Sentences with phrase «biennial format»

Much has changed since the founding of the Whitney Studio in 1914 and the advent of the current biennial format in 1973.

Originally modelled on a classic biennial format with artists chosen to officially represent each participating country, the Biennial provided a glimpse into regional and international artistic practice.

The event will move to a biennial format and is planned for April 9 - 11, 2014.

Stuart Comer's floor presents what feels like the freshest selection, one whose embrace of new media and consideration of the «interface of digital technologies» befits the representational mandate of the biennial format.

Like the larger, long - running FotoFest Biennial, PrintHouston — which, starting with the 2017 iteration, is shifting to a biennial format — features a few «official» exhibitions augmented by shows at a variety of participating spaces.

The biennial format, once considered the obvious platform for challenging the status quo, is in need of fresh thinking; the kind of radical oppositionality I'm expecting from the forthcoming 10th Berlin Biennale, organized by Gabi Ngcobo.

THE BIENNIAL FORMAT may exert a more decisive influence on the field of contemporary art than any other kind of exhibition today, but such shows are also regularly criticized on account of their instrumentalization in the service of both cultural and...

With each new chapter, the ever - unfolding structure develops further beyond the biennial format to which it first responded.

★ Museum of Arts and Design: «NYC Makers: The MAD Biennial» (through Oct. 12) This plunge into the biennial format makes a big, messy splash sampling the visual culture across the city — whether opera set design, art or new technologies.

The Whitney invitational, started in 1932 by museum founder Gertrude Vanderbilt Whitney, assumed a biennial format in 1976.

TAIPEI BIENNIAL 2010 opens with exhibition reconsidering the biennial format, 7 Sept - 14 Nov 2010.

Adriano Pedrosa The Bienal de São Paulo recently went through an identity crisis and, in 2008, under Ivo Mesquita and Ana Paula Cohen, it took the opportunity to question its role in São Paulo, in Brazil and abroad, challenging the biennial format that it helped disseminate.

Historically, the show has explored the possibilities of the biennial format in each new version, and I'm keen to see what curator Kathrin Rhomberg will do.

BERLIN VARIOUS VENUES April 5 - June 15 Curated by Adam Szymczyk and Elena Filipovic Responding to the challenge of the biennial format, curators are increasingly taking such shows into uncharted...