Sentences with phrase «biennial model»

Both reject the dominant biennial model of star - studded international group exhibitions supplemented by dense curatorial statements.

«A major benefit of a statewide biennial model is that it provides a point of access for people to connect what's happening locally — with both the artists and the arts organizations in their communities — to a larger context.»

In the core essay, Rachel Weiss examines the ways in which this exhibition extended the global territory of contemporary art and redefined the biennial model.

Looking to reinvigorate the biennial model, in 2011, SITE reimagined SITE's biennial exhibition to focus on the Western Hemisphere, bring new perspectives to the curatorial table, and build a new infrastructure at SITE to support long - term research and new artist commissions.

Not exact matches

The theme of the biennial institute, which is modeled on a similar summer gathering in Europe called the European Science Education Research School, was connecting research on science education to classroom practice and policy issues such as the Next - Generation Science Standards.

The study modeled eight screening scenarios that differed by starting age and screening interval: annual or biennial screening from ages 40 to 74, 45 to 74, or 50 to 74; and two hybrid strategies: annual starting at age 40 or 45 and biennial from age 50 to 74.

The car was showcased at the Auto Expo last year and the production spec model which was spotted doesn't differ much to the one seen at the biennial event.

You also said you were interested in breaking down the «you're in» or «you're out» model typical of biennials.

VALDES (San Fernando Valley Institute of Design) biennial project documents the recent opening of Orange County, China - a housing development an hour's drive from Beijing which is based entirely on replicas of Southern California model homes.

The model of contemporary art biennials, upon which Prospect is based, emerged with the Venice Biennale, which was founded in 1895 to be the first international art exhibition.

While the traditional model is a biennial — occurring every two years — other exhibitions occur over varying time frames such as every three (like the schedule Prospect New Orleans has since adopted), five (documenta), or even ten years (Skulptur Projekte Münster).

With more theoretically slanted conferences, more wide - ranging exhibitions and events, and a tighter curatorial structure, it developed the model initiated in 1984 toward that of the familiar international biennials of our time.

Another reason, also demographically determined, is the rise of the tourist model of international art fairs and biennials — what Peter Schjeldahl has dubbed «festivalism.»

In addition to the new exhibition model, the biennial will commission site - specific works that focus on the 1980 Gwangju Uprising, and the Pavilion Project, for which the Palais de Tokyo, the Helsinki International Artist Program, and the Philippine Contemporary Art Network will stage satellite exhibitions at historically significant locations across the city.

Prospect.1, which was modeled on international art biennials, such as the Venice Biennale, was the largest contemporary art exhibit in U.S. history, with works by 81 renowned artists from countries across the globe displayed in museums and outdoor sites throughout the city.

While she is concerned about how this expanding western model of art exhibitions, fairs and biennials might or might not stimulate social change, one could also argue that the deconstruction of western - centric narratives is in fact aided by this outward expansion.

This has been visible both in large - scale exhibitions and biennials and in the willingness of institutions to experiment with their own formats and models.

It is modeled after art events held in the same city every two years, known as biennials, that occur in such far - flung world - class cities as Venice and Sydney, Shanghai and Sao Paulo.

Both were involved in the research project Oslo Pilot, where they began to research placing art in public spaces as a model for a future biennial exhibition — González - Sancho was formerly director of Spain's Museo de Arte Contemporáneo de Castilla y León and Eeg - Tverbakk was director of the Kunsthall Oslo.

Yet most biennials around the world these days — and there are many, designed to introduce new art to a broader public on the model of the Whitney Biennial or Venice Biennale — rely more heavily on artists or their dealers for production costs.

Originally modelled on a classic biennial format with artists chosen to officially represent each participating country, the Biennial provided a glimpse into regional and international artistic practice.

UNISDR also disseminates analysis and climate risk information through biennial Global Assessment Reports, including risk modelling based on disaster loss data to develop probabilistic estimations of future risk in vulnerable countries.

Recommendation 6: That the Department of Immigration and Citizenship fund an independent biennial report on migrant disadvantage based on the Overcoming Indigenous Disadvantage report model.