Sentences with phrase «beyond human perception»

Here too, we are dealing with a cause beyond human perception, something we can not see except through they eyes of science.

Not exact matches

to Jake, in every era or times in the past, humans have different perception of reality, because our knowledge improves or changes toward sophistication, For example during the times of Jesus, there was no science yet as what we have today, since the religion in the past corresponds to their needs, it is true for them in the past, but today we already knew many new ideas and facts, so what is applicable in the past is no longer today, like religion, we have also to change to conform with todays knowledge.The creation or our origin for example is now explained beyond doubt by science as the big bang and evolution is the reason we become humans, is in contrast to creation in the bibles genesis,.

Given the largeness of reality and the relative nature of human perception, education needs to point beyond what is empirically measurable and to invoke a sense of awe and wonder.

about our powerlessness to penetrate in this sense beyond the primitive vision shared by the earliest human minds; that is to say, the impossibility of our advancing a step towards the direct or indirect perception of all that is hidden behind the veil of tangible experience!

Please note, intelligent does not imply a human like being as God, by this definition... since part of it is beyond the human capability of conscious or unconscious perceptions... so creationists can stop celebrating.

In the part beyond human conscious, where a person can't instantaneously grasp cause and effect, that's where faith leads to the poetic and sometimes seemingly delusional metaphors, used by religion to describe God or whatever aspect is just beyond perception when the person only has incomplete information, but still needs something to help us retain what understanding they're starting to build.

Tinti is a writer gifted beyond her years, both literary in her perceptions — «the sailboat passed a cargo ship the length of an aircraft carrier, stretching across the surface like a giant guarding the edge of the world» — and possessing a thoroughgoing comprehension of the human condition, our sometimes desperate search for love and family, the rage we often feel as we stumble through our ignorance and past our fear to confront our mortality.

The retina display leads the fight, but the battle has gone beyond the limits of human perception.

2011 Parallel Perceptions, NYC Opera, New York, New York, USA Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, USA Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, USA Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, USA Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, USA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, USA For a Long Time, Roberts & Tilton, Culver City, USA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, USA

Wise beyond her years, and very needed at this time, Toyin spoke with Saint Heron on the mercuriality of humans becoming, the fluidity of the term identity and the perception of Blackness.

These were laid over oil - based visual abstractions created by Rose herself — extremely lo - fi iterations of the images of space she used as inspiration — and interspersed with music as diverse as warped Aretha Franklin numbers and EDM, to create «a work that goes beyond its constituent parts to address ideas of human perception through direct experience and an emotive sensibility», says the gallery.

10/11/2017 -11 / 2/2018 Peter Bremers: Looking Beyond the Mirror From a master of the kiln - casting technique in glass sculpture comes two distinct bodies of work in Peter Bremers» abstract style that express his exploration of human existence, from the perspective of the individual's perception of the world as well as an observation of our collective power as a group of individuals.

Katie Paterson manipulates two basic human sensesof sight and smell to unbind viewers from the reality of geography and allow them to voyage into outer space and experience the universe beyond the ordinary reaches of our spatial perception.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

2017 Arslokacija, curated by Sonja Beljić, Jelena Vukadinović and Ivana Đorđević, Umetnička galerija Stara Kapetanija, Belgrade Elemental Quest, curated by Frida Robles, Die Labile Botschaft, Vienna Squaring the Circle Pt. 2 — Liquid Landscapes, curated by Christiane Peschek / Art Space 280a, Ruby Marie Hotel, Vienna Archipelago Mountain, curated by Ana de Almeida and Stephanie Misa, Gallery 5020, Salzburg, Austria Vienna PhotoBook Festival, with Art Space 280a, Expedithalle, Vienna 2016 Squaring the Circle Pt. 1 — Transforming Memories, 280a Art Space, Vienna, Austria (Para) matters of Perception, PROJEKTRAUMberlin, Project Space Festival, Berlin, Germany ESSENCE, Annual diploma exhibition of the University of Applied Arts in Vienna, ALTE POST, Vienna, Austria (Para) matters of Perception, Galerija Vodnikove Domacije, Ljubljana, Slovenia 2015 Budapest Art Market, with U10 Art Space, Budapest, Hungary Vienna Contemporary, Illy Coffee Award ARTmART, Künstlerhaus, Vienna Parallel Art Fair, with U10 Art Space, ALTE POST, Vienna LISTE Art Fair, with U10 Art Space, Basel, Switzerland ESSENCE, Annual diploma exhibition of the University of Applied Arts in Vienna, ALTE POST, Vienna, Austria Forum Creative Europe, Kolarceva Zaduzbina, Belgrade, Serbia Sarajevo Zima Festival, Sarajevo, BiH 2014 Beyond Space, Public Room, Sarajevo, BiH Wiener Wunderkammer, Tecnical University Vienna, Curated by Valie Export, Elisabeth von Samsonow, Renee Schröder and Martin Bernhofer, Vienna, Austria 2013 Crucial Experiments, in the scope of Vienna Art Week, MQ — Museumsquartier, Vienna, Austria Teško je biti... u vremenu, Geozavod — Pravosudna Akademija, Belgrade, Serbia HUMAN NECESSITIES, Project by: Bernd Kräftner, Moravska Galerie, Brno, Czech Republic Red Bull Curates — Canvas Cooler, Gallery G12 HUB, Belgrade, curated by Dušica Dražić Art & Science Micro Exhibition, IST — Institute for Science and Technology Klosterneuburg, Austria 2012 Art «n Bloom, On the Cover Edition, Hotel BLOOM!

By not trying to stretch themselves beyond their own, consistent taste, they're actually exposing more about the partial, confining nature of human desire and perception than they would otherwise.

«Through the compilation of seemingly unrelated material — first - person narration, music ranging from gospel to electronic dance music (EDM), and swirling chemicals — she has created a work that goes beyond its constituent parts to address ideas of human perception through direct experience and an emotive sensibility.»

Now that digital media's performance has started to sail beyond the limits of human perception, test results matter less and less — while features matter more and more.

Of course, manufacturers often tout the ability of autonomous vehicles to «see» beyond what normal human drivers can see, thanks to an expensive array of cameras, radars, and LIDAR sensors powering the car's perception.

But researchers writing in the journal Neuroscience found that human behavior that is exceptionally flexible, responsive and capable of navigating complexity requires something beyond a strong and active prefrontal cortex: strong and agile runners must link that seat to brain regions involved in perception, memory, language and mobility.