Curated by Eungie Joo,
the biennial features works by over fifty international artists including Abraham Cruzvillegas and Gary Simmons, and is on view through June 5, 2015.
The city's new public art
biennial features installations around the city by more than a dozen artists focusing around the theme of water.
A survey of the state of contemporary art in America,
the biennial features emerging and established artists whose work spans a wide - range of mediums, from painting, drawing, sculpture and photography to music, film, performance, activism, and video game design.
The sixth iteration of
the biennial features forty - six artists and will run through May 8.
(That said, each painter in the show is given a generous amount of space, giving the impression that
the biennial features a sizeable square footage of oil on canvas — I could count only 12 painters in total.)
Reflecting a wider curatorial trend,
this biennial features several instances of the exhibition - within - exhibition.
Select group exhibitions and
biennials featuring her work include Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, TN (2017, forthcoming); Nature Morte: contemporary artists reinvigorate the still - life tradition, Bohusläns Museum, Uddevalla, Sweden (2016); Momentum: An Experiment in the Unexpected, San Jose Museum of Art, San Jose, CA (2014); Turning Inside Out: Video Art by Nam June Paik, Joan Jonas, and Jennifer Steinkamp, Sheldon Museum of Art, Lincoln, NE (2012); Blink!
Select groups exhibitions and
biennials featuring his work include Inherent Structure, Wexner Center for the Arts, Columbus, OH (2018); Surface Area, Studio Museum in Harlem, New York (2016); Nexo / Nexus: Latin American Connections in the Midwest, DePaul Art Museum, Chicago (2016); 6th Prague Biennale (2013); El Museo Bienal The [S] Files, El Museo del Barrio, New York (2011) and Queens International 2012: Three Points Make a Triangle, Queens Museum, New York (2012), among others.
Select group exhibitions and
biennials featuring her work include Making & Unmaking, Camden Arts Centre, London (2016); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of Modern Art, New York (2016); Surrealist: The Conjured Life, Museum of Contemporary Art, Chicago (2015); Picasso & Contemporary Art, Le Grand Palais, Paris (2015); Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Museum für Moderne Kunst, Frankfurt am Main, Germany, traveled to Savannah College of Art and Design Museum of Art, GA, and the National Museum of African Art at the Smithsonian Institution, Washington, DC (2014); The Shadows Took Shape, Studio Museum in Harlem, New York (2013); Exquisite Corpses: Drawing and Disfiguration, The Museum of Modern Art, New York (2013); The Luminous Interval, Guggenheim Bilbao, Spain (2011); The Spectacle of the Everyday, and Black Womanhood, San Diego Museum of Art, CA (2009).
Select group exhibitions and
biennials featuring their work include Everything you are I am not: Latin American contemporary art from the Tiroche DeLeon Collection, Mana Contemporary, Jersey City, NJ; Apreensões e Objetos do Desejo: obras doadas pela Receita Federal ao MNBA, Museu Nacional de Belas Artes, Rio de Janeiro (2015); Giants at the Vancouver Biennale (2014); Gigantes por su propria naturaleza, Institut Valéncia d'Art Modern, Valéncia, Spain (2011); Art in the Streets, Museum of Contemporary Art, Los Angeles (2011); Viva la Revolucion: A Dialogue with the Urban Landscape, Museum of Contemporary Art, San Diego, CA (2010); and When Lives Become Form: Creative Power from Brazil, Museum of Contemporary Art, Tokyo (2008).
Select group exhibitions and
biennials featuring his work have included «The Collectors,» curated by Elmgreen & Dragset for the Nordic and Danish Pavilions at the 53rd Venice Biennale; «Triumph of Painting: Part III,» Saatchi Gallery, London; Ideal Worlds — New Romanticism in Contemporary Art,» Schirn Kunsthalle, Frankfurt; and the 2004 Whitney Biennial.
In the Hamptons, Kendrick currently has several sculptures on view at Parrish Art Museum in Water Mill, NY as part of its «Artists Choose Artists» juried
biennial featuring artists from the East End.
Group exhibitions and
biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!
Group exhibitions and
biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!
Not exact matches
That's in addition to a 500,000 - square - foot warehouse that opened in the fall in Louisville, Ky.; the launch of a mobile site; and the simultaneous debut of the
biennial Super Nasty print magazine and the brand's first in - house collection, Weird Science,
featuring color palettes inspired by computer cables and prints based on data - corruption visuals.
November 14 - 15 Montreal: PACKEX Montreal 2018, under the name of Advanced Design & Manufacturing Expo 2018 (ADM), the
biennial Canadian national packaging, food process, material handling & logistics show
featuring packaging technologies, equipment & resources, at the Palais des Congrès de Montréal.
The North American Association of Food Equipment Manufacturers (NAFEM) Show is a
biennial trade show
featuring more than 600 manufacturers of commercial foodservice equipment and supplies, used for food preparation, cooking, storage and table service.
The state comptroller's latest
biennial summary report
features a new section in its introduction devoted to what his office sees as a notable but unfortunate trend: «Agency Obstruction.»
Disney's
biennial — that's every two years — D23 Expo is back for its fourth installment at the Anaheim Convention Center, and once again they're holding two major presentations to highlight the company's upcoming
feature film slate.
The updated analysis, which along with town - by - town ECS estimates
features a comparison of those estimates to current funding levels and appropriated ECS amounts for FY 2019 in the original
biennial budget, can be found at http://ctschoolfinance.org/assets/uploads/files/Town-Education-Funding-Budget-Comparisons-SB-543.pdf.
The two - day
biennial Pet Bird Symposium returns November 13 - 14
featuring four guest speakers addressing a variety of topics for veterinarians, veterinary technicians and aviculturists.
Japan's
biennial Wonder Festival is one of the region's largest toy and collectible showcases,
featuring prototypes, new announcements and recently released products from some of the East's more notable collectible manufacturers.
«DEANA LAWSON: Ruttenberg Contemporary Photography Series» @ The Art Institute of Chicago Chicago New York - based photographer Deanna Lawson is
featured in the first installment of the
biennial Ruttenberg Contemporary Photography Series.
Rottenberg's work has been
featured in major
biennials including the 56th and 54th Venice Biennales (2015, 2011); the Taipei Biennial (2014); the Istanbul Biennial (2013); and the Whitney Biennial, Whitney Museum of American Art, New York (2008).
Barrada's work has been
featured in major
biennials including the Istanbul Biennial (2013); the 54th and 52nd Venice Biennales (2011, 2007); the Sharjah Biennial (2011); and the Biennale Internationale, AIM Festival, Marrakech (2010).
His work has been
featured prominently in
biennials including the 12th Sharjah Biennial, United Arab Emirates (2015) and the 2008 Whitney Biennial, New York; as well as in many group exhibitions including at the Astrup Fearnley Museet, Oslo, Norway (2016 and 2005); the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, and the Contemporary Art Museum Houston (both 2014); the Museum of Contemporary Art, Los Angeles (2012 and 2006); Project Row Houses, Houston (2010); and The Renaissance Society at the University of Chicago and Artpace, San Antonio (both 2008).
His work has been
featured in over two - dozen Whitney Annuals and
Biennials, and two Carnegie Internationals (1952, 1958).
Her work has been prominently
featured in international
biennials and group exhibitions such as the Venice Biennale (2015, 2003, 1993, and 1982); Skulptur Projekte Münster (2007, 1997, and 1987); and Documenta (2002, 1992, and 1982).
This is the Queens Museum's
biennial exhibition
featuring artists who live and work in the city's most ethnically diverse borough.
In June of 2018, Gale's work will be
featured in Made in L.A. 2018, the fourth iteration of the Hammer Museum's
biennial, curated by Erin Christovale and Anne Ellegood.
Marshall's work will be included in the upcoming 56th Venice Biennale (2015) and
featured in major
biennials such as the 7th Gwangju Biennale, South Korea (2008); the 50th Venice Biennale (2003) as well as the Whitney Biennial, New York (1997).
This
biennial prize is rapidly becoming an important
feature of the British art world's calendar: previous winners include John Akomfrah, Theaster Gates and Teresa Margolles.
Artists
Featured in International Exhibitions Frieze London will be an opportunity to encounter work by some of the world's most significant artists, showing in major
biennials and museum shows.
Artforum recently
featured an essay authored by Eva Diaz, assistant professor in the History of Art and Design department, on the work displayed in Prospect New Orleans, an event billed as the largest international
biennial...
Manifesta 10
features a surprising number of formally minded artists for a
biennial born of political crossfire, having withstood calls to boycott Russia from Western LGBTQ and pro-Ukrainian activists.
Before the show you can check out twenty of the artists
featured in the
biennial here on Artspace.
This exhibition is the second installment in SITE Santa Fe's reimagined
biennial series with a focus on contemporary art from the Americas and
features 35 artists from 16 countries and 11 new commissions organized around intersecting ideas brought together by a team of five curators − Rocío Aranda - Alvarado, Kathleen Ash - Milby, Pip Day, Pablo León de la Barra, and Kiki Mazzucchelli.
In keeping with Prospect's commitment to the promotion of the visual art community in New Orleans, this year's
biennial will
feature work by several artists who live and work in the city, as well as a variety of site - specific projects inspired by the city's distinctive history and culture and conceived specifically for the city of New Orleans.
The book
features photographs of each artist's performance by acclaimed photographer Paula Court, storyboards, sketches and scripts documenting the artists» creative processes, and ten newly commissioned essays on different themes from the
biennial, including language, Russian Constructivism, Fluxus, comedy and the relationship between visual art and theater.
As the third volume to draw content and inspiration from the world - renowned Performa
biennials, this beautiful 400 - page book
features creative documentation by the 150 artists who made Performa 09 so extraordinary — among them Guy Ben - Ner, Candice Breitz, Omer Fast, Dominique Gonzalez - Foerster and Ari Benjamin Meyers, Mike Kelley, Arto Lindsay, Wangechi Mutu, Christian Tomaszewski and Joanna Malinowska, and Yeondoo Jung (all of whom presented special Performa Commissions) and Keren Cytter, Tacita Dean, Alicia Framis, Loris Greaud, William Kentridge, and Joan Jonas (who brought US premieres to the
biennial).
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the
biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been
featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
At the core of Performa's mission, and a central
feature of its
biennials, is the creation of new work by contemporary artists at various stages in their careers.
Written by legendary performance art historian RoseLee Goldberg, Performa 11 is the definitive document of the Performa 11
biennial, and
features documentation by the 150 artists who took part, including Robert Ashley, Tarek Atoui, Gerard Byrne, Simon Fujiwara, Guy Maddin, Liz Magic Laser, Athi - Patra Ruga, Laurel Nakadate and James Franco, Shirin Neshat and Frances Stark.
She has also been
featured at numerous
biennials, including the Venice Biennale in 1982 and 2005 and the Whitney Biennial in 1983 and 1985.
The award came in the midst of what what friends had been calling Glovinski's «miracle year» — she is one of just 16 New England artists whose work is being
featured in the deCordova
Biennial at the deCordova Museum and Sculpture Park in Lincoln, MA (now through March of 2017); she is being
featured in the Center for Maine Contemporary Art's
biennial exhibition in Rockland, Maine starting in November; and has a solo show in January at the prestigious Carroll and Sons gallery in Boston.
In the press release, the curator notes that the Whitney has «a longstanding commitment to Owens, who has been
featured in two
Biennials, and is significantly represented in the Museum's collection.»
Opening one floor of the
biennial is a large installation by the Occupy Museums group, part of their ongoing «Debtfair» series which began in 2015 (Debtfair Whitney, 2017); amongst other elements, it includes a slideshow
featuring testimonies from artists across the country describing the financial straits they are in, and what jobs they do to get by.
Marisa Mazria Katz wrote about ArtTLV, Tel Aviv's inaugural
biennial which
featured roughly 300 local and international artists.
She was
featured in an important exhibition of young artists at the Guggenheim Museum in 1971 and has been included in three Whitney
biennials.
Artforum recently
featured an essay authored by Eva Diaz, assistant professor in the History of Art and Design department, on the work displayed in Prospect New Orleans, an event billed as the largest international
biennial in the United States in 2008 that became a significantly smaller the second time around in 2011.