Sentences with phrase «between vernacular art»

Not exact matches

5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's art, especially when it comes to materials and process.
Questioning the distinctions between high and low art, Ceramics presents new works that are an appropriation and celebration of the cultural and historical vernacular traditions of her native Poland and a wider European context.
The artist blurs the line between the seemingly disparate spheres of learned and vernacular culture, art, and craft to create poignant sculptures that are both utilitarian and deconstructed, sculptural objects.
Dunn's surgical precision to art making has resulted in a refreshing vernacular that seamlessly oscillates between the past and future.
In «Meta - Modern» practice there is extension and deconstruction of formalism, which blurs lines between abstraction and figuration, and employs the use of non-traditional with traditional painting materials, which is found in much of Vernacular art.
The installation highlights the dialogue between vernacular and fine art aesthetics, and references an alternative economy that circumvents transactional commerce.
New York — On Thursday, October 19, Swann Auction Galleries» sale of Art & Storytelling: Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann GalleriArt & Storytelling: Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann GalleriArt & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleriart, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleries.
They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.
«It's about effacing the difference between other and self, and seeing the elasticity of all these lives you could have led,» says Hammond, who in recent years has become admittedly obsessed with collecting vernacular photography and now owns well over 10,000 images that find their way into her art.
Working with established cultural tropes, the artist largely disconnects from art world contexts in order to alternate between black and queer vernaculars in his irreverent discussion of the AIDS epidemic and its origins.
His works include «Installation», Kathmandu International Mountain Film Festival (KIMFF) 2016; Vernacular sense and essence of Bungamati, 2015; #Rebuilding Bungamati, 2015; National exhibition, 2014; Inter-Linkage between art and environment, 2014; Ceramics mosaic and life size...
Originally employed as a linguistics term, vernacular is now broadly applied to categories of culture, standing in for «regional,» «folkloric,» or «homemade» — concepts that contemporary artists have investigated since the late 1950s as part of a deeper consideration of the relationship between art and everyday life.
The artist blurs the line between the seemingly disparate spheres of learned and vernacular culture, art, and craft to create poignant sculptures that are both utilitarian and deconstructed objects.
Originally employed as a linguistics term, vernacular is now broadly applied to categories of culture, standing in for «regional,» «folkloric,» or «homemade» - concepts that contemporary artists have investigated since the late 1950s as part of a deeper consideration of the relationship between art and everyday life.
Edward Cella Art & Architecture presents Vernacular Environments, Part 1, a group exhibition of works selected from the 1960s through present day that explore the diversity of tensions between built environments, bodies, and narratives.
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