Sentences with phrase «big black craft»

Not exact matches

Hand - crafted caramels with flavors like Black Lava Sea Salt and Classic Vanilla make this a prime choice for the big day this Sunday.

So far, though, the big parties have been varied — «pirate theme party at grandma's house» (bigger yard, great for the treasure hunt), and «pony rides party at the equestrian center» (large outdoor venue), and «museum party at the powder mill museum along with period crafts, cooking in a wood stove, and watching them explode some black powder» (10 - year - olds plus BOOM is good!).

Sam Claflin as tribute Finnick Odair wearing what seems to be a skirt crafted in part from a flap of crocodile skin, one seriously unbuttoned linen shirt, again with the stand collar, big buckle leather belt and dirty black work boots that whisper, very quietly, The Girl with the Dragon Tattoo.

Documentary Joslyn Barnes — «The House I Live In,» «Trouble the Water» Danielle Renfrew Behrens — «Kurt Cobain: Montage of Heck,» «The Queen of Versailles» Joe Bini * — «Tales of the Grim Sleeper,» «Encounters at the End of the World» Douglas Blush — «The Hunting Ground,» «The Invisible War» Rachel Boynton — «Big Men,» «Our Brand Is Crisis» Irene Taylor Brodsky — «The Final Inch,» «Hear and Now» Margaret Brown — «The Great Invisible,» «The Order of Myths» Nancy Buirski — «Afternoon of a Faun: Tanaquil Le Clercq,» «The Loving Story» Maro Chermayeff — «Marina Abramovic The Artist Is Present,» «The Kindness of Strangers» Ramona S. Diaz — «Don't Stop Believin»: Everyman's Journey,» «Imelda» James Gay - Rees — «Amy,» «Senna» Haile Gerima — «Teza,» «Ashes and Embers» Laurens Grant — «The Black Panthers: Vanguard of the Revolution,» «Freedom Riders» Richard Hankin — «Art and Craft,» «God Loves Uganda» Kazuo Hara — «A Dedicated Life,» «The Emperor's Naked Army Marches On» Thomas Allen Harris — «Through a Lens Darkly: Black Photographers and the Emergence of a People,» «Twelve Disciples of Nelson Mandela» Matthew Heineman — «Cartel Land,» «Escape Fire: The Fight to Rescue American Healthcare» Judith Helfand — «The Barber of Birmingham: Foot Soldier of the Civil Rights Movement,» «Blue Vinyl» Amy Hobby — «What Happened, Miss Simone?

On the other hand, I haven't played a Call of Duty since the original Black Ops back in 2010 and now just play retro indie craft beer shooters like Ion Maiden and Amid Evil instead, so it's not like they were going to win me over no matter how much they spent on hiring one big - name actor for the single - player campaign anyway.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).