Sentences with phrase «beyond traditional gallery»

Houston - based artist Gabriel Martinez creates art experiences beyond the traditional gallery setting, hinting at social and political undercurrents.

On Thursday at 12:30 Sharon Louden, Ed Winkleman, Peter Drake, William Carroll and I will be discussing how artists should be thinking beyond traditional gallery representation, so please stop in and say hello.

Opie has exhibited his paintings and sculptures internationally and reached beyond the traditional gallery audience with his animated LED outlines of human figures walking, sometimes presented on billboards on city streets, sometimes elsewhere — as with the huge, computer - generated animations that acted as a backdrop to Wayne McGregor's 2008 ballet Infra at London's Royal Opera House.

She is the second artist to participate in the RSVPmfa series, in which the Museum invites artists to respond to and work among its collections, architecture, and landscape in order to acknowledge that art today often extends beyond traditional gallery walls.

Not exact matches

Beyond the game, Embryo bestows Blaz's traditional gallery, extending a collection of unlockable scenes, cinematics, and songs.

Fresh from her New York gallery debut, the artist presents new paintings that incorporate collage, found objects, and sculptural elements in unexpected ways that push the work beyond traditional notions of painting.

The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.

Situated on the fair's 250,000 square feet of exhibition space, Platform offers an opportunity for galleries to showcase artworks that extend beyond the traditional booth context.

Its focus is to offer programming that reaches beyond the expectations of traditional gallery and institutional exhibition - making, to a diverse and intergenerational audience.

The exhibition, featuring iridescent material that allowed Pantone to regulate the light spectrum gradients in color, repetition and directional displacement, symbolizes the attitude and experimentation of the artist, according to the gallery release, and expands the exhibition beyond traditional boundaries.

Intended to offer an opportunity for galleries to showcase artworks and new commissions that extend beyond the traditional booth context, Platform's esteemed line - up of practitioners is set to attract large crowds.

To make it all cohere in a gallery or museum setting, and in the viewer's mind, is the goal, and what's expected of the audience often goes beyond the demands of more traditional art forms.

1999 The Inquisitive Object: A Biennial Review of NW Art & Craft, Hoffman Gallery, Oregon College of Art and Craft, Portland, OR (Received Award of Merit) Mail Art Exhibit in conjunction with Ray Johnson: Correspondences, Whitney Museum of Art, New York, NY South Sound Annual, Commencement Art Gallery, Tacoma, WA Beyond the Fold: Artist's Books from Traditional to Cutting Edge, The Gallery of South Orange, South Orange, NJ

The third is the creation of new institutional environments beyond the scope of the traditional gallery and museum network and the art market.

Selected Exhibitions 2009 Zenith Gallery, Washington, DC, For Real, group exhibit 2008 Zenith Gallery, Washington, DC, What Remains: The American Landscape Portfolio Edition, solo exhibit Zenith Gallery, Washington, DC, Trees of Life, 30th Anniversary Show, group exhibit 2007 Zenith Gallery, Washington, DC, What Remains: The American Landscape, solo exhibit 2006 Zenith Gallery, Washington, DC, 28th Anniversary Exhibition, group exhibit 2005 Zenith Gallery, Washington, DC, Into the Minds of Nine, group exhibit Zenith Gallery, Washington, DC, La vie quotidienne: Scenes from Paris to Provence, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 22nd Annual Portrait Show 2004 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes 2004, group exhibit Parker Gallery, Washington, DC, Beyond Brittany: 1977 - 1979, group exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 21st Annual Portrait Show Zenith Gallery, Washington, DC, Zenith Style: Art & Craft for Home & Office, group exhibit Zenith Gallery, Washington, DC, This Land is Your Land, This Land is My Land, group exhibit 2003 Bermuda National Gallery, Hamilton, Bermuda, Inside & Out, House & Home, group exhibit Zenith Gallery, Washington, DC, Near and Far: Recent Landscape Paintings, solo exhibit Francesca Anderson Fine Art, Portraits North, Lexington, MA, 20th Annual Portrait Show 2002 Land Trust of Virginia, Middleburg, VA, Vanishing Landscapes Zenith Gallery, Washington, DC, The Dog Days of Summer Zenith Gallery, Washington, DC, New Artists... New Space, Summer Show 2002 2002 Hilligoss Galleries, Chicago, IL, Oil Painters of America, Eleventh Annual National Juried Exhibition of Traditional Oils Francesca Anderson Fine Art, Portraits North, Lexington, MA, 19th Annual Portrait Show 2001 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Northern Virginia Fine Arts Association, Alexandria, VA, Contemporary Realism: A Survey of Washington Area Artists Zantman Art Galleries, Palm Desert, CA, Oil Painters of America, Tenth Annual National Juried Exhibition of Traditional Oils Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Francesca Anderson Fine Art, Portraits North, Lexington, MA, 18th Annual Portrait Show 2000 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour Rock Creek Gallery, Washington, DC, Studio 310 Reunion Francesca Anderson Fine Art, Portraits North, Lexington, MA, 17th Annual Portrait Show Spectrum Gallery, Washington, DC, Spectrum Plus Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Zenith Gallery, Washington, DC, Zenith Gallery at 22 1999 National Park Academy of the Arts, Jackson Hole, WY, Arts for the Parks Top 100 Tour, recipient of the Steven L. Aschenbrenner Collector's Award Zenith Gallery, Washington, DC, New Works for the Millenium Francesca Anderson Fine Art, Portraits North, Lexington, MA, 16th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1998 Byrne Gallery, Middleburg, VA, Lightmotifs, solo exhibit Mystic Maritime Gallery, Mystic, CT, 19th Annual International Marine Art Exhibition Francesca Anderson Fine Art, Portraits North, Lexington, MA, 15th Annual Portrait Show Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape Howard / Mandville Gallery, Kirkland, WA, Paintings of the American Landscape 1997 Arts Club of Washington, Washington DC, Luminous Journeys, solo exhibit Ballantyne & Douglass Fine Art Gallery, Cannon Beach, OR, featured artist The Artists» Museum, Washington, DC Francesca Anderson Fine Art, Portraits North, Lexington, MA, 14th Annual Portrait Show Morgan Peyton Fine Arts, Charleston, WVA, Journeys through the Virginias, solo exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit Howard / Mandville Gallery, Edmonds, WA, Paintings of the American Landscape 1996 Howard / Mandville Gallery, Kirkland, WA, Pleasures of the Garden Francesca Anderson Fine Art, Portraits North, Lexington, MA, 13th Annual Portrait Show Howard / Mandville Gallery, Edmonds, WA, 2nd Annual Paintings of the American Landscape Gallery 4, Alexandria, VA, Landscapes Cudahy Gallery, Richmond, VA, 15th Anniversary Celebration Charles County Community College, La Plata, MD, Landscapes, solo exhibit 1995 Cudahy Gallery, Richmond, VA, Landscapes 1994 Hollis Taggart Gallery, Washington, DC, Portraits Montgomery County College, Rockville, MD, George Washington Faculty Exhibit DeMatteis Gallery, Annapolis MD, The Figure Fine Arts Gallery, Georgetown University, Washington, DC, Portraiture, co-curator 1993 Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1992 Fine Arts Gallery, Georgetown University, Washington, DC, faculty exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1991 Fine Arts Gallery, Georgetown University, Washington, DC Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1989 Plum Gallery, Kensington, MD, Capital Image 1989 Cudahy Gallery, Richmond, VA, National Portrait Exhibit Dimock Gallery, George Washington University, Washington, DC, faculty exhibit 1988 Fine Arts Gallery, Georgetown University, Washington, DC, Images of Georgetown, A Bicentennial Celebration 1986 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition 1985 Gallery 4, Alexandria, VA, Washington Landscapes Plum Gallery, Kensington, MD, The Capitol Image Today 1985 The Times Journal Co., Springfield, VA, In and Around Washington 1984 St. Petersburg Historical Society, St. Petersburg, FL 1984 Dimock Gallery, George Washington University, Washington, DC, Alumni Juried Exhibition Strathmore Hall, Rockville, MD, Metro Art Fairfax County Council of the Arts, Fairfax, VA, juried exhibit curated by Michael Botwinick, director, Corcoran Gallery of Art, Washington, DC World Bank Art Society, Washington, DC 1983 Arlington Arts Center, Arlington, VA, Areawide Painting Exhibition, juried by Frederick Brandt, curator, Virginia Museum of Fine Arts, Richmond, VA American Artists Professional League, New York, NY, Juried Grand National Exhibition Twentieth Century Gallery, Williamsburg, VA

Tauba Auerbach's works, on view at Paula Cooper Gallery, reach «beyond traditional boundaries, dimensions, and categories.»

At Guerrero Gallery, the artist's rather traditional installation skirts its potential to expand dialogue beyond the rather insular art world.

Proclaiming «The line between art and life should be kept as fluid, and perhaps indistinct, as possible,» Kaprow staged interactive events within and beyond the traditional museum and gallery context.

Featuring more than 40 African - born artists from 19 nations — including Kader Attia, Berenice Bickle, Nicholas Hlobo, Julie Mehretu, Aida Muluneh (whose work is shown above), Wangechi Mutu, Maurice Pefura, and Yinka Shonibare, MBE — the exhibition is the first to expand beyond the museum's traditional gallery spaces inhabiting the pavilion and stairwells, as well.

Representing a multi - generational mix of artists, the Gallery's program is focused on contemporary artists from the Middle East, North Africa, South Asia, Turkey and beyond, working across different media, traditional and new, who employ a research based approach.

Having achieved a sharp, bold aesthetic that is all his own, Kelly has recently used his talents to expand beyond his traditional choice of mediums, designing the façade for Matthew Marks gallery in LA, and even his first ever tattoo, for Whitney curator Carter Foster.

The inventor of Happenings and Environments, Kaprow joyously incorporated improvisation and public participation within and beyond the traditional museum and gallery context.

[9] During this period, exponents of land art rejected the museum or gallery as the setting of artistic activity and developed monumental landscape projects which were beyond the reach of traditional transportable sculpture and the commercial art market, although photographic documentation was often presented in normal gallery spaces.