Sentences with phrase «biennial culture»
Not exact matches
Major CAFFA events include the biennial CAFFA Adoption Conference, annual Kaleidoscope Culture Camp, annual Camp Pride Korea, and the annual Walk For Adoption Chicago.
https://caffa.org/
They arise, too from electoral bases of legitimacy: from Senators» identifications with state interests and cultures, from Representatives» dependence upon their districts» majority party voters and party activists for biennial re-election.
This Center manages the Accelerating Innovation Deployment Demonstration grants, which support States or local agencies in deploying innovations that are unique to their way of doing business; the Advanced Market Readiness grants, which provide funding to move a prototype innovation into a market - ready condition that would then be eligible to be advanced in the biennial list of EDC innovations; and the STIC incentive grants, which provide funding to the STICs to foster a culture for innovation and make innovations standard practice in their State structure.
Biennials proliferated during this period, which some viewed as cities and countries using culture to raise their political and economic status.
«Our collective proposal addressed the beige zone where culture meets the state's image management goals,» says GCC (they always answer en - masse) especially highlighting the role international art biennials can play in national branding initiatives.
In keeping with Prospect's commitment to the promotion of the visual art community in New Orleans, this year's biennial will feature work by several artists who live and work in the city, as well as a variety of site - specific projects inspired by the city's distinctive history and culture and conceived specifically for the city of New Orleans.
The biennial showcases recent works of local and international artists who have been influenced by the cultures and artistic traditions of Mexico and Central and South America.
His work has been shown in numerous biennials (Paris, Venice, Sydney) and has been exhibited in the Grand Palais (Paris), Hirshhorn Museum (Washington, D.C.), Haggerty Museum (WI), House of Culture (La Paz, Honduras), Sivori Museum (Buenos Aires), and National Art Museum of China, among hundreds of others, and can be found in the collections of the Louvre Museum (Paris), Brooklyn Museum (NY), National Museum of Modern Art (Paris), Museum of Modern Art (Vienna), LaSalle Bank Photography Collection (Chicago), Guggenheim Museum (NY), and Deutsche Bank Collection, among several others.
Olivier has exhibited nationally and internationally at such venues as the World Festival of Black Arts and Culture (Dakar, Senegal), the Gwangju and Busan Biennials (Korea), The Museum of Fine Arts Houston, The Contemporary Arts Museum (Houston), the Wanas Foundation (Sweden), The Whitney Museum of Art at Altria (NY), MoMA P.S. 1 (NY), The Studio Museum in Harlem (NY), Uferhallen (Berlin), the SculptureCenter (NY), the University of Delaware Museum, Atlanta Contemporary Art Center and The Mattress Factory (Pittsburgh).
In addition to the four main gallery exhibitions, the organizing institutions will host a series of panels, performances, and events in conjunction with this year's biennial.The biennial will showcase recent works of local and international artists who have been influenced by the cultures and artistic traditions of Mexico and Central and South America.
Her work has also been exhibited in notable group shows such as «Shifting the Gaze: Painting and Feminism» at the Jewish Museum (2010), «elles@centrepompidou» at the Centre Pompidou (2009), «The American Century: Art and Culture at the Whitney» (1999), the 1993 and 1991 Whitney Biennials, and Documenta 8 in 1987.
Excerpting from Phaidon's «Biennials and Beyond — Exhibitions That Made Art History: 1962 - 2002» and with a short introduction by Amelia Ames, we trace the history of three exhibitions that changed the history of «global» exhibition culture.
Making Biennials in Contemporary Times: Essays from the World Biennial Forum No 2, edited by Galit Eilat, Nuria Enguita Mayo, Charles Esche et al Limits to Culture: Urban Regeneration vs. Dissident Art, by Malcom Miles Cosmonauts of the Future: Texts From The Situationist Movement in Scandinavia and Elsewhere, edited by Mikkel Bolt Rasmussen and Jakob Jakobsen Who Cares?
The announcement by French Minister of Culture, Aurélie Filippetti that Huang Yong Ping will be the next artist to create a major installation in the Grand Palais for Monumenta was accompanied by another announcement: that the next date will be 2016, not 2015, with the annual event now to become biennial, Le Monde reports.
For although increasing attention is paid to art from this region on the international level — with biennials in Istanbul and Sharjah, Catherine David's ongoing project «Contemporary Arab Representations,» and the visibility of the Middle Eastern art - and - culture magazine Bidoun — there is still a paucity of such exhibitions in London.
Prior to joining the New Museum, she was a Curator at the Whitney Museum of American Art for two decades, where she organized landmark thematic exhibitions including: «The American Century: 1950 - 2000,» «Beat Culture and the New America,» «Image World: Art and Media Culture,» and «The Third Dimension: Sculpture of the New York School,» as well as six biennial exhibitions, and solo exhibitions on the work of artists Richard Prince, Frederick Kiesler, Terry Winters, and Cindy Sherman.
«Afrotopia» — the 11th photography biennial organized by the Mali Minister of Culture and Institut Français — will host the Black Athena Collective, co-founded by Heba Y. Amin.
Publication of her three - part series, «Culture Class; Art, Creativity, Urbanism,» based on the Third biennial Hermes lecture that she gave in Den Bosch, the Netherlands, in 2010, was recently completed in the e-flux Journal, followed by «From Gentrification to Occupation: The Artistic Mode of Revolution.»
★ Museum of Arts and Design: «NYC Makers: The MAD Biennial» (through Oct. 12) This plunge into the biennial format makes a big, messy splash sampling the visual culture across the city — whether opera set design, art or new technologies.
(The 1997 biennial took place in the foreground of the culture wars of the period and Bill Clinton's re-election.)
A journal of contemporary art and visual culture, NOON was established in 2008 by the Gwangju Biennale Foundation to overcome the limitation of the biennial as a one - off exhibition and provide a platform for a strong and continuous connection between the biennial and contemporary practices and discourses of art, culture and society.
The GBF also facilitates communication and cooperation for stakeholders in Korean visual art culture, and has established the biennial as one of East Asia's key art events.
In all my interviews, travelers returning from the biennial remarked on Havana's vibrant public life and the priority of culture in the city.
She discusses the ever more globalised art scene and the growing culture of biennales and art fairs, noting that many of the biennials take place in countries «which are politically and economically problematic or in crisis, and it is about the projection of one context into another; trying to impose some western idea of how inspirational art can be to those people and then leaving that place and not taking any responsibility for the idea of intellectual freedom they have proposed.»
Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.
Oslo's vice mayor of culture and sport Rina Mariann Hansen commented: «By unfolding in public spaces, the biennial will activate the city and merge with its daily life in a way that will inspire and challenge both the art and its audiences.»
San Francisco Museum of Modern Art, Call For Papers: Visual Activism Conference in San Francisco Deadline: October 1st, 2013 The International Association of Visual Culture invites proposals for its 3rd biennial conference in San Francisco, March 14 - 16, 2014, centered on... Continue reading →
The International Association of Visual Culture & San Francisco Museum of Modern Art (CA), Call for Papers: Visual Activism Symposium Deadline: October 1st, 2013 The International Association of Visual Culture (IAVC) invites proposals for its third biennial symposium in San... Continue reading →
Other Biennials pop up every two years, deliver a culture bomb and leave.
Major CAFFA events include the biennial CAFFA Adoption Conference, annual Kaleidoscope Culture Camp, annual Camp Pride Korea, and the annual Walk For Adoption Chicago.