Sentences with phrase «big action sequence of»

It is the first big action sequence of the piece.

Those early critics based their opinions on the first three episodes, which had their climax with the first big action sequence of Sun helping Capheus with some gangsters.

Not exact matches

Things like cohort marketing (the ability to break your audience into like - minded segments), behavioral targeting (targeting based on customer actions) and sequencing (the ordering of campaigns to have the biggest impact) will be critical to your marketing campaign success.

For decades, Wonder Woman has been one of the comic book world's smartest characters, blending ideas about feminism and gender roles with big action sequences and compelling storylines.

Perversely (if unsurprisingly) for a big - budget historical epic, Scott stages most of his «action» in undistinguished, ground - level medium shots and flip - flopping close - up dialogue sequences; after an hour of this, one's starvation for a few picturesque vistas is only briefly sated by a lovely shot of the Thames Estuary, or Robin and his men's first arrival in Sherwood under sun - dappled branches.

Whatever caused all the production angst on this film I don't know, but you never get the feeling that Forster loses control of the images, and «World War Z» contains several of the most effective big - canvas action sequences in recent history.

Their first big punchup, at a secret casino nightclub in Busan, South Korea, is, well, a marvel of thrillingly dynamic action, a stunningly choreographed, seemingly uncut sequence that ranges all over a big space on multiple physical levels.

Director Alan Taylor handles the big action adeptly as he did in Thor The Dark World, but the script is an ever - decreasing cycle of tool - ups, chase sequences and daft monologues.

«Solo» is a straightforward piece of pulpy entertainment with some very agreeable performances from Ehrenreich and Glover, who seems to be having the most fun of all the actors in playing up Lando's suave demeanor, and fun classic Western flourishes, despite the excessively big action sequences.

Despite the medium acting, the way too over the top and unrealistic action sequences, the bad CGI and the lack of great one - liners, the movie's biggest flaw is probably that it doesn't feel like a Die Hard movie.

Chris Pratt and Bryce Dallas Howard are returning along with an island full of unwanted beasts and for those who worried the last preview focused on just the bigger action scenes, this one has some of the more intimate creepy sequences that made the original film so successful.

When it comes to the action sequences, director Peter Berg moves things along with blazing quick cuts and intense close - ups that rattle bones and get the adrenalin pumping as Beck and Scott face everything from Tarzan ju jitsu with Eddie Reyes, who sets The Rock flying like a big beefy whirligig, to a pack of scrappy monkeys with really, really bad attitudes, not to mention a grudge.

But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version of the graphic novel features sharp writing, brilliant performances, and of course, indulgent action sequences and story - telling.

Big on special effects, though small on bonus features, the disc offers you a behind the scenes look at the creation of the film's «incredible action sequences and spectacular stunts,» plus an audio commentary by Director Michael Bay.

How much of a challenge was it to incorporate those big action sequences and dramatic moments within the confines of this enclosed space?

With adaptations of superhero comics to film, it seems that the only thing of interest to the film maker (s) is getting the shiniest and biggest effects on screen along with «kick - ass» action sequences and one - upping each other on the adrenaline level.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening December 10, 2010 BIG BUDGET FILMS The Chronicles of Narnia: The Voyage of the Dawn Treader (PG for frightening images and action fantasy sequences) Third installment in the film franchise based on the C.S. Lewis series of fantasy novels finds Edmund (Skandar Keynes) and Lucy Pensie (Georgie Henley), along with their cousin Eustace (Will Poulter), returning to the magical land of Narnia to embark on a dangerous, seafaring mission taking them to the edge of the world.

Wonder Woman - A welcoming, galloping adventure that serves up big - sized action sequences sprinkled with a liberal dose of much - needed feminist attitude.

Their mix of big - ticket stars, big - budget action sequences and easily reproducible characterization has proven uncommonly popular and, more importantly, exceptionally profitable.

Transformers: Dark of the Moon Rated PG - 13 for intense prolonged sequences of sci - fi action violence, mayhem and destruction, and for language, some sexuality and innuendo Available on DVD and Blu - ray After the horrible reception of the second film (I actually received the worst hate mail of my career for my semi-positive review), the big metal robots are back for an even bigger adventure.

The script is bad, the plot is ridiculous, the drama is flat and even the big - budget action sequences that take us snowboarding on vertiginous slopes, rock climbing up steep granite faces and big wave riding in the middle of the ocean fail to quicken the heart beat.

Each movie gets a 5.1 DTS - HD MA track; in the sense that Dumb and Dumber To doesn't get a chance to showboat with a big action sequence, it's the less impressive - sounding of the two, but they're on a par technically.

The action sequences are tame in comparison to any other action movie made in the last 10 years and the self - referential humor and one - liners which were a big part of the first two are lazily written and unoriginal.

The bus sequence seen in the trailer is one of the big action pieces in the film but comes before the biggest final action sequence.

The Hobbit: The Battle of the Five Armies Rated PG - 13 for extended sequences of intense fantasy action violence, and frightening images Available on DVD, Blu - ray and Blu - ray 3D When I first heard Peter Jackson was creating The Hobbit for the big screen, I was elated.

There's a terrific introductory sequence featuring River Phoenix as a young Indy, exploring some of the origins of his character; a couple nasty tombs are waiting to be explored; many countries dying for a visit from the 1989 Just - Call - Me - Indy World Tour; Nazis; Sallah (John Rhys - Davies» greatest role outside of Gimli); plot twists and turns; and so many action sequences and trademarked humor that you just couldn't find a fedora big enough to carry it all.

I actually liked the story in Bay's first two installments of the movie but never liked the big action sequences.

The biggest contributing factor here, of course, is Marvel's Black Panther, which has brought in roughly a quarter of all movie revenue of 2018, largely on the strength of Ryan Coogler's vibrant visuals and silky - smooth action sequences, plus a top - notch cast that includes Chadwick Boseman, Michael B. Jordan, Letitia Wright, Danai Gurira, Lupita Nyong» o, and more.

Lincoln comes up with a way to counterattack, leading to the big action sequence that dominates the last part of the film.

Splitting the difference between Michael Mann and Brian De Palma, it's a sequence that could teach any number of big - budget Hollywood movies a thing or four about action filmmaking.

Civil War was also partly filmed with IMAX cameras and the movie in general tends to feel big, visually - speaking, in - between its action sequences and many establishing shots of locations around the globe (as well as the massive title font that's used to identify each individual change in location)- making IMAX the preferable viewing format for Civil War.

From there the film is pumped up action / adventure fantasy, with big effects sequences and action scenes as the race of giants, who have a taste for humans, skin, bones and all, menace the humans.

Surrogates is a good science fiction idea that is either too shallow and underdeveloped to provide the depth necessary to make a lasting impression, or it's a case of a rich and deep story that had been stripped away of all of its high concepts due to lack of budget, studio meddling, and a director who prefers big action sequences over scenes of talking heads.

The action sequences alone are giving the biggest battles of The Avengers and Thor: The Dark World a run for their money.

Adapted from the novel Prince of Thieves by Chuck Hogan, a much better title than the bland one Affleck and co-writers Peter Craig and Aaron Stockard chose, The Town is a solid drama about actual adults, featuring some excellently choreographed action sequences and is a big leap forward for Affleck's directing aspirations.

MTV was able to get ahold of these photos of Elizabeth Olsen in costume as Scarlet Witch on the set of Captain America: Civil War, joining the big action sequence that already features Cap, Falcon, Black Widow, and Crossbones.

Bond at it's most ridiculous but also it's most watchable as this is the first of many big budget, over-the-top action sequences.

Gangster Squad (2013)-- «Max Kennard» RP: You probably already know this, but because of the idiot in Colorado who went into the theater and killed those poor people... We had a trailer for the film that had a scene that took place in Grauman's Chinese Theater, which was a big action sequence in our movie, and we had to scrap the trailer, they had to reposition the movie and put it out later.

The biggest problem, however, is that Supergirl isn't that compelling herself (despite Benoist's great performance), and it shows in her rogue's gallery of villains, which are just as uninspired and cheap - looking as the action sequences.

For those who were never big fans of Greengrass «style, the news that they'll actually be able to see what Renner is doing during Bourne Legacy «s action sequences should be most welcome.

While this film certainly does break some new ground from a cultural level, this entertaining action flick also feels a little too big for itself at other times because as well done as the narrative and storytelling aspects of this film are executed, occasionally the action sequences don't...

And as 2016's Deadpool made clear, the greatest of those powers may be his complete self - awareness: The majority of jokes in Deadpool were focused on flaying the titular hero and the superhero industrial complex, whether that meant poking fun at Reynolds's career and Fox's run of bad superhero movies or inserting raunchy one - liners and superfluous gore into the movie's big action sequences in order to earn its rare - for - the - genre R rating.

Since this is a Marvel movie, it's full of close combat and big - scale action, the heavy - metal mayhem culminating in a climactic action sequence involving the latest wave of S.H.I.E.L.D. helicarriers.

80s action films generally showcased one or more of the following traits: Excessive muscle mass, big choreographed fight sequences (weaponized or not), and memorable one - liners.

The comedy scenes are not funny, the action scenes are not exciting and the one big attempt to blend the two, an extended fight sequence in which numerous innocent people are tased and a guy with a shellfish allergy repeatedly has shrimp rubbed in his face and eyes, is as ugly of a would - be set - piece that you will see this year.

A lot of the film's success ultimately comes down to the excellent action sequences, and that's where having a guy like Bradley — who worked as a stunt coordinator and second unit director on several big movies — pays off.

Starting off with big time action sequences, the movie then morphs into a geopolitical weave of intrigue between SHIELD and HYDRA.

The last thirty minutes of The Avengers is mostly one big action sequence with aliens invading, Avengers fighting, and New York being ravaged.

Directors Anthony and Joe Russo — following up their success with the Winter Soldier — lens many of the action sequences with great movement and punch, but the climactic battle between the biggies should feel bigger.

It isn't nearly as good as Casino Royale, but it isn't nearly as bad as some of the reviews I read suggested - Marc Forster was a bizarre choice of director and the way he edits the big action sequences is extremely frustrating, but it's still very watchable and better than any of the Brosnan - era efforts.