Not exact matches
5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «
vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection
between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's
art, especially when it comes to materials and process.
Questioning the distinctions
between high and low
art, Ceramics presents new works that are an appropriation and celebration of the cultural and historical
vernacular traditions of her native Poland and a wider European context.
The artist blurs the line
between the seemingly disparate spheres of learned and
vernacular culture,
art, and craft to create poignant sculptures that are both utilitarian and deconstructed, sculptural objects.
Dunn's surgical precision to
art making has resulted in a refreshing
vernacular that seamlessly oscillates
between the past and future.
In «Meta - Modern» practice there is extension and deconstruction of formalism, which blurs lines
between abstraction and figuration, and employs the use of non-traditional with traditional painting materials, which is found in much of
Vernacular art.
The installation highlights the dialogue
between vernacular and fine
art aesthetics, and references an alternative economy that circumvents transactional commerce.
New York — On Thursday, October 19, Swann Auction Galleries» sale of
Art & Storytelling: Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleri
Art & Storytelling:
Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleri
Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships
between fine
art, documentary and vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleri
art, documentary and
vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleries.
They — along with many other artists whose works could easily have fit in this exhibition — are
vernacular cosmopolitans of a kind, moving in -
between cultural traditions, and revealing hybrid forms of life and
art that do not have a prior existence within the discrete world of any single culture or language.
«It's about effacing the difference
between other and self, and seeing the elasticity of all these lives you could have led,» says Hammond, who in recent years has become admittedly obsessed with collecting
vernacular photography and now owns well over 10,000 images that find their way into her
art.
Working with established cultural tropes, the artist largely disconnects from
art world contexts in order to alternate
between black and queer
vernaculars in his irreverent discussion of the AIDS epidemic and its origins.
His works include «Installation», Kathmandu International Mountain Film Festival (KIMFF) 2016;
Vernacular sense and essence of Bungamati, 2015; #Rebuilding Bungamati, 2015; National exhibition, 2014; Inter-Linkage
between art and environment, 2014; Ceramics mosaic and life size...
Originally employed as a linguistics term,
vernacular is now broadly applied to categories of culture, standing in for «regional,» «folkloric,» or «homemade» — concepts that contemporary artists have investigated since the late 1950s as part of a deeper consideration of the relationship
between art and everyday life.
The artist blurs the line
between the seemingly disparate spheres of learned and
vernacular culture,
art, and craft to create poignant sculptures that are both utilitarian and deconstructed objects.
Originally employed as a linguistics term,
vernacular is now broadly applied to categories of culture, standing in for «regional,» «folkloric,» or «homemade» - concepts that contemporary artists have investigated since the late 1950s as part of a deeper consideration of the relationship
between art and everyday life.
Edward Cella
Art & Architecture presents
Vernacular Environments, Part 1, a group exhibition of works selected from the 1960s through present day that explore the diversity of tensions
between built environments, bodies, and narratives.