Not exact matches
The Swallow Anthology of New American Poets edited by David Yezzi Swallow Press, 360 pages, $ 19.95 In his introduction,
editor and contributor David Yezzi suggests that this collection reconciles the
traditional division in the poetry world
between those who prefer classical forms and those who....
It's more like an ongoing exchange
between the top - down approach of
traditional journalism and the bottom - up approach of the Web: Professional writers and
editors generate the stories, and the Web's vast audience decides which ones deserve our attention.
The Times
editors fault DeVos for supposedly supporting «legislative changes that have reduced oversight and accountability» for charter schools — a charge that treads a thin line
between exaggeration and falsehood — and laments that DeVos wants to expand school choice in Detroit, where supposedly «charter schools often perform no better than
traditional schools, and sometimes worse» [links in the original].
Melissa Faliveno, associate
editor of Poets & Writers Magazine, talks with the
editors of five independent presses about the kind of work they look to publish, the relationships they cultivate with their authors, and the balance
between publishing
traditional work and developing new and innovative ideas for both print and digital literature.
I disagree with Kozlowski I review books both from Publishers and Indies — and I think he has sour grapes, I do not distinguish
between whether the author has paid it all themselves — or whether they have gone the
traditional route and been fortunate to be picked up — YES Indie Publishing means that the Author gets the profits faster — BUT THEY HAVE PAID for
Editors, Covers etc and had to market the book themselves out their own pocket!
At one point, I told her the same thing another writer /
editor had told me: you'll have to choose
between working as a
traditional editor and your writing.
Traditional publishing uses a time - tested editorial system that passes your manuscript
between different types of
editors.
Also out there are numerous exchanges
between newer pros and neo-pros who are, to varying degrees, afraid their inability to attend the same conventions as Big Name Authors and
Editors will permanently and irrevocably damage their ability to thrive in
traditional publishing because they're not connecting properly.
Now he's going to Penguin as an executive
editor, and because his imprint was the only literary fiction home at Amazon's publishing house, it creates a vacuum the reflects the tension
between Amazon the publisher and (other)
traditional publishers,
between commercial fiction and literary fiction, and
between Amazon and authors.
The
traditional publishing model where there are several layers
between the author and the readers, such as agents,
editors, and publishers, is really stripped down to just a relationship
between the author and the reader.
When it came to her kitchen renovation, contributing design
editor Christine Hanlon couldn't decide
between a
traditional or a contemporary design.