Sentences with phrase «big films back»

The score even simulates sound effects at times: work whistles, gunfire, and explosions, a technique that's apparently true to what was done for certain big films back then.

Not exact matches

The little vulgar newsshoprint freebie that started in Montreal back in 1994 now has more than 800 full - time employees in 34 countries making books, films, video, magazines, events and music, all funded through partnerships with some of the globe's biggest brands.
But then again, I was one of the few back on the»90s who thought (and who still thinks) that Cameron Crowe's film Almost Famous sucked big time.
A decade after «The Passion of the Christ» surprised Hollywood, rankled liberals and raked in $ 600 million worldwide, big studios are backing a flotilla of faith - based films.
Just when the theological debate surrounding the release of the big - screen adaptation of the novel The Shack had died down, Twitter user Erik Reed has just conceived of a film that is putting the heresy police back on their toes.
I have another trial in October that Dateline is already filming for --- so weird to have two big ones like that back to back.
So I go there to the banana farm and film the gorillas and get whacked over the head by a big silver - backed gorilla and everyone wins.
This tutorial was filmed back at my old apartment, when I was getting ready to vacate and move into a bigger one.
A few days back, some of the biggest names of Bollywood, the Indian film industry were seen on the red carpet of Zee Cine Awards 2017.
Since then, he's bounced back and forth between good films (Big Eyes) and bad (Dark Shadows).
While «Other People» begins with a big moment — daringly, THE big moment — then flashes back to a year earlier, the film is more interested in the mundane ways the characters relate to each other and in the minutiae of their lives.
It is nice to see the cast back together again and with the plethora of other bad animated films that hit the big screen today; this reviewer will always take another Shrek feature film... or even a Christmas Special.
The film tells the story of Liam O'Leary an Irish property developer of humble origins who has made it big and fast on the back of the Celtic Tiger.
Flashing back to 1948, the film finds toothpaste - heir Charley on the brink of marriage with Adele (Elisabeth Shue), the daughter of Hollywood big - wig Lew Horner (Robert Loggia).
If you go back to 2007 there was this really big line up for a new film getting promoted in my country and was made there called D - War.
Here's a film to remind you that while most guys of 45 have paunch - bulges on their tummy that balloon outwards as they bend forward, Dwayne Johnson gets two or three on the back of his big shaven head when he looks up.
Co-starring Survivor contestant turned thespian Colleen Haskell, Schneider's tale of a car accident victim imbued with superhuman powers after being pieced back together with animal organs kept the low - brow rolling while marking his territory among the ranks of the more successful transitions from SNL player to big screen star.Later, in the 2000s, Schneider frequently alternated between starring in his own films (The Hot Chick, Duece Bigalow: European Gigolo), and supporting his old pal Sandler (The Longest Yard, I Now Pronounce You Chuck and Larry), with few on either side truly managing to ignite the box office or his career momentum.
The Atlantic looks back on the key film scenes of 2017, this time Meryl Streep's big moment in Steven Spielberg's 1970s newspaper drama.
I remember when this came out it was quite a big action flick for Snipes, its funny when you look back on these old films and see how bad they really were hehe.
The bigger cameras have forced Bay to step back and steady his shots more and that was basically the only complaints I ever had with the other two films as far as the action went.
A few scenes are a bit coy and the «big secrets» threaten to pitch into melodrama, but Birmingham keeps bringing the film back to the delicate dynamics of the relationships at its heart.
The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill - fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid - back ex-surfer.
It didn't take long to deduce why the big studios didn't back this particular film — it's horrid.
Backed by Vice and Megan Ellison, The Bad Batch sees Amirpour given a big box of crayons with which to scrawl all over the proverbial walls, resulting in a film that's long on style, and short on substance.
Sobering the proceedings is a look back to last Sundance, where The Big Sick went on to gross nearly $ 40 million last year, and Wind River right behind it at $ 34 million to be the top - grossing prestige films of 2017, with both coming out of this festival.
We're also featuring every Anderson film that we could get our hands on, back on the big screen for Wes Anderson Week, culminating with the Dallas - treasured first, BOTTLE ROCKET!
It's been a trivia note ever since as the last time a film won the big prize without a Best Director nomination to back it up and it's unlikely that the feat will be repeated any time soon.
On the big screen, Rudolph's latest films include Bridesmaids, Grown Ups 2 and The Way, Way Back.
On big studio films, it's more laid - back, «but the food is much better.»
Reynolds, who was credited as a producer on the original film, is said to have a bigger influence on a sequel — something backed up by the No Good Deed short he posted online.
Allied is unusually linear, after the initial setup: Max is told he married a German spy in Marianne; against orders and behind Marianne's back, he sets out to disprove it.2 The apologist urge is to call it a maturation of Zemeckis's style, to tell a story so simply and economically (even if we've kind of been here before with Cast Away), but the film feels conspicuously underdeveloped as opposed to streamlined, to the extent that the big reveal seems as if it was decided on a coin toss; it's easy to imagine the opposite outcome without any sort of retrofitting to accommodate it.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 19, 2010 BIG BUDGET FILMS Harry Potter and the Deathly Hallows: Part 1 (PG - 13 for intense violence, frightening images and brief sensuality) First half of the final installment of J.K. Rowling's series has Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) joining forces to wrest control of Hogwarts and the Ministry of Magic back from evil Lord Voldemort (Ralph Fiennes) and his minions.
This connects back to the first trilogy of films in a big way and gives Thwaites» character a good reason for going on his pirate quest, despite not having a very pirate - like demeanor.
«No studio is going to take a big film to the ratings board and have them say, «Go back and cut that dismemberment or that decapitation,» or you land «in jail» with an NC - 17.
Nostalgia and movie sequelitis are the two main ingredients that invite back the majority of films from yesteryear looking to make a big screen impact yet again.
Transformers: Dark of the Moon Rated PG - 13 for intense prolonged sequences of sci - fi action violence, mayhem and destruction, and for language, some sexuality and innuendo Available on DVD and Blu - ray After the horrible reception of the second film (I actually received the worst hate mail of my career for my semi-positive review), the big metal robots are back for an even bigger adventure.
So I was back to dismay when entering his new film Big Daddy.
Limitations of the time sort of hold the artistic value of this film back, making it harder to deny the dramatic fumblings which highlights in style could have made up for, but the fact of the matter is that aesthetic value is rich enough to play a big role in making the film reasonably attractive.
The Martian Extended Edition The film that blew audiences away is back and bigger than ever with more than two...
Our titular characters try to earn a billion dollars to pay back the money they wasted on a big movie, and myself and Germain Lussier from SlashFilm recorded a video blog reviewing the film and letting people know whether it's just for the fans.
Backing up Gunn's perspective are the Rotten Tomatoes scores for the majority of the biggest comic book films of 2017.
The film that blew audiences away is back and bigger than ever with more than two hours special feature material that will give viewers even more reasons to «Bring Him Home.»
I also loved seeing Goldie Hawn back on the big screen, even with a somewhat compromised performance... she took the back seat in this film.
Not that I am really surprised — all great Superhero films come in threes — Marvel announced today the two writers that will be bring Mjolnir back to the big screen in the third installment of the Thor franchise!
A leviathan that has temporarily ducked back under the surface after pulverizing multiplexes all summer long, Christopher Nolan's symphonic blockbuster is not only one of the biggest studio films of the year ($ 523.7 million worldwide for a historical epic about one of modern history's greatest non-events), it's also one of the best.
Her biggest hits: Forrest Gump, Mrs Doubtfire, Hooper, Lincoln, Steel Magnolias, and literally every film she made with Burt Reynolds from 1977 - 1980 — audiences couldn't get enough of them together back then.
Back when it sounded like Suspiria was dead in the water, Green noted that the reason was mostly because the budget was just too big for a film that a studio was essentially going to be taking a risk on.
Moana teaser trailer: Following massive success with Zootropolis back at Easter, Disney release their second big animated film of 2016.
Ryan Gosling is continuing to move away from indie films in favour of some bigger Hollywood paydays this week, as he is now said to be in talks for another major tentpole movie after landing the lead in a Logan's Run remake back in February.
Isabel Coixet) Cast: Sophie Turner, Jonathan Rhys Meyers, Claire Forlani, Rhys Ifans, Geraldine Chaplin A director that's hard to pin down, Isabel Coixet has moved from Hollywood arthouse movies to European film and back again with ease, and in 2009 she hit Cannes with «Map of the Sounds of Tokyo» which didn't make a big splash.
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