans paints Tom and Isabel's romance in elliptical glances — a seductive strategy, but also one that leaves them feeling less like fully fleshed human beings than
objects as
symbolic as that lighthouse, the broken piano in their seaside home, or a metal rattle that becomes integral to the plot.
The eleven artists in Politicizing Space critique and subvert these purportedly aesthetic and artistic gestures by reinterpreting the
symbolic mechanisms of control and asking the age - old question about the balance of power
between art
object and viewer.
In her embroidered panels, strings have great
symbolic sense — this is an allegory of complex relations
between objects, people, worlds, and the embroidery itself is a kind of drawing technique for the artist.
With a penchant for non-heroic, «anti-art» materials such as spray foam and aluminum, and a keen eye for cultural
objects bemired in
symbolic notions of power, Bäckström's deeply tactile works create a rich interplay
between association, meaning, and materials.
By deliberately distorting the
objects Gober re-creates, he allows them to function as
symbolic metaphors, breaking free from the reality of our perceived world and moving into a liminal space — one that exists somewhere
between reality and dreams.
The inaugural show pairs Richard Healy and Jack Newling, who both work sculpturally, exploring the relationship
between an
object's perceived status and its
symbolic potential.
CATOPTROPHILIA (2013) is a 3D animation structured around the encounter
between two
objects, belonging to distant time periods, but connected through their complex set of
symbolic functions: an Egyptian hand mirror from the New Kingdom (XV.
Working in a classical sculptural lexicon, Dexter Dymoke's practice explores the correlations and tensions
between objects, materials and their engagement in space — he describes his work as an engagement with a discrete but rigorous conceptual enquiry into the
symbolic and metaphoric role of materials.
They oscillate
between two - and three - dimensional
objects; slight, elegant black forms that cut through space, as if demarcating the end of physical and the beginning of the abstract or
symbolic.
Pires weaves together a range of media and everyday
objects to mine the gap
between literal and
symbolic questionings of identity within societies.
The main results can be summarized as follows: (1) Synchrony during early mother - child interactions has neurophysiological correlates [85] as evidenced though the study of vagal tone [78], cortisol levels [80], and skin conductance [79]; (2) Synchrony impacts infant's cognitive processing [64], school adjustment [86], learning of word -
object relations [87], naming of
object wholes more than
object parts [88]; and IQ [67], [89]; (3) Synchrony is correlated with and / or predicts better adaptation overall (e.g., the capacity for empathy in adolescence [89];
symbolic play and internal state speech [77]; the relation
between mind - related comments and attachment security [90], [91]; and mutual initiation and mutual compliance [74], [92]-RRB-; (3) Lack of synchrony is related to at risk individuals and / or temperamental difficulties such as home observation in identifying problem dyads [93], as well as mother - reported internalizing behaviors [94]; (4) Synchrony has been observable within several behavioral or sensorial modalities: smile strength and eye constriction [52]; tonal and temporal analysis of vocal interactions [95](although, the association
between vocal interactions and synchrony differs
between immigrant (lower synchrony) and non-immigrant groups [84]-RRB-; mutual gaze [96]; and coordinated movements [37]; (5) Each partner (including the infant) appears to play a role in restoring synchrony during interactions: children have coping behaviors for repairing interactive mismatches [97]; and infants are able to communicate intent and to respond to the intent expressed by the mother at the age of 2 months [98].