Not exact matches
The religious insight of the exodus
story works itself
into the
Biblical tradition in many ways.
In this novel Atwood does not abandon
biblical history to those who have muted female testimony; instead, she imaginatively writes this testimony back
into cultural contexts that would destroy it utterly and that fail to do so, even as she reveals the violence in any amputations of human
stories and the historical vulnerability of all speech and silence.
Suzanne Collins» trilogy was the first foray
into fiction I enjoyed after a year of research and writing for «A Year of
Biblical Womanhood», so I surrendered myself totally to the unfolding
stories and, like so many others, lost a lot of sleep as I worked my way through The Hunger Games, Catching Fire, and The Mockingjay.
Most Popular Comment: In response to «Esther and Vashti: The Real
Story,» Ed wrote, «While biblical literalists can make an interesting case for wifely submission, (provided you first accept their literal perspective) they also need to take into account the story of Ananias and Sapphira - where Sapphira was held accountable separate from her hus
Story,» Ed wrote, «While
biblical literalists can make an interesting case for wifely submission, (provided you first accept their literal perspective) they also need to take
into account the
story of Ananias and Sapphira - where Sapphira was held accountable separate from her hus
story of Ananias and Sapphira - where Sapphira was held accountable separate from her husband.
Other
stories there were, to be sure, but these were absorbed
into and brought
into the service of the dominant
biblical story (witness Aquinas» «sanctification» of Aristotle).
To bring some
biblical examples to Wright's point, Hebrews 11 and 2 Peter / Jude employ the strategy of fitting the readers and their circumstances
into the ongoing
story — complete with a future ending.
Once we take
into account the capacity of the ancient Jewish mind to create a
story as a way of expounding and showing the relevance of a
Biblical text (this practice will be described in Chapter 9), it is not at all difficult to see how the
story of Joseph of Arimathea could have been partly shaped by Isaiah 53:9, «And they made his grave with the wicked and with a rich man in his death,» found in the famous chapter on the suffering servant, which was certainly interpreted by the early Christians as a prophecy of the death of Jesus.
Like most, I've spent a lifetime scanning through the pages of Scripture searching to find «my»
story: a
biblical narrative I could write myself
into.
In the process of telling both
biblical and contemporary
stories, Campbell constantly co-opts her
into them with subtle cues.
Joining the ranks of Christian fundamentalism means also submitting one's own
story to the
biblical lens; conversion is really conversion
into a particular narrative tradition.
This is a great way to bring children
into the spirit of the Advent season through
biblical stories and images, and Ann Voskamp has quite a few resources for doing this well: The Greatest Gift: Unwrapping the Full Love
Story of Christmas, Unwrapping the Greatest Gift: A Family Celebration of Christmas, and a whole Web site full of FREE printable ornaments, coloring pages, cards, gift tags, etc..
The tone is so different in the last poem, that one can not help wondering if it may not have been the thought of one who lived later, interpolated
into the total poem, very much as seems to have been true in the case of the
Biblical story of Job and Ecclesiastes.
The
stories do not appear to have been radically altered in the course of their appropriation
into the
biblical corpus.
The
biblical story of God's mighty acts was elaborated
into the classical doctrine of divine omnipotence.
And because of our passion for order we are willing to put up with any punishment that sustains this order.7 The problem with this vision, however, is that it is ultimately shipwrecked, as Paul Ricoeur puts it, on the rocks of tragic suffering.8 The
story of Job, the innocent sufferer, is evidence that
biblical religion itself was uncomfortable with the simplistic theodicy that makes all suffering
into punishment.
With Gutenberg's printing press the
story of creation, fall and redemption was put
into linear form, and Protestants have always been proud of their control over the
biblical narrative of redemption.
In situations of suffering and even death the dominant
biblical stories hold up to us a promise that the «God of the living» can never be defeated even by the most hopeless extremes
into which our experience leads us.
But if it is because of a real conflict with the way in which any decent modern man is bound to think, then indeed it is time to talk about removing the offensive elements from the
Biblical story by radical translation
into harmless terms.
When we dig deeper
into the
Biblical stories, we begin to see that they don't just describe a political context, but present political proposals.
Screenwriters Giorgio Prosperi and Hugo Butler loosely based the script on the book by Richard Wormser, taking great liberties with
biblical texts to flesh out Lot's
story into a 2 1/2 hour movie.
This melancholy parable was adapted by Academy Award - winner Eric Roth (Forrest Gump) who managed to stretch a 14 - page short
story into a meandering, 167 - minute parable of
Biblical proportions.
Screenwriter Ari Handel and several religious leaders talk about how this small
Biblical story was crafted
into a big - budget epic.
With Russell Crowe's «Noah» turning the
Biblical figure
into a certified Hollywood hero, we name 5 other
stories that could make for epic movie adaptations.
Starring Russell Crowe, director Darren Aronofksy's visually compelling take on the
Biblical story drifts frequently
into silliness.
Moving belatedly
into Biblical territory, Stevens» next film, «The Greatest
Story Ever Told» (1965) would ultimately consume several years of his life, and pretty much ruin his filmmaking career.
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