Sentences with phrase «big film and music»

Scour filed for bankruptcy protection to save itself from a $ 250 billion copyright - infringement lawsuit brought by the three big film and music industry trade groups.

Not exact matches

Filmmakers, media companies, and the music industry are only taking on small - scale VR projects, like promotional and marketing - related short films, and are not investing huge amounts of money on bigger projects until VR becomes more mainstream.

The little vulgar newsshoprint freebie that started in Montreal back in 1994 now has more than 800 full - time employees in 34 countries making books, films, video, magazines, events and music, all funded through partnerships with some of the globe's biggest brands.

My bigest pasion is making films; I spend a lot of time studying, reading, novels mostly, and listening to music.

Im Andy and a film major at Asbury College near Lexington, KY - big dreamer, hopeless romantic, sports, Christ, music, films, travelling, guitar, Ohio State anything, spontaneous adventures, hiking, camping, very social.

My biggest interests are music and film I like to believe everyone can be touched by music or a great piece of film.

A home for film, music, art, theater, games, comics, design, photography, and more.To date, tens of thousands of creative projects — big and small — have come to life with the support of the Kickstarter community.

The film's Dolby 5.1 soundtrack is unexpectedly big on music, prominently featuring recent rap and other songs at a considerable volume.

The Sting became one of the biggest hits of the early»70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music.

Originally a music event, its film component is now a launchpad for movies big and small and a gathering place for anyone involved in pop culture.

Expect big hats, big guns, epic machismo, rampant misogyny, incredible music and a whole lot of harsh language when the film drops in late summer.

Before «Once» was such a big deal and became an Academy Award winning film (for Best Song «Falling Slowly» in 2007), I was already a huge fan of the film and its music.

Otis at Monterey, with uncompressed stereo soundtracks Alternate soundtracks for all three films featuring 5.1 surround mixes by recording engineer Eddie Kramer, presented in DTS - HD Master Audio Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, Buffalo Springfield, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, the Electric Flag, the Grateful Dead, Jefferson Airplane, Al Kooper, the Mamas and the Papas, the Steve Miller Blues Band, Moby Grape, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentaries from 2002 featuring Pennebaker, festival producer Lou Adler, and music critics Charles Shaar Murray and Peter Guralnick New interviews with Adler and Pennebaker Chiefs (1968), a short film by Richard Leacock, which played alongside Monterey Pop in theaters Interviews from 2002 with Adler and Pennebaker and with Phil Walden, Otis Redding's manager 1987 interview with Pete Townshend on Monterey and Jimi Hendrix Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby Photo - essay by Elaine Mayes Festival scrapbook Trailers and radio spots PLUS: A book featuring essays by critics Michael Chaiken, Armond White, David Fricke, Barney Hoskyns, and Michael Lydon

The Big Year is completely predictable and full of way too many bird - watching montages set to inspiring music, but it's such an upbeat, cheery film that it's pretty hard to resist.

By 2015, an entire fleet of music aspirants has fled the über - gentrified Big Apple in search of cheaper rent, suntans and film & TV sync licenses, once again turning Los Angeles into Pop Central Station.

We talk with Re-recording Mixer Scott Millan and Music Production Supervisor Curt Sobel about the music that is featured in the film and the work that was required to prepare a wide range of archival recordings for the big scMusic Production Supervisor Curt Sobel about the music that is featured in the film and the work that was required to prepare a wide range of archival recordings for the big scmusic that is featured in the film and the work that was required to prepare a wide range of archival recordings for the big screen.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

The original music, a big part of the film, sounds smooth and feels immmersive.

My biggest heros in this art are Bernard Herrmann («Psycho», «Taxi Driver», «Citizen Kane», «Vertigo») and Jerry Goldsmith («The Omen», «Poltergeist», «Basic Instinct»,» Papillon»), both of whom were pioneers in understanding the psychology of film and communicating drama through music, and I'm doing my best to follow in their example, and try to be one of the more considerate film composers out there... so, I was anxious to hear back if they agreed I hit the bullseye, blind.

The music and songs of Inside Llewyn Davis, a mix of preexisting music and brand new tunes written expressly for the film, are bolstered by Isaac's dynamite voice and performances (the biggest track, «Fare Thee Well (Dink's Song),» is a stunner), and reinforce the central themes of the film with ease.

Most famous for performances behind the CGI - created Gollum in Lord of the Rings and King Kong in Peter Jackson's remake, Andy Serkis looks like a mad troll and embraces the look in his incarnation of Ian Dury, the music - hall showman of the British punk scene who hit it big with the song immortalized in the film's title and embraced fame with the same excess with which he embraced booze and drugs.

There has also been no shortage of celebrity endorsement for what many are labelling «the most important Marvel film to date», as everyone from athletes in the NBA, to some of the biggest music artists in the world, and even members from the superhero universe in Captain Marvel's lead, Brie Larson, have contributed to the hype.

Rob Marshall, the talented filmmaker behind the Academy Award ® - winning musical «Chicago» and Disney's «Pirates of the Caribbean: On Stranger Tides,» helms the film, which is based on the Tony ® - winning original musical by James Lapine, who also penned the screenplay, and legendary composer Stephen Sondheim, who provides the music and lyrics — including an all - new song for the big - screen adaptation.

John Carpenter is an American movie writer, music composer, and director of numerous groundbreaking classic films, including «Assault on Precinct 13», «Halloween», «The Fog», «Escape From New York», «The Thing», «Christine», «Starman», «Big Trouble in Little China», «Prince of Darkness», «They Live», «In the Mouth of Madness», «Vampires», «Escape From L.A.», «Ghosts of Mars», «The Ward», and many more.

But the one full - blown production number, «Zara Dil Ko Thaam Lo» («Hold on to Your Heart»), arises where it makes story sense (and nicely mirrors the touchstone «Main Hoon Don» number in the first film), and Akhtar and West make it count in a big way, going all - out with the spectacle, marrying the memorable music with Viabhav Merchant's creative choreography and a stunning, silhouette - driven visual design.

Like Michael Dubo de Wit's remarkable film that draws upon the pastel naturalism of Hayao Miyazaki's Studio Ghibli for what might be their best film in a line of classics, Del Mar's music is the equivalent of those soft brushstrokes on a big screen canvas of visual poetry, a score that profoundly captures a life at first seemingly lost at sea, only to soar under, and above it though its graceful music that touches the silent tides of nature's life force.

Scored to Joan Jett's «Bad Reputation», it's also another example of the film's flawless music choices, which include superb use of Sparks» «This Town Ain't Big Enough for the Both of Us», and Gnarls Barkley's «Crazy».

Much like Kosinski, their music was a big part of what made the film work, and even four and a half years later, that soundtrack is still played on a weekly basis on my iPod.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 25, 2009 BIG BUDGET FILMS Fame (PG for mature themes, teen drinking, sexuality and mild epithets) Remake of the 1980 classic revolving around the aspirations of students at NYC's School for the Performing Arts as they prepare for professional careers in dance, music and acting.

Previously announced honorees include Jake Gyllenhaal for «Hollywood Actor Award» for the film Stonger; Kate Winslet for «Hollywood Actress Award» for the film Wonder Wheel; The Big Sick for «Hollywood Comedy Ensemble Award»; Jamie Bell for «New Hollywood Actor Award» for his role in Film Stars Don't Die in Liverpool; Common, Andra Day and Diane Warren for «Hollywood Song Award» for the original song «Stand Up For Something» with music by Diane Warren, lyrics by Diane Warren and Commong and performed by Andra Day featuring Common, in the film Marshall; Andrew Kosove, Broderick Johnson and Cynthia Sikes Yorkin for «Hollywood Producer Award» for the film Blade Runner 2049; Scott Neustadter and Michael H. Weber for «Hollywood Screenwriter Award» for The Disaster Artist; Coco for «Hollywood Animation Award»; and Mudbound for «Hollywood Breakout Ensemble» Award; Sam Rockwell for «Hollywood Supporting Actor Award» for his role in Three Billboards Outside Ebbing, Missouri, Allison Janney for «Hollywood Supporting Actress Award» for her role in I, Tonya, Mary J. Blige for «Hollywood Breakout Performance Actress Award» for her work in the film Mudbound; Timothée Chalamet for «Hollywood Breakout Performance Actor Award» for his role in the film Call Me By Your Name; and the cast of I, Tonya including Margot Robbie, Allison Janney, Sebastian Stan, Paul Walter Hauser, Julianne Nicholson and Caitlin Carver for the «Hollywood Ensemble Award.»

Previously announced honorees include Gary Oldman for «Hollywood Career Achievement Award» highlighting his work in Darkest Hour; Adam Sandler for «Hollywood Comedy Award» for The Meyerowitz Stories; Joe Wright for «Hollywood Director Award» for Darkest Hour; Kate Winslet for «Hollywood Actress Award» for the film Wonder Wheel; Jake Gyllenhaal for «Hollywood Actor Award» for the film Stonger; the cast of The Big Sick including Kumail Nanjiani, Zoe Kazan, Holly Hunter and Ray Romano for «Hollywood Comedy Ensemble Award»; Jamie Bell for «New Hollywood Actor Award» for Film Stars Don't Die in Liverpool; musicians Diane Warren, Common and Andra Day for the original song, «Stand Up For Something» with music by Diane Warren, lyrics by Diane Warren and Common and performed by Andra Day featuring Common from the film Marshall for «Hollywood Song Award»; Blade Runner 2049 producers Andrew S. Kosove, Broderick Johnson and Cynthia Sikes Yorkin for «Hollywood Producer Award»; The Disaster Artist screenwriters Scott Neustadter and Michael H. Weber for «Hollywood Screenwriter Award»; Coco for «Hollywood Animation Award»; the cast of Mudbound including Carey Mulligan, Garrett Hedlund, Mary J. Blige, Jason Mitchell, Jason Clarke, Rob Morgan and Jonathan Banks for the «Hollywood Breakout Ensemble Award»; Sam Rockwell for «Hollywood Supporting Actor Award» for his role in Three Billboards Outside Ebbing, Missouri; Allison Janney for «Hollywood Supporting Actress Award» for her role in I, Tonya; Mary J. Blige for «Hollywood Breakout Performance Actress Award» for her work in the film Mudbound; Timothée Chalamet for «Hollywood Breakout Performance Actor Award» for his role in the film Call Me By Your Name; and the cast of I, Tonya, including Margot Robbie, Allison Janney, Sebastian Stan, Paul Walter Hauser, Julianne Nicholson and Caitlin Carver for the «Hollywood Ensemble Award.»

2; Gary Oldman for «Hollywood Career Achievement Award» highlighting his work in Darkest Hour; Adam Sandler for «Hollywood Comedy Award» for The Meyerowitz Stories; Joe Wright for «Hollywood Director Award» for Darkest Hour; Kate Winslet for «Hollywood Actress Award» for the film Wonder Wheel; Jake Gyllenhaal for «Hollywood Actor Award» for the film Stonger; the cast of The Big Sick including Kumail Nanjiani, Zoe Kazan, Holly Hunter and Ray Romano for «Hollywood Comedy Ensemble Award»; Jamie Bell for «New Hollywood Actor Award» for Film Stars Don't Die in Liverpool; musicians Diane Warren, Common and Andra Day for the original song, «Stand Up For Something» with music by Diane Warren, lyrics by Diane Warren and Common and performed by Andra Day featuring Common from the film Marshall for «Hollywood Song Award»; Blade Runner 2049 producers Andrew S. Kosove, Broderick Johnson and Cynthia Sikes Yorkin for «Hollywood Producer Award»; The Disaster Artist screenwriters Scott Neustadter and Michael H. Weber for «Hollywood Screenwriter Award»; Coco for «Hollywood Animation Award»; the cast of Mudbound including Carey Mulligan, Garrett Hedlund, Mary J. Blige, Jason Mitchell, Jason Clarke, Rob Morgan and Jonathan Banks for the «Hollywood Breakout Ensemble Award»; Sam Rockwell for «Hollywood Supporting Actor Award» for his role in Three Billboards Outside Ebbing, Missouri; Allison Janney for «Hollywood Supporting Actress Award» for her role in I, Tonya; Mary J. Blige for «Hollywood Breakout Performance Actress Award» for her work in the film Mudbound; Timothée Chalamet for «Hollywood Breakout Performance Actor Award» for his role in the film Call Me By Your Name; and the cast of I, Tonya, including Margot Robbie, Allison Janney, Sebastian Stan, Paul Walter Hauser, Julianne Nicholson and Caitlin Carver for the «Hollywood Ensemble Award.»

Hollywood, CA (October 23, 2017)-- dick clark productions announced today that the cast of the film The Big Sick, including Kumail Nanjiani, Zoe Kazan, Holly Hunter and Ray Romano, will receive the «Hollywood Comedy Ensemble Award»; actor Jamie Bell will receive the «New Hollywood Actor Award» for his recent work in «Film Stars Don't Die in Liverpool»; and musicians Diane Warren, Common and Andra Day will receive the «Hollywood Song Award» for the original song, «Stand Up For Something» with music by Diane Warren, lyrics by Diane Warren and Common and is performed by Andra Day featuring Common from the film Marshall, at the 21st Annual «Hollywood Film Awards.»

Previously announced honorees include Adam Sandler for «Hollywood Comedy Award» for the film The Meyerowitz Stories; Joe Wright for «Hollywood Director Award» for the film Darkest Hour; Kate Winslet for «Hollywood Actress Award» for the film Wonder Wheel; Jake Gyllenhaal for «Hollywood Actor Award» for the film Stonger; the cast of The Big Sick including Kumail Nanjiani, Zoe Kazan, Holly Hunter and Ray Romano for «Hollywood Comedy Ensemble Award»; Jamie Bell for «New Hollywood Actor Award» for Film Stars Don't Die in Liverpool; musicians Diane Warren, Common and Andra Day for the original song, «Stand Up For Something» with music by Diane Warren, lyrics by Diane Warren and Common and performed by Andra Day featuring Common from the film Marshall for «Hollywood Song Award»; Blade Runner 2049 producers Andrew S. Kosove, Broderick Johnson and Cynthia Sikes Yorkin for «Hollywood Producer Award»; The Disaster Artist screenwriters Scott Neustadter and Michael H. Weber for «Hollywood Screenwriter Award»; Coco for «Hollywood Animation Award»; the cast of Mudbound including Carey Mulligan, Garrett Hedlund, Mary J. Blige, Jason Mitchell, Jason Clarke, Rob Morgan and Jonathan Banks for the «Hollywood Breakout Ensemble Award»; Sam Rockwell for «Hollywood Supporting Actor Award» for his role in Three Billboards Outside Ebbing, Missouri; Allison Janney for «Hollywood Supporting Actress Award» for her role in I, Tonya; Mary J. Blige for «Hollywood Breakout Performance Actress Award» for her work in the film Mudbound; Timothée Chalamet for «Hollywood Breakout Performance Actor Award» for his role in the film Call Me By Your Name; and the cast of I, Tonya, including Margot Robbie, Allison Janney, Sebastian Stan, Paul Walter Hauser, Julianne Nicholson and Caitlin Carver for the «Hollywood Ensemble Award.»

In his twenties he directed a late career, quite addled, Orson Welles along with a cantankerous Tommy Smothers in a film called Get To Know Your Rabbit and would go on to direct a slew of movies both big and small with many of the biggest actors of the day: Sissy Spacek, Cliff Robertson, Geneviève Bujold, John Travolta, Melanie Griffith, Nicolas Cage, Sean Connery, Kirk Douglas, Al Pacino, Sean Penn, Bruce Willis, Tom Hanks, Jean Reno, Tom Cruise, and a music video with The Boss himself, Bruce Springsteen (yes, that music video, so you can thank De Palma or blame him for giving to the world, Courtney Cox.)

Carter Burwell doesn't usually write the kind of big, sweeping music one associates with Oscar scores; he settles into the films he works on and provides colors that might have otherwise been missing from their palettes — such as subtext.

And, from the big end of town, there are also new sneak peeks of Freddie Mercury biopic Bohemian Rhapsody, with Rami Maleck stepping into the music icon's shoes in an uncanny fashion; The Predator, the latest take on the alien killers directed by The Nice Guys» Shane Black, who actually featured on - screen in the original film; and Shock and Awe, a new Woody Harrelson and Tommy Lee Jones - starring newspaper flick about the US invasion of IrAnd, from the big end of town, there are also new sneak peeks of Freddie Mercury biopic Bohemian Rhapsody, with Rami Maleck stepping into the music icon's shoes in an uncanny fashion; The Predator, the latest take on the alien killers directed by The Nice Guys» Shane Black, who actually featured on - screen in the original film; and Shock and Awe, a new Woody Harrelson and Tommy Lee Jones - starring newspaper flick about the US invasion of Irand Shock and Awe, a new Woody Harrelson and Tommy Lee Jones - starring newspaper flick about the US invasion of Irand Awe, a new Woody Harrelson and Tommy Lee Jones - starring newspaper flick about the US invasion of Irand Tommy Lee Jones - starring newspaper flick about the US invasion of Iraq.

BEST FOREIGN FILM I've Loved You So Long BEST FEMALE IMAGES IN A MOVIE: The Secret Life Of Bees BEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woFILM I've Loved You So Long BEST FEMALE IMAGES IN A MOVIE: The Secret Life Of Bees BEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woFILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied womAND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied wofilm that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied womand a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied womand pride on screen, and promoting positive images of big bodied womand promoting positive images of big bodied women.

Fortunately screenwriter James Gunn (Tromeo & Juliet, Scooby - Doo) and director Zack Snyder — a TV commercial and music video director making his big screen debut — have wisely decided to forget that their film is a remake of a sequel.

In an exclusive interview with Collider, Pellington revealed how the project first emerged, what appealed to him about Stuart Ross Fink's script, how Fink created the main character with MacLaine in mind, what convinced her to sign on to star, his directing approach with a veteran actress who is superb at her craft, the importance of getting the tone right between MacLaine and Seyfried in their first big scene together, his collaboration with music supervisor Liza Richardson on a soundtrack packed with unusual and lesser known artists, and his upcoming film Nostalgia starring Ellen Burstyn, John Hamm and Catherine Keener.

Hearing that the Captain America March did not appear on this album was, no doubt, my biggest film music letdown since John Williams left the Harry Potter films (or maybe since Silvestri and Tyler ignored Doyle's THOR themes).

It's one of those cult films that people could only love for reasons other than the movie itself, whether for the nostalgic value of the folk music, the hippie counterculture period, or they're huge fans of Arthur Penn (Bonnie and Clyde, Little Big Man).

The sumptuous cinematography, thrilling music and all - around excellent cast make this one of the year's best films; and it is currently playing everywhere, so see it on the big screen if you can

McDonald directed an astonishing four films in 2010: «This Movie Is Broken», «Trigger», «Hard Core Logo 2 ″ and the documentary «Music from the Big House».

Samberg is great at playing blustery buffoons with big egos, and this film looks to skew all manner of elements of both pop music and celebrity culture.

Quentin Tarantino's Kill Bill Part One, coverage of The New York, Venice and Toronto Festivals, a midsection on movie music, the Istanbul film scene, first look at Tim Burton's Big Fish, Lars Von Trier's Dogville, Jane Campion's In the Cut, Errol Morris's The Fog of War, Alejandro González Iñárritu's 21 Grams

But unlike the film and music industries, Big Pub has plenty more market and cultural shifts to contend with these days than just the rising popularity and availability of digital media.

I purchase both self - published and trade - published books, indie films as well as films from the big movie studios, and both indie music and music produced by large studios.

And though the distinct impressionist sound we heard in, say, SaGa Frontier II is hidden under some layers of big - production, film - score-esque music here, this is still definitely Hamauzu.

His culture blog Fee's List (http://feeslist.blogspot.com) covers his three loves (art, film, live music) occurring in his other three loves (the Lone Star State, the Big Apple, and Tokyo).