Sentences with phrase «big film where»

Well all those little films have been leading up to this one big film where lots of people with megapowers come together to fight an alien.

Not exact matches

That's where the big difference is between yesterday's film integration and today's telecom / broadcast situation.

It comes right out of Disney's film productions, a place where we meet animated «real - life» versions of goodness personified (Snow White, the third Little Pig, Dumbo, Pollyanna) and the essence of evil (the Wicked Queen, the Big Bad Wolf)-- and thus learn to divide the world into good and evil, watching goodness triumph with a smile and a song.

pushing their agenda and and Big Tobacco creating a film where they claim there are risks to quitting smoking.)

PLANETARIUM (Planetarium) Director: Rebecca Zlotowski Cast: Natalie Portman, Lily - Rose Depp, Emmanuelle Salinger, Louis Garrel Searching for their big break, two American sisters, who earn their living through clairvoyance, arrive in 1930s Paris, where they beguile a movie - producer intent on shooting their séances as part of an ambitious new film.

After an apprenticeship with the Republic western and serial units, Webb moved into the big leagues at Warner Bros., where he scripted such adventure films as South of St. Louis (1949), The Big Trees (1952) and The Iron Mistress (195big leagues at Warner Bros., where he scripted such adventure films as South of St. Louis (1949), The Big Trees (1952) and The Iron Mistress (195Big Trees (1952) and The Iron Mistress (1953).

In the ten years since Rings, cynicism seems to have grown exponentially, especially online, where fans and haters from all over the world congregate to determine the worth of a film, and certainly a big budget 4,000 - theater holiday season fantasy film.

He doesn't have much to do, but an exposition - heavy flashback sequence where the character's true loyalties are revealed is one of the film's biggest highlights.

It's big things, like where the film leaves the story at the end.

There is a scene where Gonzalez, the youngest member of the cast, delivers the most emotionally raw moment in the film, and it is gut - wrenching in the best way (think Hiro's «I'm satisfied with my care» moment in «Big Hero 6,» times infinity).

Mr. Kingsley gets a big, chilling scene near the end, and the film comes full circle to a concert of the Schubert quartet, where Paulina and Gerardo spot Miranda.

Her luck began to change for the better in the late 1990s, when she started garnering luminous reviews for her work both on Broadway — where she earned a Tony nomination for her role in 1998's A View from the Bridge — and onscreen in such films as Big Night (1996) and Mike Nichols» Primary Colors (1998).

Following the series» demise in 1991, Helgenberger returned to television guest - star status on ER, where she had a four - episode - long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature - film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000).

Tucci tried to alternate working in independent films where he was generally given better material with big - budget material wherein he typically played ethnic villains.

Once the covetous pair realize the true explanation, they turn on Mary and insist that she reveal where she found the Witch's Flower, sparking a big finale in which they kidnap Peter and attempt to transform him into the kind of malevolent shape - shifter so often encountered in the third act of anime films (such as «Akira's» all - consuming atomic mass).

Moss» striking performance led many viewers to question where she had been all these years; like many other fledgling Hollywood actresses, she had done time as a model and an actress in second - rate films while waiting for her big break.Born in Vancouver, British Columbia, on August 21, 1967, Moss decided that she wanted to be an actress at an early age.

This is also where I found my biggest complaint with the film, seeing as its runtime was a little long for its type of storytelling.

Neither fast nor furious, this film belongs in the section of the supermarket where blah - white labels and big block lettering denote brandless cigarettes, vodka, crushed pineapple and, in this case, action picture.

But the film also has too many memorable vignettes to count: Haven Hamilton's prickly recording session, where he mercilessly browbeats a hippie pianist; Barbara Jean's squirmily uncomfortable, rambling psychological meltdown while performing live for an impatient, unforgiving audience; Sueleen's conflicted ambitions when her «big break» devolves into a cheap striptease act; gentle Mr. Green's quiet suffering at the hands of his flakey niece; John Triplette's negotiations with various talent, buttering each of them up with compliments while at the same time insulting the musical form (and its admirers) in which they practice.

, the so - sad - they - can - only - be-Irish melodies of Carter Burwell's Miller's Crossing score, or even with The Big Lebowski, where they concocted a soundtrack as strange as the characters in the film, assist on that one to a young Kenny Rogers.

Sobering the proceedings is a look back to last Sundance, where The Big Sick went on to gross nearly $ 40 million last year, and Wind River right behind it at $ 34 million to be the top - grossing prestige films of 2017, with both coming out of this festival.

Her notable film roles are «Holy Man», «Pee - wee's Big Adventure» and «Beverly Hills Chihuahua 2», where she all played herself.

In the wake of a number of star - studded big - budget comedy features waning at the box office (read Ghostbusters), and once - upon - a-time comedy king Adam Sandler now reaching his core audience on Netflix, A Bad Moms Christmas serves as an example of how feature film economics have also changed in a climate where streaming has impacted theatergoing for mid-and-low budgeted films.

Check out what directing duo Chris and Phil had to say about taglines, a hypothetical situation where their film features the biggest movie star on the planet, and more.

The 53 - year - old actor showed up to the Alamo Drafthouse on Sunday (January 29) where some big fans were hosting an annual marathon of Nicolas «films called C4GED.

After months of a business - wide reckoning where many powerful men have seen histories of sexual assault, harassment and abuse lead to career - ending consequences, the film industry's biggest stars gathered for what's typically one of the more uproarious, loose nights of award show season.

In films as diverse as Raising Arizona, Barton Fink (my personal favorite), Fargo, The Big Lebowski, O Brother, Where Art Thou?

That Click was marketed with a trailer featuring slow - mo of big - breasted women running and paused bosses getting their comeuppance is another problem — audiences just won't be expecting where this film will travel.

I'd say that the best sequence in the entire movie involves Koechner's character asking them if they were willing to mutilate themselves for a big lump of money, and in most films, this would end up being a bartering sequence where the victim would keep asking for more and more money.

I'm a big fan of film noir and the noir aesthetic that permeates a lot of old Hollywood melodramas where men are corrupted by femme fatale characters who look like the platinum blonde that Rachel McAdams plays.

And while the storyline, characters and sets could only come from the quirky imaginations of the Coen brothers, the film remains critical and engaged with the world we live in — a world where the little guy struggles to change their own tough situation, let alone the world at large, and the big ones who don't give a damn.

Later, after Cimber calls Perkins «an actress of some standing in Hollywood» and the star of «one of the biggest films of the decade» (probably in reference to her turn in The Diary of Anne Frank), Gersh segues into a clip where Molly says, «It was on television!

But the more Molly's Game tries to decide what its story is about rather than just telling it, the more the film feels like it's trying to «solve» Molly rather than portray her, to the point where its two big emotional moments involve Molly being sat down and informed about her own daddy issues by one male character, and getting passionately defended by another, her lawyer (Idris Elba), while she stays silent.

«The big unknown is how Black Panther will fare overseas, where Hollywood films with a black cast are perceived to face challenges,» the Hollywood Reporter explained three days before the film opened on February 15.

LMD: The film asks where one might draw a line between Adam's reactions due to his condition and those of his personality, which comes to a head during his and Beth's big fight.

The cast are quite funny in their roles, and this was one of the few films where Adam Sandler was enjoyable and fun to watch along with others such as Happy Gilmore and Big Daddy.

It's a big stretch for Coogan to bring the necessary gravitas to this role (the ghosts of Tony Wilson, Alan Partridge and Tony Ferrino are never fully dispelled), but the moments in which he genuinely seems to connect with Poots are where the film briefly takes on another dimension.

This is a film where circumstance and happenstance play big roles, also something that plays out in Fargo as well as The Big Lebowsbig roles, also something that plays out in Fargo as well as The Big LebowsBig Lebowski.

I already knew it was set entirely inside a coffin where Reynolds is stuck and buried, but the big question is if they could actually pull off a 90 minute film set entirely in a coffin.

In an age where inexpensive, high - quality digital cameras have nominally evened the playing field between the big and small screens, Louis CK's show is one of the precious few that has any right being called «cinematic,» unfurling as a series of short films united by their maker's curiosity regarding family, pop culture and the contours of his narrow worldview.

Though not the biggest draw in the US, where its widest theater count was 213 and final gross was $ 6 million, the film fared better with international audiences (where its $ 11 M came chiefly from Central Europe and Japan).

Where the film finds its biggest faults is in its college setting; it feels like a strange choice to make a child's movie that pays so much homage to 1980s film depictions of college.

While the action scenes are a bit rough (to the point where I'm a bit dubious about Affleck being able to tackle a big budget superhero film), everything else is stunning.

I come from screenwriting, from Danish film school, and that's where I feel the biggest battles of moviemaking happen.

The film, which will reunite Johnson with his Central Intelligence director Rawson Marshall Thurber, will arrive in cinemas next year, where it is expected to be one of the biggest films of the summer.

Where much talk of film culture necessarily targets the social conditions enabled (and disabled) by government, institutions, big business, etc, an older tradition in film criticism takes a step away from this «materialist» fray, to revel in the visions of special auteurs.

Miss Peregrine's Home for Peculiar Children also reunites Burton behind the camera with his Dark Shadows and Big Eyes cinematographer Bruno Delbonnel, whose knack for creating glossy visuals through his film work (by utilizing soft shadows / focus shooting techniques) looks to serve Burton's upcoming film well - in particular, during those scenes that take place in the fantastical setting where Miss Peregrine and the «Peculiars» live.

During the interview, Woodley talked about if she was nervous to take on her first big Hollywood movie, why the police were called to the building where the cast was staying when they were filming in Chicago, if she was nervous doing the stunts, the sequel Insurgent, and more.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

The most resonant roles for women centered on the sometimes loving, frequently fraught relationships between mother and daughter as displayed in such films as «The Florida Project» (where the roles were played by Bria Vinaite and Brooklynn Kimberly Prince); «Marjorie Prime» (Lois Smith and Geena Davis); «The Big Sick» (Holly Hunter and Zoe Kazan); and «Lady Bird» (Laurie Metcalf and Saoirse Ronan).