This is a series of
gum bichromate prints created at the Officina Stamperia del Notaio in Tusa, Sicily for a site - specific installation.
Gum
Bichromate print made with dust from The Rose Main Reading Room, 58 1/2 x 43 3/4 inches.
Joey Kötting 1/2 hour thinking: Village Green: blue 2013 Gum
bichromate process on canvas.
Into the bathwater with the tintype and gum
bichromate on platinum have gone Ektacolor and the lightbox transparency.
Joey Kötting's performance paintings are made with a gum -
bichromate photographic process that is a record of the act of making his accompanying sound piece.
Later, she taught alternate photo processes including cyanotype and gum
bichromate at ICP, Pratt and elsewhere.
00036082 - 3 «Mathers Department Store, Pasadena, 1971,» 2013, Matthew Brandt, gum
bichromate print with dust from AT&T parking structure level 2.
The opening show was followed in January, 1906, by one of French photographers, including Robert Demachy, Constant Puyo and René Le Bégue, all of whom showed prints made by the gum
bichromate process.
A
gum bichromate print from Matthew Brandt's Dust series was exhibited in The Poetics of Place: Contemporary Photographs from The Met Collection at the Metropolitan Museum of Art, in New York City, from December 12, 2016 - June 25, 2017.
Gum
bichromate print, 24 15/16 x 20 7/8 in.
He currently works with both print and book forms using charcoal, conte crayon, cyanotype, etching ink, gum
bichromate, liquid light emulsion, lithographic ink, paper, pencil, pigments, silver nitrate, tannic acid, van dyke brown, and wax.
A variety of materials are used: c - prints, gum
bichromate, durotrans, inkjet printing, and ink drawing.
Breuer's photographic explorations include works with chromogenic paper, gelatin silver photograms, cyanotypes, gum
bichromate prints, silkscreens, and traditional drawing paper.
In the first years of the 1900s, several of these artists seceded, or broke away, from the mainstream use of the camera as a tool for mechanical reproduction and embraced a new style that emphasized the role of craftsmanship.Through such labor - intensive processes as platinum, gum -
bichromate, bromoil, and silver gelatin printing, they created rich, tonally subtle images.
He perfected printing process, such as gum
bichromate, that gave him the freedom to manipulate tones, add or eliminate portions of his negatives details, and to print on papers with varied textures, giving him exceptional control over the final image.
Canadian American artist Jeannie Hutchins is primarily a photographer, yet her most recent work stretches the medium as she experiments with silk, cyanotype, and gum
bichromate prints.
Nearly every photographic process from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum
bichromates, platinum silver, cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.