More briefly, the paper suggests a connection
between urban form and climate politics.
Not exact matches
Another particulate, secondary sulfates (
formed in the atmosphere from emissions, such as those from coal - fired power plants), had the highest concentration (
between 30 and 44 percent) of all pollutants at
urban and rural sites, with readings being mostly uniform across locations.
Somewhere
between the streets carefully monitored by tourists» phones and speed cameras, even in London you can find some empty stretches of dead end or restricted - access roads that
form corners, ramps, and straightaways of a first - rate
urban racetrack providing a perfect test ground for the 05's dynamic talents.
In
urban environments, dog fighting typically takes the
form of «brawls» or «rumbles», which can be characterized as impromptu contests
between two dogs.
Developed into its current
form between 1890 and 1893 by the biologist, botanist and
urban planner Patrick Geddes, Ramsay Garden started out as Ramsay Lodge, a block of Georgian «garden homes» built by the poet and wig - maker Allan Ramsay the Elder in 1733.
By deconstructing and removing the ambiguousness of today's society, the artists highlight the configuration of organic
forms while establishing a dialogue
between nature and the
urban landscape.
These artists, as pictorial cartographers in their own right, have utilized the human
form in their compositions as metaphorical representations; «figural» signifiers of the continent, highlighting the innate interconnectivity
between man, visual culture and evolvements in the
urban sphere.
I do see energetic gesture, and a powerful battle
between form and exploded
form that conjures a strong rhythmic flow — people read things differently — but then you talk about how perhaps it's more violent to have some event happen at your home in Vermont as opposed to in the city, and I wonder if there's an
urban - rural tension in you and how that plays out in your work?
In his series Geometrix, London photographer Rupert Vandervell loves to explore the juxtaposition
between the human
form and the
urban background.
It is about my encounter with the landscape of Los Angeles, and, specifically, its incredible sunlight; the tug - of - war
between light and shadow gives powerful visual
form to the drama inherent to this city's
urban landscape.
It focuses on the experimental transformation of shapes and surfaces that make up the
urban landscape, from which the three artists draw their inspiration from; Fabio Petani with his refined balance
between organic
forms and geometry, Nelio through a dense texture of colour fields that he uses to compose his name, and Heiko Zahlmann, with a long and vaunted past as a graffiti writer, evolves his style in three - dimensional works, in which painting, drawing and architecture interact with one another.
These conflicts take the
form of «battles» —
between beat - boxers and
urban dancers, skateboarders and BMX riders, and (Mod) scooter enthusiasts and (Rocker) motorcycle riders — and ultimately
between the extreme sports athlete and gravity itself.
Incorporating the dynamic visual vocabulary of maps,
urban planning grids, and architectural
forms, alternating
between historical narratives and fictional landscapes, Julie Mehretu's beautifully layered paintings and drawings combine abstract
forms with the familiar, pairing the Roman Coliseum with floor plans from international airports, Le Corbusier's unbuilt megacity with blueprints from Zaha Hadid and Tadao Ando, and dashing it all together with a color field full of abstract geometry.
In response to these sensations, Fu minimizes the cityscape in her work to simple geometric
forms to present how she sees the
urban environment and the relationship
between its people, spaces and structures.
We should have a couple of decades of data available in a variety of
forms if we're going to purport to identify problems and solutions, data on numbers in and out of the profession, incomes, distribution
between urban and rural, etc..
According to the
Urban Institute, nearly two - thirds of the households that are
formed between the years 2010 and 2030 are expected to be in rental housing.