Sentences with phrase «biennial survey of»

REALTOR ® Magazine's Residential Franchise Report is a biennial survey of real estate franchise companies operating in the U.S., first introduced in 2003.

The Whitney, known for temporary exhibitions such as its biennial survey of contemporary art, holds more than 13,000 works by more than 2,000 artists in its permanent collection.

James curated the museum's summer exhibition, «NOT THE WAY YOU REMEMBERED,» and is currently co-curator of the museum's biennial survey of artists living or working in Queens.

NAGC and the Council of State Directors of Programs for the Gifted (CSDPG) conduct a biennial survey of how states regulate and support programs for advanced students called State of the States in Gifted Education.

Since 1981, the University of Nebraska - Lincoln, (UNL) has conducted a biennial survey of graduate teaching and research assistantship stipends.

Not exact matches

Deloitte's fourth biennial cost survey from April 2016 shows that 65 % of companies adopting ZBB failed to meet their cost - reduction targets, while only 57 % of companies adopting other methods did not meet their goals.

Adding to the concerns are other economic problems including a high unemployment rate of over 25 %, the recent demise of the country's VBS Mutual Bank amid a «severe liquidity crisis,» as well as the highest rate of economic crime (77 %) in the world, according to PwC's biennial Global Economic Crime Survey.

The information comes from an analysis of data from the annual British Social Attitudes survey and the biennial European Social Survey carried out by Professor Stephen Bullivant in his report, The «No Religion» Population of Brsurvey and the biennial European Social Survey carried out by Professor Stephen Bullivant in his report, The «No Religion» Population of BrSurvey carried out by Professor Stephen Bullivant in his report, The «No Religion» Population of Britain.

Abuelo's has received national accolades as the top - ranked Mexican food restaurant and as one of America's top overall restaurant chains in three consecutive biennial surveys by a leading national consumer rating magazine.

Methods: Since 2007, CDC has conducted the biennial Maternity Practices in Infant Nutrition and Care (mPINC) survey among all birth facilities in all states, the District of Columbia, and territories.

The mPINC survey is a biennial census of maternity facilities (hospitals and free - standing birth centers) in the United States and its territories (4).

Together, Vitae's biennial Careers in Research Online Survey (CROS) and Principal Investigators and Research Leaders Survey (PIRLS) aim to keep track of the progress made by higher education institutions toward implementing the Concordat to Support the Career Development of Researchers.

They're not surprising findings, but the National Science Board, which oversees the National Science Foundation (NSF), says it chose to leave the section out of the 2010 edition of the biennial Science and Engineering Indicators because the survey questions used to measure knowledge of the two topics force respondents to choose between factual knowledge and religious beliefs.

The researchers compared the findings to attitudes held by non-experts, composed of close to 400 adults taking the biennial national General Social Survey.

This so - called Stigma Index will be a biennial national survey examining prevailing moods, says Glenda Gray, president of the South African Medical Research council and co-founder of an internationally lauded perinatal HIV research unit in Soweto.

(Calif.) A biennial state survey of junior high students and teachers can serve as a valid indicator of middle school climate, according to new federal analysis released this week.

The Scholastic Kids & Family Reading Report ™ is a biennial, national survey of children ages 6 — 17 and their parents as well as parents of kids» ages 0 - 5, in the U.S. exploring attitudes and behaviors around reading books for fun.

There are two main sources of pet demographics in the United States: the biennial APPA National Pet Owners Survey by the American Pet Products Association, and the U.S. Pet Ownership & Demographics Sourcebook by the American Veterinary Medical Association (AVMA) which is published every five years.

Outside of her work for museums and biennials, Edwards has independently curated exhibitions at galleries, most notably «Blackness in Abstraction,» an expansive survey of the color black in non-figurative work, for New York's Pace Gallery in 2016.

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicaOF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicaOF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

Exhausted by yet another art fair or shopping weekend in Chelsea, another survey of emerging artists in Queens or Harlem, open studios and «Open House» to all of Brooklyn, Biennales and Biennials, and more?

Past Biennials — one of the country's most highly regarded surveys of the latest developments in American art — have been organized collectively by multiple curators.

The country's preeminent survey of the current state of American art, this is the seventy - eighth in the Museum's ongoing series of Annuals and Biennials, initiated by Gertrude Vanderbilt Whitney in 1932.

The Arts Council had invited Andrew Forge, a painter as well as an art critic, to organise the exhibition which was the second in a projected series of biennial surveys.

But more to the point, in the last year and a half my students at the Kunstakademie Düsseldorf and I have begun a study of exhibition types, an attempt as a group to create a typological study of exhibition forms — the monographic or survey show of an individual artist, thematic or historical group exhibition, international biennial, etc..

It may turn out that the biennial is the stepchild of the Whitney's «American Century» survey, widely criticized for its lack of a coherent mission.

What accounts for this repressed in curatorial discourse, as opposed to the group or thematic exhibition, or the events of biennials and international surveys?

Notable exhibitions • «Jane Alexander: On Being Human,» Galilee Chapel of Durham Cathedral, England, 2009 • «Survey,» Jack Shainman Gallery, New York, New York, 2009 • «Jane Alexander,» Gasworks, London, 2000 • «Bom Boys and Lucky Girls,» University of Cape Town Irma Stern Museum, South Africa, 1999 Curated international Group exhibitions • Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials • «Africa Remix» exhibited in Europe, Japan and South Africa, 2006 • «Africas: The Artist and the City,» Spain, 2001 • «Apartheid: The South African Mirror,» Spain, 2007 • «Personal Affects: Power and Poetics in Contemporary South African Art,» United States, 2004 • «The Short Century» in Germany and the United States, 2002

In 1892, Venice, Italy, mounted the first biennial artwork survey in modern times, a pluriform exhibition surveying types of art made around the world and shown in pavilions divided by country.

Though associated with the earliest artists of the Whitney's purview, she has also co-curated two Biennials, the museum's survey of cutting - edge contemporary work, and organized shows on Minimalists like Donald Judd and Agnes Martin.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

This year presents more artists in more parts of the state than ever before, with Blue Star Contemporary Art Museum in San Antonio housing the main survey exhibition, Ballroom Marfa co-commissioning an artist project from The Dallas Collective, Lawndale Art Center in Houston showcasing recent work by four Texas Biennial «stars» with the Texas Biennial Invitational, and Big Medium in Austin featuring past biennial entries and recent work by selected Texas Biennial artists in New and Greatest Hits: Texas Biennial 2005 - 2011.

The main survey exhibition continues to stake its claim as the cornerstone and centerpiece of the biennial.

In November, a special survey of his work opens at Prospect 4 at the New Orleans Museum of Art, organized by Trevor Schoonmaker, the biennial's artistic director and a close friend, fan, and collaborator of the artist.

The Museum of Modern Art's reboot of its annual «New Photography» survey, now a biennial with an expanded, global artist list, tries to keep pace with the fluid, anything - goes field of photography today.

Matt Packer will be the new director of EVA International, the Irish biennial that surveys the contemporary art scene.

Since there is no comparable survey of modern American art, the biennial — which opens at the Whitney on March 23 and will remain on view until June 4 — has a special imprimatur.

Building on its tradition of doing large group surveys of local artists, the Hammer Museum's current biennial has an unusually tight focus: L.A. artists.

It is comprised of nine themed sections, including: «New Lands» (on shows such as Magiciens de la Terre, The Short Century and After the Wall); «Biennial Years» (which documents influential biennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); «New Forms» (including experiments in exhibition - making such as Do It and NowHere); «Others Everywhere» (on «identity politics» shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); «Tomorrow's Talents Today» (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and «History» (on historical surveys such as Inside the Visible, Global Conceptualism anbiennials such as the Documentas [10, 11, 13] and the Berlin and São Paulo Biennials); «New Forms» (including experiments in exhibition - making such as Do It and NowHere); «Others Everywhere» (on «identity politics» shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); «Tomorrow's Talents Today» (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and «History» (on historical surveys such as Inside the Visible, Global Conceptualism anBiennials); «New Forms» (including experiments in exhibition - making such as Do It and NowHere); «Others Everywhere» (on «identity politics» shows such as In a Different Light, Phantom Sightings and the 1993 Whitney Biennial); «Tomorrow's Talents Today» (on influential group exhibitions of emerging artists such as Helter Skelter and Sensation); and «History» (on historical surveys such as Inside the Visible, Global Conceptualism and WACK!).

Next month, they'll be among the 26 emerging Angeleno artists highlighted in the Hammer Museum's Made in L.A. biennial, and last year, they were included in MoMA PS1's Greater New York show, making them two of the four designers featured among the 158 artists in the survey — one of the others, of course, being Cianciolo.

Her work has been seen in the Venice Biennale of 2003; the Liverpool Biennial, the Taipei Biennial (both 2004), and the Singapore Biennale (2011), and the Thessaloniki Biènnale (2017); as well as many major international survey shows, including the «Documenta» exhibitions in Kassel, Germany, of 1982 and 2007, SkulpturProjekte Münster in 2007, and several Whitney Biennials.

A cursory survey of contemporary galleries, biennials, and art magazines reveals that a vast preponderance of artworks in our time — like the two dozen apparently disparate examples arrayed here — involve outsourced labor, industrial processes, and custom

A survey of the state of contemporary art in America, the biennial features emerging and established artists whose work spans a wide - range of mediums, from painting, drawing, sculpture and photography to music, film, performance, activism, and video game design.

His survey of 8,000 gallerists was published in his 2015 «Management of Art Galleries» book, from which data was paraphrased by Bloomberg Business: «It turns out that the upbeat world of biennials and art fairs and parties is in fact a cutthroat, antiquated, deeply flawed industry hampered by an obsession with keeping up appearances and an often misguided aversion to making money.»

Whitney Biennial 2017 Artforum International; January 1, 2017; Rutland, Beau; 383 words WHITNEY BIENNIAL 2017 Whitney Museum of American Art March 17 - June 11 Curated by... museum's move downtown, the Whitney Biennial makes its Gansevoort Street... that this divisive survey of American art will react against, and not...

With his rich background in working with international curators and scholars, organizing publications ranging from smaller scale zines to major biennial survey publications, facilitating artists from the established to the emergent, and performing himself, Thomas will provide Vox Populi with a new network of peers and influences, develop new programming initiatives, and work closely with its membership to reaffirm Vox's recognized commitment to experimental aesthetics and the Philadelphia arts community it serves.

The Hammer has done so before for special projects and its large lobby wall commissions, though not for sweeping biennial - like surveys in the past such as «Thing,» an ambitious show of new sculpture.

To the OCMA's and Firstenberg's credit, this is the first survey show or biennial I've seen that has exhibited art that reflects the current plethora of crises we live in.

CalArts alumni and faculty account for more than a third of the 60 artists featured in the large - scale survey exhibition Made in L.A. 2012, the inaugural edition of the new citywide biennial that opened this past weekend at the Hammer Museum and the Los Angeles Municipal Gallery at Barnsdall Park.

Her work has been seen in the Venice Biennale of 2003; the Liverpool Biennial and the Taipei Biennial (both 2004); documenta 12 and SkultpturProjekte Münster (2007); as well as many major international survey shows, including several Whitney biennials.