Sentences with phrase «between women in movies»

We saw all kinds of mother - daughter relationships in 2017 — tender, fraught, hostile, sometimes all of the above — portrayed with a depth and complexity we don't get nearly enough of in relationships between women in movies.

Not exact matches

The item got passed around from site to site, and a consensus began to form: The desperate not - quite - It Girl was Gretchen Mol, whose movie roles were starting to dry up; the new target was Blake Lively, beginning to transition from TV to film; and in the center of it all, between two beautiful young women whose careers he held in the palm of his hands, was Harvey Weinstein.

we are happy here knowing our children grow up, eating big buckets of popcorn in the movies, drinking big sodas and believing a marriage should be between a man and a woman So What -.

In 1996, the movie «Fire» highlights a forbidden relationship between two married Indian women.

One would need to avoid seeing a single poster for the movie to not be able to figure where this is going: a sexual relationship between Esti and Ronnie that happened way back when, which remains enough of an open secret in the community that the sight of the two women alone would start rumors.

His newest film sweeps the corners on the ages not covered by those two films, focusing on the unlikely friendship between a college freshman (Lola Kirke) and a woman hovering around 30 (Greta Gerwig)-- and in doing so, Baumbach and Gerwig cook up what may be his flat - out funniest movie of the past decade.

In a year where we had some pretty cool and unusual things happening in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems..In a year where we had some pretty cool and unusual things happening in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems..in mainstream cinema (an animated «princess» movie where the most important relationship was between two sisters, a space thriller whose face was a middle - aged woman, a high - grossing action movie starring a young woman, a sci - fi blockbuster where 2/3 leads were NOT white men, a female buddy - cop movie), this just seems....

The movie offers some surprises among its familiar trappings, and the vehicular stuntwork is top - notch — plus, you have to credit any movie in which a playful car chase between a man (Caine) and a woman (Alexandra Stewart) can be categorized as foreplay.

With «Before Midnight,» writer - director Richard Linklater and actors Ethan Hawke and Julie Delpy continue one of the most interesting projects in film history: a movie franchise based almost entirely on simple conversations between a woman and man.

It may have wallowed in development hell for a while, but we reckon Wonder Woman delivers «the hope - charged blast of purely likeable entertainment that superhero movies might just need», and the chemistry bubbling between Diana and Chris Pine's Steve Trevor is delicious.

A young woman is caught between life and death in the movie If I Stay.

The movie follows the relationship between two women from widely different backgrounds, a 20 - year - old girl working at a department store and a rich wife trapped in an unhappy marriage.

Kathryn Hahn turns in a solid performance as the woman in question, and Juno Temple shines as the sex worker she takes in to her home, but while the movie gets off to a strong start as the two ladies form their friendship, the latter half is so ugly in its attempt to create conflict between them that it leaves a bitter taste in your mouth.

Apparently, Liam Neeson's favorite new thing that doesn't involve starring in largely interchangeable action movies is making public statements that somehow walk the line between being supportive of women in the entertainment industry while also being dismissive of the issues that he seems to support.

There is more chemistry and tenderness between Penn and James Franco than in hundreds of movies about men and women, which is a radical notion for an American film.

Inspired by the 1954 Universal Studios monster movie classic Creature from the Black Lagoon, del Toro's take on the unique relationship between a mute woman (Sally Hawkins) and an amphibian man (Doug Jones) held captive in a research facility has dominated this awards season with a Best Picture win at the Critics» Choice Movie Awards, and a Best Director win for del Toro at the Golden Glmovie classic Creature from the Black Lagoon, del Toro's take on the unique relationship between a mute woman (Sally Hawkins) and an amphibian man (Doug Jones) held captive in a research facility has dominated this awards season with a Best Picture win at the Critics» Choice Movie Awards, and a Best Director win for del Toro at the Golden GlMovie Awards, and a Best Director win for del Toro at the Golden Globes.

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

At the film's recent press day, Mirren revealed her approach to the role, what it was like having the opportunity to improvise on set, acting opposite the renowned Puri and what the two share in common, what she looks for in a project, why the director is an important consideration, why she likes to alternate between big movies and smaller low budget films, her lifelong attraction to French culture, her latest film that she's currently shooting with director Simon Curtis entitled «Woman in Gold,» and her upcoming biopic, «Trumbo,» with Bryan Cranston about blacklisted screenwriter Dalton Trumbo.

A turgid adaptation of a French - language play by Peter Handke (the co-writer of some of Wenders» best movies, including Wings Of Desire, though not that you can tell here), Anarjuez presents an impossibly vague dialogue between a man and woman in a garden outside of Paris.

Starring Michelle Williams, Matthias Schoenaerts, Kristin Scott Thomas, Sam Riley, Ruth Wilson, and Margot Robbie, directed by Saul Dibb («The Duchess «-RRB-, and scored by Alexandre Desplat (yep, this movie is loaded with top - tier talent), the adaptation of Irene Nemirovsky «s novel details the love affair between young French woman Lucille and the German officer assigned to watch her in Nazi - occupied France.

3D Movie (Paul Sharits, 1975/2015) 88:88 (Isiah Medina, 2015) About 11 Minutes (Madison Brookshire, 2015) La academia de las musas (L'accademia delle muse / Academy of the Muses, José Luis Guerín, 2015) Actua 1 (Philippe Garrel, 1968/2015) Balikbayan # 1 Memories of Overdevelopment Redux III (Kidlat Tahimik, 2015) Bella e perduta (Lost and Beautiful, Pietro Marcello, 2015) Blackhat (Michael Mann, 2015) Boi Neon (Neon Bull, Gabriel Mascaro, 2015) Branco Sai, Preto Fica (White Out, Black In, Adirley Queirós, 2014) La calle de la amargura (Bleak Street, Arturo Ripstein, 2015) Chevalier (Athina Rachel Tsangari, 2015) Color Correction (Margaret Honda, 2015) Comoara (The Treasure, Corneliu Porumboiu, 2015) Cosmos (Andrzej Żuławski, 2015) Engram of Returning (Daïchi Saïto, 2015) The Exquisite Corpus (Peter Tscherkassky, 2015) Field Niggas (Khalik Allah, 2014) The Forbidden Room (Guy Maddin and Evan Johnson, 2015) Fort Buchanan (Benjamin Crotty, 2014) Garoto (Kid, Julio Bressane, 2015) Greetings to the Ancestors (Ben Russell, 2015) Happy Hour (Ryusuke Hamaguchi, 2015) Hua li shang ban zu (Office, Johnnie To, 2015) I, Dalio (Mark Rappaport, 2015) Iec Long (João Pedro Rodrigues and João Rui Guerra da Mata, 2015) In Jackson Heights (Frederick Wiseman, 2015) Invention (Mark Lewis, 2015) Ji - geum - eun - mat - go - geu - ddae - neun - teul - li - da (Right Now, Wrong Then, Hong Sang - soo, 2015) Juke: Passages from the Films of Spencer Williams (Thom Andersen, 2015) Losing Ground (Kathleen Collins, 1982/2015) Lost Landscapes of Los Angeles (Rick Prelinger, 2015) Mercuriales (Virgil Vernier, 2014) As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Minotauro (Minotaur, Nicolás Pereda, 2015) Na ri xia wu (Afternoon, Tsai Ming - liang, 2015) Navigator (Björn Kämmerer, 2015) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) No Home Movie (Chantal Akerman, 2015) Noite Sem Distância (Night Without Distance, Lois Patiño, 2015) L'Ombre des femmes (In the Shadow of Women, Philippe Garrel, 2015) Le paradis (Paradise, Alain Cavalier, 2014) Park Lanes (Kevin Jerome Everson, 2015) A Poem Is a Naked Person (Les Blank, 1974/2015) Queen of Earth (Alex Ross Perry, 2015) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) The Royal Road (Jenni Olson, 2015) Sangue del mio sangue (Blood of My Blood, Marco Bellochio, 2015) Secteur IX B (Sector IX B, Mathieu Kleyebe Abonnenc, 2015) Sin Dios ni Santa María (Neither God Nor Santa Maria, Samuel M. Delgado and Helena Girón, 2015) The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015) Snakeskin (Daniel Hui, 2014) Something Between Us (Jodie Mack, 2015) The Thoughts That Once We Had (Thom Andersen, 2015) Traces / Legacy (Scott Stark, 2015) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) The Two Sights (Katherine McInnis, 2015) Un etaj mai jos (One Floor Below, Radu Muntean, 2015) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) Western (Bill Ross and Turner Ross, 2015)

Falling somewhere on the quality scale between The Woman in Black and The Woman in Black 2: Angel of Death (as far as similar movies from this decade go), Winchester is not really worth paying the full ticket price to see it on the big screen.

In the first half of the movie, King organizes a boycott of a major tennis tournament over the disparity in prize money between men and women, and helps found the Virginia Slims Circuit, a series of tennis tournaments that eventually became the Women's Tennis Association, a principal organizing body of the sporIn the first half of the movie, King organizes a boycott of a major tennis tournament over the disparity in prize money between men and women, and helps found the Virginia Slims Circuit, a series of tennis tournaments that eventually became the Women's Tennis Association, a principal organizing body of the sporin prize money between men and women, and helps found the Virginia Slims Circuit, a series of tennis tournaments that eventually became the Women's Tennis Association, a principal organizing body of the swomen, and helps found the Virginia Slims Circuit, a series of tennis tournaments that eventually became the Women's Tennis Association, a principal organizing body of the sWomen's Tennis Association, a principal organizing body of the sport.

Last year there were rumors that in addition to everything else awesome about the movie, it was supposed to include a romance between two women of the Dora Milaje, Danai Gurira's Okoye and Florence Kasumba's Ayo.

But I suppose Hallström felt that with all the other types of warm fuzzies he covers — mother - daughter, grandmother - grandson, friend - friend — he might as well drop in good ol' man - woman cuddlies between glamorous movie stars.

It's a shame Battle of the Sexes wasn't a bigger hit, because this movie chronicling the 1973 match between superstar and women's sports pioneer Billie Jean King and 55 - year - old former tennis legend Bobby Riggs is so sensationally entertaining, and so culturally relevant for this exact moment in history, watching it proves to be a continuous joy even if viewers know exactly how the pair's story comes to an end.

A few days ago we got our first look at Chris Pine as Steve Trevor in Warner's upcoming Wonder Woman movie, which — judging by his clothing — appeared to confirm that the story between Steve and Diana would take place in the past.

Here, the movie is dripping with sexual tension between the two female leads, as Sook - hee cares for Hideko, finding herself in a position where she sees every vulnerability, every detail, every inch of this woman's character.

In fact, there's barely a line between sex and death in the movie, which tells the story of a strange young woman who has been repressing feelings both sexual and violent and comes to an awakening soon after she turns 1In fact, there's barely a line between sex and death in the movie, which tells the story of a strange young woman who has been repressing feelings both sexual and violent and comes to an awakening soon after she turns 1in the movie, which tells the story of a strange young woman who has been repressing feelings both sexual and violent and comes to an awakening soon after she turns 18.

Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award - winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

«As in a movie poster, using quick, hectic brushstrokes, Jacqueline de Jong sought to create a dramatic sketch of a situation, to capture the literally sensational of the criminal moment, with image and typography in shreds, concentrated into the classic mythical constellation of man and woman or trench coat and hat, coloured with the signs of fear — wide open eyes, the hand clutching the forbidden, blood on the knife blade, flame spewing from the barrel of the revolver, a last kiss between monster and victim.»

In Cindy Sherman's famed Untitled Film Stills series, most of the 69 photographs depict the artist as a archetypal character known from the movies: a housewife, a femme fatale, a working girl, and everything in between — all evoking the ways the cinema has the tendency to objectify womeIn Cindy Sherman's famed Untitled Film Stills series, most of the 69 photographs depict the artist as a archetypal character known from the movies: a housewife, a femme fatale, a working girl, and everything in between — all evoking the ways the cinema has the tendency to objectify womein between — all evoking the ways the cinema has the tendency to objectify women.

In a footnote, Judge Brooks found such reasoning reminiscent of the «reasoning» used to determine if a woman is a witch in the movie «Monty Python and the Holy Grail,» and even quoted the film's hilarious exchange between peasants getting ready to burn an innocent woman suspected of witchcraft, and the «learned» knight who corrects theIn a footnote, Judge Brooks found such reasoning reminiscent of the «reasoning» used to determine if a woman is a witch in the movie «Monty Python and the Holy Grail,» and even quoted the film's hilarious exchange between peasants getting ready to burn an innocent woman suspected of witchcraft, and the «learned» knight who corrects thein the movie «Monty Python and the Holy Grail,» and even quoted the film's hilarious exchange between peasants getting ready to burn an innocent woman suspected of witchcraft, and the «learned» knight who corrects them.