Sentences with phrase «between video and sculpture»

Nearly forty years later, the logical connections between video and sculpture are still

Not exact matches

HOME Online Since 1995 BUDDHISM & SHINTŌISM IN JAPAN A-TO-Z PHOTO DICTIONARY OF JAPANESE RELIGIOUS SCULPTURE & ART VIDEO of site author explaining Niō A central, main division in polytheism is between soft polytheism and hard polytheism.

By engaging the discourse of sculpture through the tools of cinema, the video follows the lives of «related» artworks and recounts the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms.

Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's vision.

His work intersects video with performance, animation and sculpture, emphasizing bodily labor as both material and subject that moves between mundane and otherworldly ritual.

Spanning painting, photography, graphic work, drawing, sculpture, video, documents, and the critical responses generated, the joint exhibition explores the idea that there are no clean boundaries between art, culture, and geography, and deconstructs how such notions are formed and disputed.»

The artist's practice, which encompasses painting, collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.

Through video, music, sculpture and live and recorded speech, Phillipson's work oscillates between conceptual distances and the intimacy of the body.

NurtureArt's «Becoming Beast» features work from Laura Bernstein, who uses sculpture, drawings and multi-channel video installation to explore the relationship between the exemplary and freakish.

The artist conceived and re-conceived the exhibition in his Los Angeles studio, eventually presenting paintings, sculptures and video the reflect his individual voice, collapse the division between artist and ordinary people, and emphasize his belief in the social and cultural influence of art, particularly in this historic, political moment.

Minoliti's paintings, videos, and sculptures, explore the relationship between eroticism, queer theory, history, and geometry.

PEET's work — whether painting, sculpture, drawing, video, or performance — actively engages with the social and political realities of our time and fluctuates between documentary and subjective approaches.

His work moves seamlessly between sculpture, performance, drawing, video art and installation.

Between the Devil and the Deep Sea represents the culmination of five years of study in Fine Arts and displays a wide range of practices and ideas, including performance art, sculpture, photography, drawing, painting, audio and video.

Sen's work moves with ease, and spontaneously, between genres — drawing, painting, sculpture, collage, performance, installation, video, (not to mention that she is also a poet) and it is our loss that her name is not better known in the West.

* The categories include: — Painting — Photography — Sculpture and Installation Art — Performance — Video & New Media Art * Timeline: May 17, 2017: Close submissions Between June and December 2017: Young Korean Artists Show Series 2017 March 1, 2018: Expected publication date of «CICA Young Korean Artists # 1» * How to submit your work: — Please send us up to 10 JPG portfolio images and / or up to 3 direct links to video / web / interactive art, your artist statement, andVideo & New Media Art * Timeline: May 17, 2017: Close submissions Between June and December 2017: Young Korean Artists Show Series 2017 March 1, 2018: Expected publication date of «CICA Young Korean Artists # 1» * How to submit your work: — Please send us up to 10 JPG portfolio images and / or up to 3 direct links to video / web / interactive art, your artist statement, andvideo / web / interactive art, your artist statement, and bio.

Parallels between the development of a city and a self are drawn in the center of the sculpture, where a small screening area shows a series of video episodes made in collaboration with Coralie Rouet.

This exhibition will be the first comprehensive North American museum survey of the internationally recognized artist Walid Raad (b. 1967, Lebanon), whose work in photography, video, sculpture, and performance in the last 25 years investigates the distinctions between fact and fiction and the ways we represent, remember, and make sense of history.

Michael Manning is a Los Angeles artist whose practice in painting, video, sculpture, and digital work explores the relationship between technology and the analog.

Primarily known for his innovative combination of video, sculpture, and performance, Tony Oursler's work explores the relationship between the individual and mass media systems with humor, irony, and imagination.

The artist's sculpture, video and photography extrapolate the consequences of testing her body between authenticity and artifice; improvisation and folklore; cultural rupture and embedded practices.

The ongoing dialogue between the digital and physical worlds provides the backdrop for Data Deluge, an exhibition that presents a selection of sculpture, furniture, painting, photography, video, sound and works on paper by artists who shape Web - based and software - generated data into art.

Making sculptures and installations with and about light, Lloyd's works explore various levels of perception, revealing spaces between bodies and images while underscoring the materials and processes of video, including screens, support structures, and audiovisual equipment.

Inspired by the spoken, written, and performed introductions Conrad regularly used to help frame screenings and presentations of his works, many of which are incorporated into the exhibition itself, it shows Conrad to be an unparalleled innovator in the mediums of painting, sculpture, film, video, performance, and installation, tenaciously working to challenge the boundaries between artistic categories.

Erin Shirreff deftly uses photography, sculpture, and video to interrogate the relationship between an object and it's representation.

NEW YORK, January 29, 2018 — Paintings, sculptures, video, film, and works on paper by 35 contemporary artists will be exhibited in the galleries of the American Academy of Arts and Letters on historic Audubon Terrace (Broadway between 155 and 156 Streets) from Thursday, March 8 through Sunday, April 8, 2018.

Dividing her time between Rotterdam, The Netherlands, and New York, Ellen Gallagher maintains a multidisciplinary practice spanning painting, drawing, collage, sculpture and video.

TALES OF OUR TIME Painting, video, sculpture, installation and participatory works by contemporary artists explore the relationship and frequent tensions between contemporary China and its rich history.

American artist Jonathan Monaghan (born 1986, New York) creates sculpture and animated video installations that challenge the boundaries between the real, the imagined, and the virtual.

This work complements the museum's 2017 additions of a monumental painting and a signature video work by Bradford, commemorating the collaboration between the BMA, co-organizer of the U.S. Pavilion at the 2017 Venice Biennale, and Bradford, the 2017 representative for the U.S. and enabling the BMA to show three key areas of the artist's practice — painting, video, and sculpture.

Laric is known for diffusing the boundaries between technological, legal, archaeological and artistic fields through different media like sculpture and video.

Wangechi Mutu (b. 1972, Nairobi, Kenya; lives in New York and Nairobi) makes collages, paintings, sculpture, and video that recontextualize the relationships between the body and nature.

In this video, Alexander S. C. Rower (Chairman and President, Calder Foundation) and Oliver Wick (Curator at Large, Fondation Beyeler) talk about the title and the concept of the exhibition, the differences between the first and the second Calder Gallery at Fondation Beyeler, the restoration of the large outdoor sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such as the models for the avant - garde redesign of the Bronx Zoo, and the mobiles The Forest is the Best Place and El Corcovado.

The exhibition brings together a great range of artistic practices and languages (photography, video, painting, sculpture, installation...), cultures, geographic origins, generations and experiences, to establish a tension between extremely different artistic approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body as sculpture, effigy or fragment of its symbolic substitute.

In her work, Malinowska fluctuates between different media — sculpture, video and performance activities — exploring her interests in anthropology, cultural clashes and music.

Martin Beck, VALIE EXPORT, Dan Graham, Dorit Margreiter, and the architecture collective Superstudio work variously in film, video, photography, sculpture, and across and between media.

The sculptures, photographs and video included here investigate the territory between our Victorian inclination toward a taming taxonomy and a cruel and chaotic reality.

He does not restrict himself to a single medium but instead ranges between sculpture, drawing, installation, video, sound, and music.

Josée Bienvenu Gallery is pleased to present an exhibition featuring a video installation, new sculptures, and photographs by Yuken Teruya, continuing the artist's poetic investigation into the meaning of nationality and the fluid boundaries between cultures and objects.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

Paintings, sculptures, video, film, and works on paper by 35 contemporary artists will be exhibited in the galleries of the American Academy of Arts and Letters on historic Audubon Terrace (Broadway between 155 and 156 Streets) from Thursday, March 8 through Sunday, April 8, 2018.

His videos — and Watson sculptures — reference the fictitious relationships between internet denizens and social media - friendly celebrities.

As demonstrated by the 40 - odd elements that make up this 30 - year «retrospective», his practice intersects with architecture, design and theatre while flitting with seeming ease between painting, sculpture, installation and video.

For this new exhibition modern and contemporary painting, sculpture, installation, and film and video works are brought together to explore how our experience of the present is influenced by the juxtaposition between the archaic, or the obsolete, and an imagined future.

As an outcome of full immersion in the landscape, the artworks created during this time offer dialogues between the locale's past and contemporary practices including video, sound and sculpture.

While the artist investigates the complex relationships between form and substance through different artistic practices such as photography, video, sculpture and installation, he is best known for his beguiling marble carving to which he applies his refined craftsmanship in order to create unexpected and light forms, ordinary and yet highly symbolic.

Through print media, sculpture and video installation, her studio practice examines the relationship between the mapped image and contemporary notions of exploration, virtuality, and the simulated environment.

In a series of oil paintings, one video, and two sculptures, she blurred the boarders between the speaker and the audience, the microphone and the interviewed, the camera and the interviewer.

Through performance, video, sculpture, and photography, Surdell questions the boundary between artist and athlete, challenging the internalized and gendered rules that give each meaning.

«Seismic Shifts» will showcase artists and architects whose work challenges disciplinary boundaries and raises critical social, environmental and political issues and will include painting, drawing, sculpture, photography, mixed media, video, and architectural models created between 2005 and 2012, with a number of new works featured.