Not exact matches
As someone whose Dictionary of
Biblical Imagery makes
for regular causal reading, I am loving every word.
Yetser, the
Biblical word
for «
imagery,» is identical, in fact, with the Talmudic word
for the evil and good urges.
Biblical imagery provided the basic framework
for imaginative thought in America up until quite recent times and, unconsciously, its control is still formidable.
God, as chief causative principle and as supreme affect, is «in this world or he is nowhere»;
biblical material, and in relation to it Christian liturgical and hymnological
imagery, with the theological articulation of this, intend to make affirmations which are to be found in the pictures and forms and myths — and these we must seek to make meaningful and valid
for ourselves in our present existence; man is an «embodied» and a social occasion or series (or «routing») of occasions, organic to the world of nature, and can only truly live as he lives in due recognition of these facts and sees them as integral to himself.
Let us note that Teilhard, in faithfulness to
biblical imagery, presents two contrasting models
for this cosmic cataclysm.
There is real tension to this sequel as Tim Burton delves deep into
biblical imagery to bring us a Penguin that wants to kill all Gotham City's firstborns
for having scorned him (he well, uh, looks different - bit like a mutated Ebenezer Scrooge).
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Tides of Provincetown: Pivotal Years in America's Oldest Continuous Art Colony (1899 - 2011), The New Britain Museum of American Art, New Britain, CT; Westmoreland Museum of American Art, Greensburg, PA; Cape Code Museum of Art, Dennis, MA Group Shoe, Gavin Brown's enterprise, New York, NY Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art, Rice University Art Gallery, Houston, TX Blues
for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center
for the Arts, The Ohio State University, Columbus, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY Ashé to Amen: African - Americans and
Biblical Imagery, Museum of
Biblical Art, New York, NY; Reginald F. Lewis Museum of Maryland African American History & Culture; Dixon Gallery & Gardens, Memphis, TN
In the Quogue Gallery show,
for example, there are a number of words and numbers inscribed in the complex textures of the paint, from the
Biblical «33» to the word «wu» itself and allusions to Jacob's Ladder and bird
imagery related to the story of Noah.
Chris Ofili is renowned internationally
for his richly layered works that combine
imagery and influences from sources as divergent as comic books, hiphop, Zimbabwean cave paintings,
Biblical scenes, and 1970s - era Blaxploitation films.
Horace Pippin was an esteemed artist known
for his renderings of the African - American experience, as well as
biblical and historical
imagery.