Done during the»60s, this selection shows Lukin moving quickly and confidently, from rectangles which protrude along a seam, to rectangles to which another rectangle is attached, to a loopy pink calligraphic form abutting a corner and hugging a wall, to what looks like
a big blue tongue with red sides hanging down from the vertical rectangle to which it once belonged, to what looks like an odd model for a table in a upscale diner, but which is clearly non-functional.
Nash Edgerton broke out
big in our books well before his feature length film The Square (our interview with him); it's his short films with the
Blue -
Tongue films collective in Spider (2007) and Bear (2011) that impressive, sharp, witty and perfectly tuned.