Sentences with phrase «between the objects changes»

If they pass through a pair of objects, the distance between the objects changes.

Not exact matches

Change and time in our experience of the world are perceived as related to the differences between objects.

The brain neutralizes change by transferring it from the time within objects to the space between them, displacing the change that is ingredient in the object to a surface interaction as another property of space.

Indeed he went to great lengths, grappled with the formidable problem of the nature of light, made incredibly subtle distinctions between various types of change, all to explain the fact that in sight consciousness is consciousness of an object, pure and simple, apart from any feelings of bodily involvement.

Change is therefore a difference between occasions in a society which is definable through the relational function of an eternal object.

They are measured by the variation in brightness to the time allowed between each change, This measures the distance to objects 10s of millions of light years across.

You change, and then as you change the loop changes in response — not literally but subjectively — and so the pattern that emerges is not two straight lines, proceeding parallel, one looking blandly at the other, but an intricate, uncertain braid between a constantly changing observer and their constantly shifting object.

One major change between then and now is the number of pixels, or dots on the screen, used to represent video game objects.

Penrose says that rather than seeking to change Einstein's theory of gravity, we should study how gravity affects an object small enough to exist in the borderland between the quantum world of atoms and the human world of visible objects.

Year 4 Science Assessments Objectives covered: Recognise that living things can be grouped in a variety of ways Explore and use classification keys to help group, identify and name a variety of living things in their local and wider environment Recognise that environments can change and that this can sometimes pose dangers to living things Describe the simple functions of the basic parts of the digestive system in humans Identify the different types of teeth in humans and their simple functions Construct and interpret a variety of food chains, identifying producers, predators and prey Compare and group materials together, according to whether they are solids, liquids or gases Observe that some materials change state when they are heated or cooled, and measure or research the temperature at which this happens in degrees Celsius (°C) Identify the part played by evaporation and condensation in the water cycle and associate the rate of evaporation with temperature Identify how sounds are made, associating some of them with something vibrating Recognise that vibrations from sounds travel through a medium to the ear Find patterns between the pitch of a sound and features of the object that produced it Find patterns between the volume of a sound and the strength of the vibrations that produced it Recognise that sounds get fainter as the distance from the sound source increases Identify common appliances that run on electricity Construct a simple series electrical circuit, identifying and naming its basic parts, including cells, wires, bulbs, switches and buzzers Identify whether or not a lamp will light in a simple series circuit, based on whether or not the lamp is part of a complete loop with a battery Recognise that a switch opens and closes a circuit and associate this with whether or not a lamp lights in a simple series circuit Recognise some common conductors and insulators, and associate metals with being good conductors

Objectives covered: Identify and name a variety of common wild and garden plants, including deciduous and evergreen trees Identify and describe the basic structure of a variety of common flowering plants, including trees Identify and name a variety of common animals including fish, amphibians, reptiles, birds and mammals Identify and name a variety of common animals that are carnivores, herbivores and omnivores Describe and compare the structure of a variety of common animals (fish, amphibians, reptiles, birds and mammals including pets) Identify, name, draw and label the basic parts of the human body and say which part of the body is associated with each sense Distinguish between an object and the material from which it is made Identify and name a variety of everyday materials, including wood, plastic, glass, metal, water, and rock Describe the simple physical properties of a variety of everyday materials Compare and group together a variety of everyday materials on the basis of their simple physical properties Observe changes across the 4 seasons Observe and describe weather associated with the seasons and how day length varies ALSO ADDED: Individual assessments for ALL science objectives for ALL year groups are available for purchase as are individual year group, KS1, KS2 or complete Primary packs.

Character design is quite varied between the six characters available for selection as every character has unique traits within their personality such as Candyman who hits the ball with his cane, tap dances, dresses in a jazz fashion sense and has a special ability to change the molecular compound of particular objects to provide them with strangely altered properties.

The controls are well mapped to the DualShock 4 controller with the default control scheme consisting of pressing R2 to fire a weapon; pressing L2 to aim down sights; pressing R1 to throw a grenade or use lethal equipment; pressing L1 to use tactical equipment; pressing X to jump or mantle; pressing square to reload or use an object such as opening an unlocked door, breaching a locked door or entering a vehicle; pressing O to crouch, go prone or dive; pressing triangle to switch between your primary and secondary weapons; pressing up on the d - pad to activate a morale ability; pressing down on the d - pad to perform a specific action; pressing right on the d - pad to use a first aid kit; pressing left on the d - pad to use a weapon skill; pressing L3 to sprint or use sharpshooter; pressing R3 to perform a melee attack on an enemy; changing the direction of the left analogue stick to move forward or backward and strafe left or right; changing the direction of the right analogue stick to look up or down and rotating left or right; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

This makes a change from many other Lego games which featured only selected objects were made of Lego bricks, meanwhile much of the rest of the world were built realistic to distinguish between the interactive and non-interactive pieces.

It assumes that the relation between the subject (the painter) and the object is not fixed, but that the object, the more deeply it is experienced, changes, changing also the attitude of the painter towards the object.

McCall regards these works as occupying a place somewhere between sculpture, cinema, and drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator; cinema because these large - scale objects are not static, but structured to progressively shift and change over time; and drawing, because the genesis of each installation is a two - dimensional line - drawing.

In accordance with guidelines issued by the American Association of Museum Directors (AAMD) and the American Alliance of Museums (AAM), provenance research at VMFA is focused on paintings, sculpture, works on paper and other objects that were created before 1946 and that might have changed hands in Europe between 1933 and 1945.

The representation of the same pictorial object at a different time, with the aim of observing the shift and the changes in the natural light, was not new to Monet, who between 1890 and 1891 had already created a series of 15 canvases representing a group of haystacks in the outskirts of Giverny.

Brooklyn - based artist Will Lamson often uses his knowledge of technology to interact with and change perceptions of everyday objects, and this display of some of his recent video work highlighted his unrelenting and often surprising exploration of the interface between man, nature and machine.

Her artistic practice focuses on the process between the object and its visual perception, constantly changing because of the way it is influenced by the digital domain.

Plate Convergence skillfully demonstrates the connection between locality and use - value, and not only how the meaning of an object changes within different spaces, but also how the human interactions caused by such objects become altered as well.

This radical approach to art making set them apart from artists who commanded the greatest market interest at the time, and by rethinking the connection between objects and concepts in the 1980s, they changed the landscape of the art world forever.

The house he returns to has in the meantime changed into a hybrid between warehouse and shrine, full of the objects, antiques and works of art that Martin Wong had regularly sent back to his mother, as well as a large number of his own works that he dedicated to his parents.

The light objects define edges but also illuminate and reflect onto the sculpture creating an oscillating effect between the permanent and the changing.

«The status of objects», Leckey argues, «is changing, and we are once again in thrall to an enchanted world full of transformations and correspondences, a wonderful instability between things animate and inanimate, animal and human, mental and material».

As evidenced in The Execution Changes, Endless Chair, and His and Hers, Hoeber sets aside distinctions between high and low, conceptual and formal, and art and craft by placing emphasis on the tactile and psychological implication of the object.

Xie Qi is a Chinese painter and sculptor, whose works lie somewhere between the concrete and the abstract — humans and objects are prolonged, drawn out, magnified and change shape, lending a sense of mannerism.

Over the last two decades, the relationships between image and text, language and body, body and space, subject and object have changed rapidly.

The select group of emerging artists all «share an interest in the interplay between images and objects, and the ways in which rapidly changing visual culture and imaging technology influence how we understand and perceive the world around us,» according to a press release.

While the chandeliers themselves possess sculptural form as objects, demanding a physical encounter, the light they emit, variously controlled and directed, is less tangible, experienced in the spaces between each work and the surrounding architecture, set aglow and appearing to change throughout the day according to ambient light conditions.

His inventive use of discarded materials and appropriated images eviscerated distinctions between medium and genre, abstraction and representation, while his «flatbed picture plane,» which absorbed found objects into the realm of paintings, forever changed the relationship between artwork and viewer.

Regarding the real world earth and the real world atmosphere — granted that the temperature measures different things for different objects, but in all cases there is a proportionality constant between the (change in) thermal energy content of an object and its (change in) temperature, and that is the heat capacity.

The consequence of the consensus without an object is that the debate is presented as one between «scientists» and «deniers», attached to the claims «climate change is happening» and «climate change is not happening» respectively.

Yanko Design writes, «Complete with soil and germinated seeds, the system functions not only as a computer but as a home for the user's favorite plant, creating an interesting contrast between a constantly changing organism and an unchanging object of permanence.

The key difference between upcycling and reusing waste is that with upcycling the original intention of the object changes.

They will probably be the most resistant to change and object to shuttling their belongings back and forth between their parents homes.