Influenced by the art of William Blake, Francis Bacon, and H.R. Giger, Lyne wanted more human - like, yet bizarre images for the film's demons, overriding the original screenplay's more
biblical descriptions of them.
Sacrifice and perseverance consistently characterize
biblical descriptions of love, including romantic love.
Estrangement and alienation are not biblical terms, but they are implied in
the biblical description of the human predicament; the expulsion from paradise, the hostility between humanity and nature, the hostility of person against person, of nation against nation, and of the continuous complaint of the prophets against the rulers.
The biblical description of that divinely ordained self - forgetfulness is to be found in the following questions of the «sheep» at the Final Judgment.
Miller and Hayes suggested that
the biblical description of Solomon's reign was more legend than history.
David Strauss questioned the historical accuracy of the New Testament, whilst the findings of Charles Darwin seemed incompatible with
the biblical description of the creation of the world in seven days.
The comprehensive human liberation Locke aims for requires the decisive repudiation of
the Biblical description of the human condition.
The Ontario Divisional Court heard a case in which a man sought an exemption to having a digital photograph taken for a drivers licence on the basis that the digital photo process could meet
the biblical description of the mark of the beast: http://canlii.ca/t/1jm4v So I am not aware of specific objections, but I imagine there are some out there.
Not exact matches
You ignore actual scientific evidence, -------------------- Actually, SeaVik, the SCIENTIFIC evidence is that the
Biblical Manuscript P72 that shows Peter's
description of the divinity
of Jesus flat out proves that it was not an invention
of Constantine, since it was written as much as 150 years before Nicea.
«Actually, SeaVik, the SCIENTIFIC evidence is that the
Biblical Manuscript P72 that shows Peter's
description of the divinity
of Jesus flat out proves that it was not an invention
of Constantine, since it was written as much as 150 years before Nicea.
kermit, I would think that most people reading 1 short paragraph (the OP) would know that it is not a complete
description of the
biblical God.
Jeremy's
description of biblical adoption is similar to the current cultural practice
of adoption in Japan where most adoptees are consenting adults, the favored employees in family firms with no heir.
In describing the six wings adorning each
of the four
biblical beasts representing the authors
of the Gospels in Purgatorio XXIX, Dante assures us that their wings were six in number (Ezekiel's cherubic creatures had only four [1:6]-RRB-, that is, as many as are found in John's
description of the same creatures (Revelation 4:8).
The story makes innumerable references to the Bible, from the opening parody
of biblical language in the
description of Astor, to the parody
of Pilate's questioning
of Christ in the lawyer's interview with a mute Bartleby, to the seriously meant quotation from Job.
Without losing ontological Process doctrine
of identity, God undergoes God is compatible growth in God's knowledge and with a
Biblical therewith change in God's
description of God «being.»
Answers In Genesis, which built and operates the religious - themed attraction, plans to build a full - scale wooden replica
of Noah's Ark based on
biblical descriptions.
This second way
of construing the force
of Biblical texts, viz., as giving
descriptions of actualities, seems part
of a quite different enterprise than the first construal
of the force
of Biblical texts (viz., as expressing «propositions» that are «lures for feeling»).
It embraces a fruitful abundance
of descriptions of God, including all the substantive terms that can legitimately complete the sentence, «God is...,» beginning with scriptural terms such as Word, Wisdom, Water
of Life, Bread from Heaven, Truth, and Comforter, as well as alternative proper names such as El Shaddai and also El Roi» Hagar's name for God, in the only
biblical story where a human being gives God a name.
The Bible speaks about the transformation
of selves by the acts
of God: thus the psychological realities coming to expression in the
biblical texts may be either
descriptions of the imprisonment
of the self needing release, or those
of the liberated, transformed person.
Biblical sin is a
description of our human existence.
The
biblical dream grows as lush as a fertility religion in its
description of the flowering
of nature in the reconciled kingdom
of God's Shalom.
His
description of reconciliation is
of course indebted to
biblical formulations, but his presentation
of Christ as the New Being in whom is manifest the power
of love brings out more fully the importance
of personal symbols.
It is inconceivable to me that Paul can be quoted by modern male chauvinists as the
biblical authority for excluding women from accepting God's call to serve others in the name
of Christ, when Paul himself encouraged and congratulated inspired women who were prominent — to use his own
descriptions — as deacons, apostles, ministers and saints.
Thus, all interpretations
of given texts can be productively correlated with wider
Biblical attitudes, statements, themes, and
descriptions If husbands are to duplicate Jesus» attitude toward leadership (Eph.
Rollins takes this a step further by explaining how the
biblical text itself invites us to wrestle with and question its
descriptions of God.
Process philosophy can complement this
biblical recital by providing a
description of the necessary conditions whereby such contingent divine activity is possible, just as the
biblical recital can complement this abstract philosophical outline by giving it specific, concrete historical contours.
Brandon your post is so very true and its great to see in writing a
description of a
biblical loving God and that he is not angry with us and loves us because he is love.
don't put words in my mouth... as for your
description... its not
Biblical and based o0ut
of ignorance..
No philosophical
description of human beings, resting as it does on what can be seen and measured, can reach the profundity
of biblical anthropology, which rests upon invisible relationships.
Biblical Reflections on Shalom, 1976, p. 16) But, again, one must guard against making this definition a
description of an ideal utopia.
UPDATE: For those who think I mean «patriarchy» as an insult rather than a
description of reality, consider this: In the current issue
of The Journal
of Biblical Manhood and Womanhood, Owen Strachan wrote, «For millennia, followers
of God have practiced what used to be called patriarchy and is now called complementarianism.»
In the capital town
of the Swiss canton
of Zurich, the new young parish priest at the Great Minster, Ulrich Zwingli, was getting into his stride with new - style
biblical sermons, denunciations
of Indulgences, and a reference or two to Luther as a prophet for the times, a
description taken from the Introduction in Froben's volume
of Luther's writings.
In Christ, there is no such narrow descriptor
of biblical women — dependent on roles and chores, job
descriptions and marital status, experiences and unique circumstances, or quieting our wisdom and intellect and voices — when the majority
of women in our world do not have the luxury
of deciding whether or not to work.
The poem's complex weaving
of sympathetic imaginings, personal remembrances, naturalistic
descriptions, and
biblical quotations is evident in its concluding stanza
What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning in Art News in 1958, was not set in Willem de Kooning's studio and did not mention a «Bell - Opticon», unlike her account
of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation
of consciousness», or a «revelation»
of Biblical proportions, invoking the example
of «Saul
of Tarsus outside the walls
of Damascus when he saw a «great light»», the
description of Kline's technical and conceptual breakthrough in this account nevertheless resembled previous accounts
of Kline's development in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product
of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved, in 1950, with elements
of representation, he began to whip out small brushes
of figures, trains, horses, landscapes, buildings, using only black paint.