Sentences with phrase «biennial series of»

May 28 — August 1, 2010 Social Skin - the third in a biennial series of exhibitions collaboratively curated by VCUarts Museum Studies students - included an eclectic mix of artworks and objects that present, explore, and delight in the body as cultural artifact.
That message was echoed by many of the advocates, researchers, and experts who took turns at the figurative bullhorn here last week for the release of «Measuring Up 2008,» the fifth in a biennial series of reports by the National Center for Public Policy and Higher Education.
A biennial series of events and dialogues celebrating science, including the Kavli Prize Ceremony, which honors the year's Kavli Prize Laureates in Astrophysics, Nanoscience and Neuroscience.
Kavli Prize Week is a biennial series of events and dialogues on science, including the Kavli Prize Ceremony at the Oslo Concert Hall — the signature event during Kavli Prize week held in honor of the year's Kavli Prize Laureates.

Not exact matches

The new math results continue two trends: a history of overall improvement since 1990, and a series of small but continual gains since 2003, when biennial testing began.
The Presidents of The Physiological Society (Richard Vaughan - Jones), the Scandinavian Physiological Society (Tomi Taira), the Deutsche Physiologische Gesellschaft (Rolf - Detlef Treede) and the Federation of European Physiological Societies (Markus Hecker) are delighted to announce an agreement to co-host a series of biennial joint meetings.
Part I of this three - part series detailed the nuts and bolts of the Opportunity Scholarships Program, which lawmakers enacted in July by way of the 2013 - 15 biennial budget.
Looking at the issue of gender with a racial lens, this new area of Schott's work — including the ongoing biennial report series on Black Boys educational achievement nationwide — has led school districts across the country to re-examine how they educate and measure the outcomes of the students who are most vulnerable to failure in the education system.
At a gala celebrating their 21st anniversary, Art21 announced the upcoming season of their biennial television series Art in the Twenty - First Century.
1935 Maserati sports - racer (part 2)-- Ken Painter condudes the history of the resurrection of his 4C5 / Bay to Birdwood Run — A report from Dennis Harrison on this huge Australian biennial pilgrimage / Australian All - Veteran Rally — This colourful event is described for us by Ross McGown / The 1920s Windsor — Michael Worthington - Williams tells the story of this high quality London - made light car / 1934 Triumph sports - tourer — On this month's «Excursion'the Editor experiences a car once described as «an enthusiast's ideal» / Hill - climbs in the North — A.B. Demaus continues his series of articles on pre.war hill - climb locations / Hershey Meet USA — The biggest old - car meet in the world was wet this year!
«DEANA LAWSON: Ruttenberg Contemporary Photography Series» @ The Art Institute of Chicago Chicago New York - based photographer Deanna Lawson is featured in the first installment of the biennial Ruttenberg Contemporary Photography Series.
The 2014 biennial will be the 77th in the museum's ongoing series of Annual and Biennial exhibitions, inaugurated in 1932 by Gertrude Vanderbilt Whitney.
A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.
William Cordova, yawar mallku: sculpting in time SITElines.2016, much wider than a line July 16, 2016 — January 8, 2017 SITElines.2016: New Perspectives on Art of the Americas is part of SITE's ongoing biennial series with a focus on Contemporary Art from the Americas.
All of this and nothing is the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles - based artists, both established and emerging, alongside a number of international artists.
The 2014 Biennial is the 77th in the museum's ongoing series of Annuals and Biennials begun in 1932 by Gertrude Vanderbilt Whitney.
This exhibition is the second installment in SITE Santa Fe's reimagined biennial series with a focus on contemporary art from the Americas and features 35 artists from 16 countries and 11 new commissions organized around intersecting ideas brought together by a team of five curators − Rocío Aranda - Alvarado, Kathleen Ash - Milby, Pip Day, Pablo León de la Barra, and Kiki Mazzucchelli.
All three awards were once again funded through the generosity of Los Angeles philanthropists and art collectors Jarl and Pamela Mohn and the Mohn Family Foundation as part of Made in L.A., the Hammer's biennial exhibition series highlighting emerging and under - recognized artists from the Los Angeles region.
Like the first book in this series, Performa: New Visual Art Performance, which documented the inaugural Performa 05, Everywhere and All at Once reflects the ever - changing nature of the Performa biennials, offering an exhilarating view into key themes highlighted in Performa 07.
The country's preeminent survey of the current state of American art, this is the seventy - eighth in the Museum's ongoing series of Annuals and Biennials, initiated by Gertrude Vanderbilt Whitney in 1932.
The Arts Council had invited Andrew Forge, a painter as well as an art critic, to organise the exhibition which was the second in a projected series of biennial surveys.
Everywhere and All at Once: An Anthology of Writings About Performa 07 is the second in a series of publications drawing content and inspiration from the world - renowned Performa biennials.
Performa 13: Surrealism / The Voice / Citizenship is the definitive publication of the Performa 13 biennial, following as the fifth in a celebrated series that illuminates the commissions, premieres, projects, installations, and lectures from the Performa biennials.
The project is part of SITE Santa Fe's biennial exhibition series Unsettled Landscapes, exploring the work of contemporary art and cultural production in the Americas.
Next month, Houston Center for Contemporary Craft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made contemporary craft.
Opening one floor of the biennial is a large installation by the Occupy Museums group, part of their ongoing «Debtfair» series which began in 2015 (Debtfair Whitney, 2017); amongst other elements, it includes a slideshow featuring testimonies from artists across the country describing the financial straits they are in, and what jobs they do to get by.
An initiative of BRIC, the «BRIC Biennial» is the first of a series of anticipated curated biennials designed to reveal artists and art making taking place in Brooklyn, according to organizers.
Editors» Tip: Performa: New Visual Art Performance This volume by RoseLee Goldberg is the first in a series of important publications drawing content and inspiration from the PERFORMA biennial.
Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19
This season in New York, Muholi has a photography exhibition at the Yancey Richardson Gallery in Chelsea, and a series of events in the Performa 17 biennial of performance - based art, where she and her team are bringing poetry, dance, music, and photo installation to a host of venues including the Bronx Museum and the Stonewall Inn.
«Body of Work: New Perspectives on Figure Painting» is part of the National Museum of Women in the Art's biennial exhibition series Women to Watch, featuring emerging artists from the states and countries in which the museum has outreach committees.
A series of exhibitions featuring selections of artwork donated in support of the Art for Life biennial art auction which raises funds for HIV / AIDS advocacy and services.
The 2012 Whitney Biennial is the seventy - sixth in the ongoing series of Biennials and Annuals presented by the Whitney Museum...
In addition to the four main gallery exhibitions, the organizing institutions will host a series of panels, performances, and events in conjunction with this year's biennial.The biennial will showcase recent works of local and international artists who have been influenced by the cultures and artistic traditions of Mexico and Central and South America.
After CCS Bard, Esseiva was appointed Director of Retrospective gallery in Hudson, NY; guest curator at the 2016 Glasgow International biennial festival of contemporary art; and curator at September gallery, in Hudson, NY, where she organized the Arcade Bloc performance series.
It's the 75th in the ongoing series of Biennials and Annuals presented by the Whitney since 1932, two years after the Museum was founded.
Currently he is engaging in a series of public interventions and has been invited to participate in numerous biennials between 2018 and 2019.
In her role at SITE she is expanding the breadth and reach of SITE's exhibition program, which includes reimagining SITE's signature biennial exhibition as a new series of connected biennials with a focus on contemporary art from the Americas.
80 x 89 inches January 30 — April 24, 2011 All of this and nothing is the sixth in the Hammer Museum's biennial invitational exhibition series, which highlights work of Los Angeles - based artists, both established and emerging, alongside a number of international artists.
When elements of the work were rejected by censors ahead of its inclusion in a biennial in China, rather than withdraw Sze created Calendar Series China Revision, 2015, applying strips of black acrylic paint to cover the content proscribed by the censors — all news references to China.
He painted this for the Whitney Museum, for its first annual show, the series of shows that went on to become the Biennials.
Hammer Invitationals, inaugurated in 2001 with Snapshot: New Art from Los Angeles, is a series of biennial exhibitions dedicated to offering critical, museum - based consideration of recent art.
At Art Market, a gallery on Grand Street, Kertess gave a reading from «Desire by Numbers,» a homoerotic short story he had written as part of a series of books pairing the work of writers and artists (Kertess's story accompanied the photographs of Nan Goldin, herself a biennial artist).
Two international guest curators, Kendal Henry and Lorenzo Fusi, led an intensive series of workshops with the artists and facilitated an open conversation on the status of biennials and their impact regionally and internationally.
Centered around the idea of «aha — individual strands of fiber that are braided together in a series of knots to create a whole cord — the biennial will showcase contemporary works that reflect on themes of history, indigenous knowledge, decolonizing spirits, female empowerment, mythologies and non-Western technologies of land use.
Over the past decade, Art21 has established itself as the preeminent chronicler of contemporary art and artists through its Peabody Award - winning biennial television series, «Art in the Twenty - First Century.»
The only series on television in the United States to focus exclusively on contemporary visual art and artists, Art in the Twenty - First Century is a Peabody Award - winning, biennial program that allows viewers to observe artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visions.
Last week, the Whitney Museum of American Art in New York announced the 103 artists selected to participate in the 2014 edition of the Whitney Biennial — the 77th in the museum's ongoing series of annuals and biennials began in 1932 by Gertrude Vanderbilt Whitney.
2014 Reparations, Contemporary Artist From New Orleans, Prospect.3 + (an international biennial art show) New Orleans Museum of Arts Above Canal: CANO's Creative Spaces in Central City Rights and Revival, Prospect.3 + (an international biennial art show) Myrtle Banks Building, New Orleans Bombay Sapphire Artisan Series National Juried Exhibition at the
Publication of her three - part series, «Culture Class; Art, Creativity, Urbanism,» based on the Third biennial Hermes lecture that she gave in Den Bosch, the Netherlands, in 2010, was recently completed in the e-flux Journal, followed by «From Gentrification to Occupation: The Artistic Mode of Revolution.»
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