Sentences with phrase «between white trees»

Not exact matches

We were able to keep the kids warm enough for the grand finale of the party: we made a movie screen out of a white sheet we hung between two trees, had the kids spread out their beach towels to sit on, and we used our projector to have a showing of Finding Nemo.

Between the 3 sisters in this one white trash branch of the tree, they've contributed a lot of bad stats to a few hospitals with no uncomplicated births between 13 pregnBetween the 3 sisters in this one white trash branch of the tree, they've contributed a lot of bad stats to a few hospitals with no uncomplicated births between 13 pregnbetween 13 pregnancies.

Since the clouds he's using for reference are moving pretty quickly in the wind, he hurriedly trains his telescope on the slice of sky between the building and a white pine tree.

Featuring palm trees and a bright sun print over a vintage white background, this tee is made out of the softest cotton and can be combined with jean shorts, white pants or anything in between.

If nothing else, this is a Christmas sweater that actually is decked out in holiday colors (red and white), even if what?s going on in between the pine trees and beneath the snowflakes is less than sacred.

Fatih Akin — «In the Fade,» «The Edge of Heaven» Adolfo Aristarain — «Common Places,» «A Place in the World» David Ayer — «Suicide Squad,» «Fury» Nabil Ayouch — «Horses of God,» «Ali Zaoua» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Emmanuelle Bercot — «Standing Tall,» «On My Way» Martin Butler — «Tanna,» «Contact» Patricia Cardoso — «Real Women Have Curves,» «The Water Carrier» Peter Ho - Sun Chan — «Dragon,» «Perhaps Love» Derek Cianfrance — «The Light between Oceans,» «Blue Valentine» Pedro Costa — «Horse Money,» «Blood» Garth Davis — «Lion» Bentley Dean — «Tanna,» «Contact» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Carlos Diegues — «Orfeu,» «Bye Bye Brazil» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Nana Dzhordzhadze — «27 Missing Kisses,» «A Chef in Love» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Amat Escalante — «The Untamed,» «Heli» Safi Faye * — «Mossane,» «Lettre Paysanne» Tom Ford — «Nocturnal Animals,» «A Single Man» Goutam Ghose * — «Dekha,» «Paar» Jessica Hausner — «Amour Fou,» «Lourdes» Joanna Hogg — «Archipelago,» «Exhibition» Hannes Holm — «A Man Called Ove,» «Behind Blue Skies» Ann Hui — «A Simple Life,» «Summer Snow» Christine Jeffs — «Sunshine Cleaning,» «Sylvia» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Zacharias Kunuk — «Searchers,» «The Fast Runner (Atanarjuat)» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» David Mackenzie — «Hell or High Water,» «Starred Up» Sharon Maguire — «Incendiary,» «Bridget Jones's Diary» Theodore Melfi — «Hidden Figures,» «St. Vincent» Kleber Mendonça Filho — «Aquarius,» «Neighboring Sounds» Brillante Mendoza — «Thy Womb,» «Kinatay» Márta Mészáros * — «Diary for My Children,» «Adoption» Takashi Miike — «13 Assassins,» «Ichi the Killer» Orlando Montiel — «The Son of No One,» «A Guide to Recognizing Your Saints» Jocelyn Moorhouse — «The Dressmaker,» «Proof» Kira Muratova — «The Tuner,» «The Asthenic Syndrome» Héctor Olivera — «El Mural,» «Funny Dirty Little War» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Jordan Peele * — «Get Out» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «The Human Resources Manager,» «Lemon Tree» Arturo Ripstein — «Deep Crimson,» «The Beginning and the End» Guy Ritchie — «Sherlock Holmes,» «Lock, Stock and Two Smoking Barrels» Anthony Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Joseph Russo — «Captain America: Civil War,» «Captain America: The Winter Soldier» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Cate Shortland — «Lore,» «Somersault» Peter Sollett — «Freeheld,» «Raising Victor Vargas» Juan Carlos Tabío — «Guantanamera,» «Strawberry and Chocolate» Rawson Marshall Thurber — «Central Intelligence,» «Dodgeball: A True Underdog Story» Johnnie To — «Election,» «Exiled» Tran Anh Hung * — «Norwegian Wood,» «The Scent of Green Papaya» Pablo Trapero — «The Clan,» «Lion's Den» Athina Rachel Tsangari — «Chevalier,» «Attenberg» Paula van der Oest — «Black Butterflies,» «Zus & Zo» Susanna White — «Our Kind of Traitor,» «Nanny McPhee Returns» Martin Zandvliet * — «Land of Mine,» «A Funny Man»

To live on a tropical island under tall palm trees with the white sand between their toes, surrounded by the clear blue sea is many people's dream, however to many it is a reality — with the trials which come with such places.

A black and white WRX STI slingshots between two stands of trees, more sideways and carrying more speed than the Evolution before it, and like the earlier race car, it appears to be headed for Smith's breastbone.

Only a few coconut trees and forest backs brilliant white sand that culminates at a wide patch between the sea and estuary.

And very comfortable - king sized beds, plentiful hammocks swaying between the palm trees adorning the most beautiful white sand beach, and a large dock extending out over the turquoise water complete w / shade palapas & lounge chairs ideal for sun tanning & sunset watching.

The small beach sits tucked between sandstone cliffs, and its white sandy shores are highlighted by tall palm trees.

The perfect setting for a hammock strung between two trees, working on your tan, swimming in the sparking azure water, or simply sitting back and admiring the view, beaches in Belize range from golden to sugar white sand.

Nestled between a 100 - year - old Monkey Pod tree and the white sands of South Maui, this home is the epitome of island living with expansive vistas of Molokini, Kaho'olawe and Lana'i.

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

In our upcoming intervention, (ƒ) utility projects (a collaborative comprised of Paola Cabal, Michael Genge, and Chris Grieshaber) seek to elevate the natural elements of the back yard of the Riverside Art Center to «Art Object» status by selectively positioning white «gallery walls» between and around the landscaping and trees already located there.

With Tree line two slopes Davos from below, the pine trees struggle to remain on the surface after having been covered by the white mantle of a violent avalanche, yields a series of abstract compositions charged with movement, where we see the pines on the hillside, and the channels the avalanches formed in between them.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

Then I would build in the center between the two using a variety of champagne, silver, and white Christmas trees, faux florals, candles, and Christmas decorations.

I decorate my tree twice -LCB- once for my daughter's birthday, then again for Christmas -RCB-, and the white lights allow me to transition between motifs more easily.

Across from the bed nestled in a little corner sits the other focal point of the room... a cute, little Christmas tree decorated with large white ornaments and snow - covered pinecones and rusty, old bells and lace and burlap ribbon weaving between the branches.