Sentences with phrase «big feeling of power»

Not exact matches

Times editorial board member Elizabeth Williamson writes that wealthier tech employees seem to support Clinton; meanwhile, those living in «a less glamorous Silicon Valley, inhabited by brainy young people whose long hours power the big companies and whose college debt is so heavy that some of them can't even qualify for a credit card» are «feeling the Bern.»

At Tesla, however, we felt compelled to create patents out of concern that the big car companies would copy our technology and then use their massive manufacturing, sales and marketing power to overwhelm Tesla.

They feel like you're trying to make yourself into the big person on the top of the hill, and they're threatened by the possibility they don't have any power or authority.

With the church the pain killer is being told you matter and that some universal power knows you and loves you and it makes you feel less lonely and part of something bigger.

It's currently auditioning expansion candidates, a move critics of Texas» Longhorn Network deal feel is necessary for the Big 12 just to stay in league with Power 5 conferences that are currently lapping the Big 12 in revenue.

It felt as if the Big 12's balance of power had shifted.

At 29 - years old this could well be the last chance for the striker to get a big move while at the peak of his powers and I feel that the biggest beneficiaries of this Arsenal transfer news could be Roy Hodgson and England.

«No other major economic power feels the need for two big sets of tax and spending changes each year.

You can't wiggle out of something like that but it helped me to develop this inner awareness, so that I find that when my mitochondria are working, mycellular power plants, that my ability to pay attention to myself as well as to perceive everything around me, it feels better and bigger.

Of all the issues that were laid before me in this competition, I could not help but feel that by supporting this group of scientists and activists in their fight for the planet, we would also be promoting the ideas that knowledge / literacy is power — that other species should be treated with respect — that everyone deserves the basic rights of food, safety and equality — that despite our differences, our common ground is the planet we live on — and that unless we make a serious commitment to protect it, the problems of the future will be too big for any organization to tacklOf all the issues that were laid before me in this competition, I could not help but feel that by supporting this group of scientists and activists in their fight for the planet, we would also be promoting the ideas that knowledge / literacy is power — that other species should be treated with respect — that everyone deserves the basic rights of food, safety and equality — that despite our differences, our common ground is the planet we live on — and that unless we make a serious commitment to protect it, the problems of the future will be too big for any organization to tacklof scientists and activists in their fight for the planet, we would also be promoting the ideas that knowledge / literacy is power — that other species should be treated with respect — that everyone deserves the basic rights of food, safety and equality — that despite our differences, our common ground is the planet we live on — and that unless we make a serious commitment to protect it, the problems of the future will be too big for any organization to tacklof food, safety and equality — that despite our differences, our common ground is the planet we live on — and that unless we make a serious commitment to protect it, the problems of the future will be too big for any organization to tacklof the future will be too big for any organization to tackle.

British novelist Mary Stewart's beloved «The Little Broomstick» predates J.K. Rowling's hit Harry Potter series by more than a quarter - century, which means the source material is original, even if its gorgeous big - screen adaptation feels a bit derivative in places — and derivative of not just Rowling's more richly imagined fantasy world, but also Ghibli's own «Kiki's Delivery Service,» which presents a similar plot, in reverse: There, a young witch with a flying broom loses her powers, whereas in this case, young Mary discovers a magical broom that whisks her away to Endor College, where she's celebrated for her newfound abilities.

The Extra-Terrestrial, the definitive boy - and - his - dog movie, as I can't help but feel that E.T.'s departure will leave a bigger, more cavernous hole than the one Elliot started with — a troublesome notion that the pompous uplift of John Williams's score does everything in its power to drown out.

Sure, it's a tale we've all heard before — find the inner beauty or power or what have you — but it's done well in this case with very little cliché and a lot of clever humor that doesn't feel like a big wink - wink - nudge - nudge to adults.

It's an ideological war as much as a spiritual one — the much - derided power of love actually plays a big factor in saving the day, but it feels genuine and earned.

Claude Barras — «My Life as a Zucchini,» «Banquise (Icefloe)» Eric Beckman — «When Marnie Was There,» «Song of the Sea» Jared Bush * — «Zootopia,» «Moana» Carlos E. Cabral — «Big Hero 6,» «Frozen» Giacun Caduff — «La Femme et le TGV,» «2B or Not 2B» John K. Carr — «How to Train Your Dragon 2,» «Over the Hedge» Jeeyun Sung Chisholm — «Ice Age: Collision Course,» «The Peanuts Movie» Jericca Cleland — «Ratchet & Clank,» «Arthur Christmas» Andrew Coats — «Smash and Grab,» «Borrowed Time» John Cohen — «The Angry Birds Movie,» «Despicable Me» Lindsey Collins — «Finding Dory,» «WALL - E» Devin Crane — «Megamind,» «Monsters vs Aliens» Ricardo Curtis — «The Book of Life,» «Dr. Seuss» Horton Hears a Who» Richard Daskas — «Turbo,» «Sinbad: Legend of the Seven Seas» Kristof Deák — «Sing,» «Losing It» Jason Deamer — «Piper,» «Monsters University» David DeVan — «Finding Dory,» «Brave» Walt Dohrn — «Trolls,» «Mr. Peabody & Sherman» Rob Dressel — «Moana,» «Big Hero 6» Stefan Eichenberger — «Heimatland (Wonderland),» «Parvaneh» David Eisenmann — «Pearl,» «Toy Story 3» Patrik Eklund — «Seeds of the Fall,» «Instead of Abracadabra» Steve Emerson * — «Kubo and the Two Strings,» «The Boxtrolls» Lise Fearnley — «Me and My Moulton,» «The Danish Poet» Mathias Fjellström — «Seeds of the Fall,» «Instead of Abracadabra» Arish Fyzee — «The Pirate Fairy,» «Planes» Juanjo Giménez — «Timecode,» «Maximum Penalty» Andrew Gordon — «Monsters University,» «Presto» Jinko Gotoh — «The Little Prince,» «9» Eric Guillon — «Sing,» «The Secret Life of Pets» Lou Hamou - Lhadj — «Borrowed Time,» «Day & Night» John Hill — «Turbo,» «Shrek Forever After» Steven «Shaggy» Hornby — «How to Train Your Dragon 2,» «Rise of the Guardians» Steven Clay Hunter — «Brave,» «The Incredibles» Alessandro Jacomini — «Big Hero 6,» «Tangled» Christopher Jenkins — «Home,» «Surf's Up» Sean D. Jenkins — «Wreck - It Ralph,» «Bolt» Phil Johnston * — «Zootopia,» «Wreck - ItRalph» Oliver Jones * — «Kubo and the Two Strings,» «ParaNorman» Mohit Kallianpur — «Frozen,» «Tangled» Max Karli — «My Life as a Zucchini,» «Victoria» Michael Kaschalk — «Big Hero 6,» «Paperman» Karsten Kiilerich — «Albert,» «When Life Departs» Timothy Lamb — «Trolls,» «Mr. Peabody & Sherman» Gina Warr Lawes — «Zootopia,» «Kung Fu Panda 2» Sang Jun Lee — «Rio 2,» «Epic» Meg LeFauve — «The Good Dinosaur,» «Inside Out» Jenny Lerew — «Mr. Peabody & Sherman,» «Flushed Away» Brad Lewis — «Storks,» «Ratatouille» Carl Ludwig — «Rio,» «Ice Age» Andrew Okpeaha MacLean — «Feels Good,» «Sikumi (On the Ice)» MaryAnn Malcomb — «Free Birds,» «Spirit: Stallion of the Cimarron» Anders Mastrup — «Albert,» «When Life Departs» Moon Molson — «The Bravest, the Boldest,» «Crazy Beats Strong Every Time» Dave Mullins — «Cars 2,» «Up» Michelle Murdocca — «Hotel Transylvania,» «Open Season» Christopher Murrie * — «Kubo and the Two Strings,» «Coraline» Ramsey Naito — «The Boss Baby,» «The SpongeBob SquarePants Movie» Damon O'Beirne — «Kung Fu Panda 3,» «Rise of the Guardians» Hyrum Virl Osmond — «Moana,» «Frozen» Greg Pak — «Happy Fun Room,» «Super Power Blues» James Palumbo — «Ice Age: Collision Course,» «Ice Age: Continental Drift» Christine Panushka — «The Content of Clouds,» «The Sum of Them» Pierre Perifel — «Rise of the Guardians,» «Kung Fu Panda 2» Jeffrey Jon Pidgeon — «Monsters University,» «Up» David Pimentel — «Moana,» «Big Hero 6» Elvira Pinkhas — «Ice Age: Collision Course,» «Rio 2» Kori Rae — «Monsters University,» «Tokyo Mater» Mahesh Ramasubramanian — «Home,» «Madagascar 3: Europe's Most Wanted» Ferenc Rofusz — «Gravitáció (Gravitation),» «The Fly» Vicki Saulls — «The Peanuts Movie,» «Ice Age: Continental Drift» Brad Schiff * — «Kubo and the Two Strings,» «The Boxtrolls» William Schwab — «Frozen,» «Wreck - It Ralph» Gina Shay — «Trolls,» «Shrek Forever After» Jeff Snow — «Over the Hedge,» «The Road to El Dorado» Peter Sohn — «The Good Dinosaur,» «Partly Cloudy» Debra Solomon — «My Kingdom,» «Getting Over Him in 8 Songs or Less» David Soren — «Captain Underpants: The First Epic Movie,» «Turbo» Cara Speller — «Pear Cider and Cigarettes,» «Pearl» Peggy Stern — «Chuck Jones: Memories of Childhood,» «The Moon and the Son: An Imagined Conversation» Michael Stocker — «Finding Dory,» «Toy Story 3» Arianne Sutner — «Kubo and the Two Strings,» «ParaNorman» Ennio Torresan — «Turbo,» «Till Sbornia Takes Us Apart» Géza M. Toth — «Mama,» «Maestro» Anna Udvardy — «Sing,» «Deep Breath» Wayne Unten — «Frozen,» «Tick Tock Tale» Theodore Ushev — «Blind Vaysha,» «Gloria Victoria» Robert Valley — «Pear Cider and Cigarettes,» «Shinjuku» Timo von Gunten — «La Femme et le TGV,» «Mosquito» Gil Zimmerman — «How to Train Your Dragon 2,» «Puss in Boots» Marilyn Zornado — «Old - Time Film,» «Mona Lisa Descending a Staircase» Sound Peter Albrechtsen — «The Happiest Day in the Life of Olli Mäki,» «The Girl with the Dragon Tattoo» Christopher Assells — «John Wick: Chapter 2,» «Spectre» David Bach — «13 Hours: The Secret Soldiers of Benghazi,» «Suicide Squad» Sylvain Bellemare — «Arrival,» «Incendies» Miriam Biderman — «Don't Call Me Son,» «The Second Mother» Charlotte Buys — «Call Me Thief,» «White Wedding» Charlie Campagna — «Blade Runner 2049,» «Nocturnal Animals» Harry Cohen — «The Fate of the Furious,» «The Hateful Eight» Mohammad Reza Delpak — «The Salesman,» «A Separation» Yann Delpuech — «The Founder,» «Saving Mr. Banks» José Luis Díaz — «Wild Tales,» «The Secret in Their Eyes» Jesse K - D.

Great art it's not — but it's frisky, in charge of itself, and about as keenly felt a vision of this S&M power game we could realistically have expected to see... The film's single biggest asset is Johnson, who has worked hard with Marcel and Taylor - Johnson to perform a three - woman salvage job on the character of Anastasia.

On the way to Sears Point, the RLX exhibits competent handling: the big sedan gets around the mountain roads with very little understeer and a bit of cushy body roll, although the inevitable electric power steering is average in feel and feedback, which is to say, there's not enough of either.

Back at the dawn of its U.S. introduction, Porsche played its own game, charging big money for cars that prioritized feel and agility over outright power.

There's less power assist for the rack - and - pinion, which creates the impression of better steering feel at speed, but which more often makes the van feel big and heavy in parking lots.

One of the previous - generation Sonata's biggest flaws, its electric power steering, has thankfully been revised to feel less like a video game and more like a real car.

Thanks to the two different sized turbochargers, the power delivery is linear and smooth all the way to the red line, making the C 250 feel more like a big capacity six - cylinder engine, and giving some genuine reason to explore the outer limits of the rev counter.

Neither of the pre-production cars at the debut had a hood I was allowed to lift, but power will come from a new direct injection 2.0 L turbo four doing 237 horsepower and 258 pound feet of torque that comes on mostly between 1,400 and 4,000 RPM, so it should feel bigger than it is.

In 3.7 seconds, the biturbo V8 rumbles the AMG to 100 km / h, loose power seemingly pouring out of his sleeve, a feeling not far off from the experience naturally aspirated Big Blocks from the United States offer.

The power - assisted rack - and - pinion steering had a fair share of sporty - car feel, and the power front - disc, rear - drum brakes behaved competently, but a bigger footprint would be appreciated.

The large wheels also create a strong stance and feeling of power, and Peter mentions that designers are always happy when they get to use big wheels.

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

The gearing is good and properly makes use of the power, in the 1.4 - liter you'd likely double check if that capacity is right because it feels much bigger thanks to torque equal to the larger 1.8 - liter engine.

One of our biggest gripes in any car with a regenerative brake system is pedal feel: Many hybrids and electrics have brake pedals that frankly don't offer much ability to modulate clamping power.

My biggest complaint is the same for a lot of GM cars right now: The electric - boosted power steering has zero road feel — it's like one of those arcade games.

I think the «professionals» that do the test drives are so diluted with the massive range of cars trucks SUV's etc that they drive they loose the ability to fine tune what matters to the specific group of people into this type of car... Also there is a lot of room in the front seat - seems to have endless adjustment to it - I am a huge guy 6» 3 and 250 pounds and just to feel like the Santa fe I have to have the seat upwards, I will slowly adjust this back as I get used to the car... Also no one wants to discuss the arguments about the 19 inch wheels adding a little to the ground clearance - an engineer showed me this huge equation that in the end said it added 1.45 inches... who knows... But I am impressed with the power, I thought it was slightly bigger and more powerful that the CX - 5 and handled just as good maybe better off regular roads....

The BRZ feels a lot livelier in the upper reaches of its 7,400 - rpm range, while the Fiesta's 51 lb - ft torque advantage paid big dividends while squirting out of corners in the 3,000 to 5,000 rpm sweet spot, but power flattens off from there to its 6,300 fuel cut.

The Beetle's combination of size and power feels like a bigger convertible with a small convertible price.

It uses the supercharger to fill in the bottom end of the power range to give the engine a big, naturally - aspirated feel, while the turbocharger kicks in when the airflow builds up.

But the Challenger has never felt the sweet, sweet love of powered front wheels, meaning all across the great white north, the big coupe has been relegated to dark lonely garages during winter time.

Conferences are a great way to stay energized, feel the power of a big community, and learn more about craft.

We were playing, my gang against his, and when he ran at me again, bully that he was, bigger than me, and catching me off balance, I felt the power go out of me as I shouted: «You'll never get where you're going.»

Anyway, if anybody has any genius ideas about what I should call this thing about a wolf shifter and a demi - goddess who hook up to rescue their loved ones from a big baddie who plans to sacrifice them to gain crazy cosmic power and shift the balance of the universe, all before a hurricane flattens New Orleans — again — feel free to offer them up in comments.

It had all the feel of a kickstarter campaign — i.e., drum up support for a book before it's published — with more than one big advantage: you're not asking for funding and you have the power of Amazon behind you from the get - go.

Writers can feel pretty powerless in the big corporate world of publishing, but sometimes our greatest power is the ability to say «no.»

I am a big believer in the power of option spreads as income and have done a good bit of spread trading in the past, but came to realize I do not have the necessary depth of knowledge, nor do I feel comfortable enough with my skills to «go it alone» in making sound and disciplined trading decisions that result in consistent income.

Fall for Cape Town's remarkable beauty, feel the power of Victoria Falls reverberate in your core, and watch for the «big five» alongside a researcher from National Geographic's Big Cats Initiatibig five» alongside a researcher from National Geographic's Big Cats InitiatiBig Cats Initiative.

i bet it wont be 1080P, that last minute tacked in ESram is a bottleneck, xbox one is just terrible, look at the machine itself, its uggly big and still has an external power brick, has a fan on top LOL so trashy, do nt ever spill anything on top of of those fan grills lol even the controller is a step back from the 360 controller, its smaller, bumper buttons feel like cheap digital alarm clock buttons and awkward to press and reach,D - pad is still garbage and the right stick is to close to the face buttons, only has 5 min of recording time not to mention its a weaker system.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Jap developers will prefer Nintendo handheld, look at Dragon Quest sales on the 3ds, and the original DS... look at monster hunter sales on the 3ds... every game you seen for the 3ds will now have newer versions with newer hd graphics so now when jap developers make a ps4 game they do not have to think about how they will downgrade it to fit on the NX... with the NX being more powerful than the Vita, and Wii U.... if it use the Tegra 2 chip it will be right next to ps4 1.8 teraflops or higher, but most likely if they use that, Nintendo might underclock it to increase battery power, but lets say they lock it to ps4 1.8 teraflops... every game for ps4 will be on the NX... and this is where the fear comes from... the 3ds have many exclusives, only thing that hold it back was graphics, now that wont be the issue in the NX... look how they announce Dragon quest 11 for NX already... Square Enix is thinking about money... and which console sold most of their games... the 3ds... so do not be surprised every big game from Square Enix and other Japanese developers come to the NX... and if they are anything like CAPCOM they will rather save money and make their game for one console aka the NX like they do with Monster Hunter... me personally I can not wait to see all my favorite games on the 3ds in better graphics... i am a RPG lover and the 3ds have some classics that I love... only thing Nintendo have to worry about is how Western and European side of the world will feel about the new handheld... Japan will love it, handheld sell the most, so it wont take long for NX to pass ps4 sales... but if they can get the attention of western and european... then Sony have reasons to worry and their fans

In that sense, the Call of Duty series really needs to evolve in future instalments, taking advantage of the additional power afforded by the next - generation consoles and top - end PC to deliver more than just a bigger bang and prettier pictures, but instead ways to make the blockbuster spectacle feel meaningful again.

Great indie game (in fact its more than a great indie game and I feel it gives many big name hits a sound thrashing), I have recommended this to several friends and another family member is also enjoying it as well, both of us are on chapter 4 and the dynamic of the game has changed quite a lot (I wont spoil how the balance of power / gameplay has changed), plus I have most of the games ships unlocked and there is plenty of variety in how I can build my fleet (I am running a huge drone control ship and my wingmen are in mixed laser / torpedo ships of their relevant tiers which works well so far).

It wastes a lot of power, has the biggest flops and feels out of place in a PC World #XboxE3 #E3

It feels a little like the early days of social media when big companies first realized that their customers and employees had been handed a strange, new power.

Many who promote cycling have mixed feelings about e-bikes; many riders of regular bikes complain that «if you're able, save a little bigger piece of the environment and use your human power.»

MEANWHILE, we know «unreliable» energy (wind / solar) is a giant, feel - good con, when ideologically green aggressive GERMANY has spent $ 1 Trillion Euros (of other people's money) on useless Wind and Solar power, through the — now failed — «Energiewende» program, then only to undergo her biggest coal - fired power expansion in history...