Interested in the hazy divide
between traditional galleries and the internet, Joshua Citarella employs photography, sculpture, and software to manipulate the semiotics and visual vocabulary of images.
Not exact matches
Sokurov's ark not only contains an immense wealth of art (still only a fraction of it's holdings), but countless true - to - history aristocrats who walk the decadent halls, transcending time to intermix with spiritual visitors in
traditional ceremonies, modern
gallery gazing, an all out ballroom celebration, and everything in
between.
Teams of 150 - 180 students work with teachers in shared learning spaces with cutting - edge technologies that shift
between traditional classrooms, Makeries, Collaboratories, The
Gallery, and The Loft to support a student - centered approach to instruction.
Current art world phenom Wyatt Kahn, whose fragmented canvases blur the line
between painting and sculpture, transcends
traditional roles once again as curator for Rachel Uffner
Gallery's group show, «Proper Nouns.»
In more
traditional gallery spaces, Martin has blurred the distinction
between the art object and the viewer, placing paintings on floors, ceilings, and displayed among household objects.»
In the back
gallery, individual objects that are more like the artist's usual work, and much closer to
traditional paintings, are hung alongside her grandmother's needlepoint exercises, coyly implying that there is no difference
between so - called high art and the cliched.
Spread
between the two
galleries (one near Hoxton and the other in more
traditional Mayfair), «Surface Work» makes a clear case why these women from across the world and generations have something very particular in common.
A founding member of the seminal Park Place
Gallery in Soho and perhaps best known for The Wall, located on the side of a building not far from the gallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and fu
Gallery in Soho and perhaps best known for The Wall, located on the side of a building not far from the
gallery, Myers was part of an emerging downtown scene that ignored traditional boundaries between disciplines and between aesthetics and fu
gallery, Myers was part of an emerging downtown scene that ignored
traditional boundaries
between disciplines and
between aesthetics and function.
Curatorial Hub offers a clean and simple way to get works out into the world while giving artists an opportunity outside of the
traditional gallery setting to create supplemental income
between exhibitions and projects.»
Exploring the differences
between institutional or
traditional galleries and the kind of aesthetic space many people have access to in their own front yard, Outside
Gallery provides a new platform for contemporary art.
This year's event explores links
between traditional African art and contemporary art practice, while
galleries around Paris present their best items
Both
galleries, which celebrate their fourth anniversaries in operation this year, share an interest in blurring boundaries
between networked, virtual artistic practices and
traditional object making and physical exhibition.
The prospectus for her three solo shows about to open in London — in an unprecedented collaboration
between the National
Gallery, the Royal Academy and the National Portrait
Gallery — involves ancient and modern obsessions divided in the
traditional way: still life, portrait and landscape.
The art aims to bring to the light the paradox of entwining violence and decoration and highlight contrasts
between traditional and new, local and global, and conscious and commercialization, according to the
gallery.
«Daydreamers», Motel7's second solo show, affirms the ease with which she straddles the divide
between urban and
gallery spaces - where the
traditional process of work progressing from
gallery environment to museum or public commission, is reversed.
The most lively evocation of the links
between old and new will be in the talks programme, where Nicholas Penny, the director of the National
Gallery, will lead by talking to artist Cecily Brown about her reinterpretations of
traditional imagery.
The acquisition of this important series for The Stanley & Audrey Burton
Gallery, University of Leeds, makes fascinating links between the gallery's contemporary practice and its traditional portraiture colle
Gallery, University of Leeds, makes fascinating links
between the
gallery's contemporary practice and its traditional portraiture colle
gallery's contemporary practice and its
traditional portraiture collections.
The
gallery will focus on presenting emerging and mid-career artists, whilst particularly exploring the confrontation and exchange
between traditional and new media arts.
Along with its critique of the visual, conceptual art involved a redefinition of the
traditional relationship
between artist and audience, empowering artists and enabling them to operate both inside and outside the
gallery system.
The
gallery describes the works thus: «Focusing on the body to impart the paradoxical relationship
between Jamaica's
traditional expectations of manhood and the flamboyant aesthetics of its dancehall culture, Patterson creates a window onto working - class Jamaican society.»
Proclaiming «The line
between art and life should be kept as fluid, and perhaps indistinct, as possible,» Kaprow staged interactive events within and beyond the
traditional museum and
gallery context.
Inspired by
traditional exhibition guides and designed as a portable accompaniment to Wade Guyton's (born 1972) exhibition at the Serpentine
Gallery, this book examines the artist's exploration of translation
between mediums in his large - scale paintings.
From solo shows at Superchief
Gallery in Los Angeles, where we first caught her work in person, to new sculptural works for the SyFy channel's excellent series, Channel Zero, Sitkin is redefining that narrow margin
between fine art design,
traditional special effects and production design.